A long time ago someone at Disney had the great idea that old American folk tales done in an animated style would make a great movie. The result was the 1946 live action and animated film
Song of the South. Unfortunately, Hollywood and America of the 1940s was hardly a positive example of racial sensitivity and the execution of the
Uncle Remus tales the film was based upon was, in hindsight, terribly managed. The main and wholly accurate complaints with the film is the depiction of African slaves as being happy, content and grateful for their subjugation. Caricatures that were fashionable and acceptable in popular entertainment of the era are numerous. Because of the way people were depicted and in spite of any artistic merits the film may contain it has not been fully released for the home audience in the intervening decades and only appears in the United States in heavily edited versions.
One of the more popular sequences was
The Tar Baby, a tale in which the character of Brer Rabbit escapes from predators using reverse-psychology. For the uninitiated and anyone who grew up outside of the South after 1970 the term "
Tar Baby" is a pejorative in relation to African-Americans. As a child in the late 60s watching this film in the drive-in I had no idea that the sticky trap represented anything other than what it appeared to be. In the Disney universe of walking, talking intelligent animals I didn't see anything unusual with Brer Rabbit engaging an inanimate object in conversation and expecting a reply. It is unlikely that the creators and audiences of the 40s thought the same and knew exactly what the sticky trap was supposed to represent, which is only one of the reasons the film was eventually pulled from syndication.
The marketing and exposure for some some sequences continued unabated. Stripped away from negative associations the fun and bouncy song
Zip-A-Dee-Doo-Dah has regularly appeared in music collections and on various video releases since it was originally issued. Yet the mistakes of the past had a way of repeating into more contemporary times in spite of the decisions to suppress the less enlightened and insulting aspects of the film.
In 1958
Walt Disney's Silly Symphonies #8, under the Dell imprint, published a recipe for a "Tar Baby" treat as a one page fun feature. The snack, which kids could make at home or (I shudder to think)
school, was a marshmallow creation covered with dark chocolate that resembles the sticky trap that Brer Rabbit ran afoul of in the
Song of the South feature. In 1946 sheer ignorance and marketing inertia could explain the promotion of stereotyped caricatures of African-Americans though it would have been a little harder to justify in 1958. It could only have been utter stupidity when the decision was made to include the one-page recipe feature and reprint it in 1975 in
Walt Disney's Showcase #28. By the 1970s everyone involved should have known better.
In the interest of parity I changed the recipe to make it more representative of the contemporary South and included it in this post, which you can click on to make double-wide size for easy viewing. For those who prefer the "warts and all" approach to history the original can be viewed
here.
Note for people with IQ equal to their shoe size: Original recipe for educational purposes only. Please do not print out and share with your Cousin-Spouses, pals in the unemployment line or distribute at Sunday school gatherings.
Watched the classic 1965 film Planet of the Vampires last night and as ever was amused by the look of the unusual pressure suits worn by the cast with the impractical high collars, helmets, bulky gloves and stiff joints.
I've had the phrase 'Weaponized Bio-Whore' stuck in my brain for weeks and finally photoshopped it out of my head where it can cease wreaking havoc on my gray cells. This must be what Ellis, Morrison and Moore feel like sometimes.
A long time ago someone at Disney had the great idea that old American folk tales done in an animated style would make a great movie. The result was the 1946 live action and animated film Song of the South. Unfortunately, Hollywood and America of the 1940s was hardly a positive example of racial sensitivity and the execution of the Uncle Remus tales the film was based upon was, in hindsight, terribly managed. The main and wholly accurate complaints with the film is the depiction of African slaves as being happy, content and grateful for their subjugation. Caricatures that were fashionable and acceptable in popular entertainment of the era are numerous. Because of the way people were depicted and in spite of any artistic merits the film may contain it has not been fully released for the home audience in the intervening decades and only appears in the United States in heavily edited versions.
school, was a marshmallow creation covered with dark chocolate that resembles the sticky trap that Brer Rabbit ran afoul of in the Song of the South feature. In 1946 sheer ignorance and marketing inertia could explain the promotion of stereotyped caricatures of African-Americans though it would have been a little harder to justify in 1958. It could only have been utter stupidity when the decision was made to include the one-page recipe feature and reprint it in 1975 in Walt Disney's Showcase #28. By the 1970s everyone involved should have known better.
Hard enough to score concrete?
Like that was a coincidence.
Perhaps I've watched the Village of the Damned too many times but I really find British children to be scary as hell. When I first saw the classic science fiction film based upon the novel The Midwich Cuckoos I didn't know the kids were soul-less mutants. I just thought they were normal private school kids.
It appears the Comics Code Authority wasn't as strict in their oversight about the content of comic books when it came to advertisements. Not very surprising since the same board had no problem letting a comic book run ads for Raquel Welch inflatable love pillows.
