Dienstag, 29. Dezember 2009

Thirst

Who says vampires can't get it on? Not me, and certainly not Park Chan-wook, Korean auteur extraordinaire (The Revenge Trilogy, JSA, Three ... Extremes). He's also jettisoned the whole fang thing, but otherwise the standard lore is in place (the blood is the life, no sunshine, superhuman strength, etc.). And yet this one element, sex, opens things up considerably, plot-wise, making for a more intimate, complex and unpredictable story of a man, a woman, and their sexual/vampiric relationship.

The man in question, a Catholic priest named Sang-hyun (Korean superstar Song Kang-ho), volunteers to become infected with an ebola-like virus as part of a drug trial in Africa. Sang-hyun (get it? Sang is French for blood) is inadvertently transfused with some vampire blood that keeps the virus at bay, but, of course, makes him a vampire in the process. In keeping with convention, Sang-hyun's genesis involves a heightening of the senses, but this time out, that extends into his pants. Yes, in addition to a newfound thirst for blood, he discovers he's also got a hankerin' for some good old fashioned poontang. This leads him to pretty yet troubled Tae-ju (Kim Ok-bin) who becomes his first girlfriend (although she's married to someone else ... ). However, Sang-hyun never fully abandons his moral nature, and his inner conflict, reminiscent of Louis from Interview with the Vampire, makes his character that much more compelling.

What I found most striking about Thirst was the way the film defied my expectations. I've seen a lot of vampire films, but this one kept me off balance throughout. Park Chan-wook takes the "rules" of vampirism (clearly borrowing from Anne Rice) and turns them sideways, defying audience expectations while working within the parameters of the genre. As I say, he brings human sexuality into the mix (thus eliminating the need for the penetrating fang), and we all know how complicated things can get when that happens. The line between human and vampire is blurred to the point where genre predictability is all but obliterated.

Thirst won the jury prize at the 62nd Cannes Film Festival last Spring, the second Cannes award for Park Chan-wook (he got one for Oldboy in 2004).

Matthew Allison cover Demon Hunter 1




















Original cover by Rich Buckler; Atlas 1975. Matthew Allison's website is here.

Skinning the Cat

I'm concerned enough about the state of comic books that I pay attention to, if not campaign about, the negative portrayal of women in comics. My stance is usually that much of the fanboy/girl service in the way women are drawn and scripted that abounds in comic books is not necessary and is therefore just ridiculous. Silly attempts to justify the Power Girl costume aside there are a few instances where the exploitation of the female form in a comic book is an important part of the story. One such example was in the Seven Soldiers mini featuring The Bulleteer. One premise of the story was the fetishistic nature of the superhero so it could be argued the manner in which the female Bulleteer was rendered was necessary since she was the victim of her husband's sexual obsession with superheroes.

Another example could be the recent issue of World's Finest #3 (February 2010) featuring Supergirl, Batgirl and Catwoman. In this issue Batgirl and Catwoman find themselves in conflict with robots created by the Toyman. Throughout the entire very physical fight Catwoman's costume remains closed and serves as protection, which is what a good costume should do. It is only when she is rendered unconscious and tied up that her costume is unzipped exposing her breasts. Catwoman is often portrayed with a casual opened front to her costume but in this instance it is doubtful she did this to herself.

I don't know if her costume being unzipped once she is bound was intentional on the part of the creators but it looks like the Toyman robot, once it had Catwoman helpless, decided to play with the captive a bit. That adds an unstated layer of creepiness to the whole scene. That Catwoman was perhaps violated isn't even addressed in this story and in fact she is casually dismissed by Batgirl and Supergirl, a couple of young heroes who are acting just a bit too pleased with themselves over the whole thing. It would be interesting to see a hurt and angry Catwoman lecture the World's Finest Teens while she uses the real Toyman as a scratching post.

On the other hand, if the creators just decided that a woman being tied up and showing her boobs was sexy and drew her that way just because they could, then shame on them.

Montag, 28. Dezember 2009

Freitag, 25. Dezember 2009

The True Reason for the Season

This is an Operation: Awesome Christmas update!

As intended I completely crushed the gift-giving abilities of everyone else in the family. Making everyone else look lame and silly by comparison has given me such a warm and happy feeling this holiday season.

Here is what I gave!

Mom: Made her mortgage payment for her. Didn't know what she paid each month so I just threw money at the bank. Turns out to be a payment and a half. She cried a lot. I win at being the best child.

Dad: One of those watches from Japan that forces you to do math calculations to figure out the time. He is really into gadgets like that.

