One of the more popular sequences was The Tar Baby, a tale in which the character of Brer Rabbit escapes from predators using reverse-psychology. For the uninitiated and anyone who grew up outside of the South after 1970 the term "Tar Baby" is a pejorative in relation to African-Americans. As a child in the late 60s watching this film in the drive-in I had no idea that the sticky trap represented anything other than what it appeared to be. In the Disney universe of walking, talking intelligent animals I didn't see anything unusual with Brer Rabbit engaging an inanimate object in conversation and expecting a reply. It is unlikely that the creators and audiences of the 40s thought the same and knew exactly what the sticky trap was supposed to represent, which is only one of the reasons the film was eventually pulled from syndication.
The marketing and exposure for some some sequences continued unabated. Stripped away from negative associations the fun and bouncy song Zip-A-Dee-Doo-Dah has regularly appeared in music collections and on various video releases since it was originally issued. Yet the mistakes of the past had a way of repeating into more contemporary times in spite of the decisions to suppress the less enlightened and insulting aspects of the film.
In 1958 Walt Disney's Silly Symphonies #8, under the Dell imprint, published a recipe for a "Tar Baby" treat as a one page fun feature. The snack, which kids could make at home or (I shudder to think)
In the interest of parity I changed the recipe to make it more representative of the contemporary South and included it in this post, which you can click on to make double-wide size for easy viewing. For those who prefer the "warts and all" approach to history the original can be viewed here.
Note for people with IQ equal to their shoe size: Original recipe for educational purposes only. Please do not print out and share with your Cousin-Spouses, pals in the unemployment line or distribute at Sunday school gatherings.
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