This trait may or may not be a bluff on the part of Futura, who, finding herself the captive of a tyrannical hoodlum, begins to act more like her nemesis Yrina the Space Pirate. This real or effected persona meets with negative results and the former office secretary is forced to revert back to her tried and true method of beating the living crap out of everyone around her.
Futura's sometimes unintentional collateral damage to civilians aside for the most part she is trying to survive as a lawful person in an area of lawless space. Constantly attacked or targeted Futura nonetheless tries not to give back in kind. The universe, however, doesn't particularly care about the best of intentions. Through no real fault of her own Futura has been enslaved, hailed as a rebel leader and worshiped as the savior of an oppressed people. It is her fight to be free, regardless of the path the creators have taken, that is most interesting.
Futura's creative team never really addressed her motivations because in the disposable format of comic books of the era action was preferred over lengthy characterization. Particularly with Futura since the story features a strong, capable though dubiously ethical, female character who usually does not rely on Space-Rangers or love interests to save her. One of the real pleasures in reading Futura is gleaning the deeper story from the sometimes admittedly wandering storyline. What I've taken away from reading Futura is that what has been expressed earlier; it is a fact that often messiahs are hazardous to the health. Yet even more dangerous are those in the process of empire building.
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