Voyeur enabling comic book ad

While not being privy to the creation of the ad copy for this mini-camera from a 1958 girl's romance comic book it is hard to believe that the following sales point for the camera was meant for anyone other than emerging pervs or creepy adults. It is possible that it was totally innocent but the sleaze-factor, combined with the explosion of "camera clubs" during that time period leads me to doubt that the camera was meant just for laughs.

In case you can't read the copy it proudly states one of the positive features of the small, easily-concealed camera is:"Your girlfriend and other bathing-beauties will all relax in their natural pose and make a swell pin-up collection. Through a paper is just one of many ways to go about it."

You can view the entire ad (among others) from Brides in Love #9 (Sept 1958) via this post here.

And the winner for Creepiest or Most Disturbing Art on a Comic Book Cover Ever goes to...

"YOUNG LOVE #74 from way back in June 1969!"

(clap clap clap clap clap)

"With us today is artist Nick Cardy, who drew what is overwhelmingly the most awkward cover scene ever to grace a comic book! It's a real work of art, folks! The nubile, emotionally distraught daughter with her breasts in her Father's lap, the pensive, thousand-yard stare of the father into the distance, legs crossed, arms frozen as if he was too embarrassed to move for fear of the discovery of a terrible, embarrassing secret. A true classic and I'm squirming just looking at it. How ever did you do it, Nick?"

"It wasn't easy. Presenting raw sexual imagery as something innocent and pure is a heck of a balancing act. Like most of my fellow artists in the biz we had a lot of experience sneaking questionable content past the CCA censors but the editor kept rejecting the preliminary sketches I sent him. He'd say: 'Too innocent! Not sexy enough! Too sexy, want to get me fired? Not enough innuendo! Too MUCH innuendo!' The cost of mailing all the artwork was nearly my ruin. We didn't have the internet back then. Human messengers actually risked life and limb running through busy New York streets to deliver the artwork on time! Some died, even, I'm told."

"But it was totally worth it! You had some stiff competition considering you were up against every comic published in the 1990s. All that hard work really paid off!"

"Yeah, I finally nailed the cover but I had to think about baseball a lot."

"Nick Cardy, folks!"

(clap clap clap clap clap)