Sister: Professor Marvel county fair banner recreation prop. As a Wizard of Oz fan, she plotzed.

Nephew: Screw that guy. I gave him 20 bucks.

Son: Drum set and LP player that plays and records vinyl to a computer. The son is really into my extensive LP collection which includes 75s, 45s and many, many albums from early Motown era to the late 80s so I let him have that. Also gave him money.

Wife: Jewelry and a nifty laptop. She previously had little interest in computers beyond playing Bejeweled and Mahjongg on my PC until I got her a Purple Netbook, which she uses for communication when out and about or traveling when texting isn't enough. From that experience she wanted a laptop of her own so I got her a nice one. The jewelry consisted of several sets of earrings. While wandering around the stores if she mentioned they were nice or showed some interest I went back later and bought them for her.

The Chihuahua: A bag of chicken treats, a few chew toys and a coupon good for one incident of pooping in the house.


What I got!

Land of the Lost Board game and Safari Shooter
!

Sleestak mask! I have no idea what to do with it. Maybe put it on a wig mount and in a glass case? Still cool, even if it is from the stupid movie.

The Great Anti-War Cartoons from Bully!

A t-shirt 2 sizes too small!

100 bucks!

Wallet, pen and watch set!

So the day turned out pretty much as I predicted. Everyone else in the family is full of shame and I went home full of the knowledge I totally kicked everyone's asses.

Don't forget to have a Hayley-riffic Christmas!

Chris Hoobler covers Calvin and Hobbes: The Days are Just Packed




























Original cover by Bill Watterson; 1993 Andrews McMeel Publishing. Chris Hoobler's website is here.

Happy Xmas

Balboa Park, San Diego (December 22, 2009).

Donnerstag, 24. Dezember 2009

Hot Kimchi



While it doesn't have the mystical healing powers that some attribute to it, kimchi is pretty good when you feel poorly. The spiciness of kimchi rather any magical properties is what clears up the chest and sinuses and the effectiveness of it is increased when it is served boiling hot.

Among the traditional condiments served tomorrow at the Christmas family meal will also be some fresh kimchi.

Everything Kimchi on Lady, That's My Skull!

Wow! That's a lot of kimchi!

Love That Kimchi!

Images of Kimchi
I don't know if Rule #34 applies to kimchi, but I wouldn't be surprised. Click carefully.


Nic Cowan covers Tank Girl: The Collection


















Original cover by Jamie Hewlett; Dark Horse 1993. Nic Cowan's website is here.

Mittwoch, 23. Dezember 2009

Superman's Girl Friend Lois Lane #99

Superman's Girl Friend Lois Lane #99 (On Sale: December 23, 1969) has a cover by Curt Swan and Murphy Anderson.

This issue, the last DC book of 1969 begins with our cover-story, "Is Lois Lane Guilty?" by Robert Kanigher and Irv Novick.

The back-up story is "The Man Who Was Clark Kent's Double" from Superman's Girl Friend Lois Lane #3 and drawn by Kurt Schaffenberger. While investigating a story of a modern day Robin Hood in the town of Hadley, Lois Lane meets Mark Benton who looks identical to Clark Kent. She quickly falls in love with Mark, but he slips away several times. She begins to suspect him of being Robin Hood.

While several attempts to learn the truth fail, Lois finally finds the Robin Hood mask in his coat pocket. Mark is upset because his Robin Hood act was done to help the poor. He is really a wealthy man named Ronald Van Horton. He assumed the Mark Benton identity because he doesn’t want people to like him for his money. He had planned to propose, but Lois’s suspicions show a lack of trust. She is heartbroken when Mark dumps her.

Edited by Mort Weisinger.

Heart Throbs #124

Heart Throbs #124 (On Sale: December 23, 1969) has a cover by Ric Estrada and Vinny Colletta.

This issue begins with our cover-story, "Love Stop," drawn by Ric Estrada and Vinny Colletta. This one is a long, 24-page stroy. We end with "The Girl Voted Most Likely to Succeed" penciled by Jay Scott Pike.

Edited by Joe Orlando.

Total Film's 60 Greatest Movie Books

Guess who made the list? Asia Shock is #23.

A particular kick, as this is my favorite Brit mag. I even went to the considerable expense of securing a subscription. I also enjoy sending them insulting emails castigating their staff for occasional mistakes regarding Asian film. Being British, this is no doubt the reason for their warm embrace.

Anyhow, thank you, Total Film!

Spot the Secret Sleestak

Everyone has heard of "Hidden Mickeys" right? Where Disney Imagineers inserted Mickey Mouse images in most of the attractions at the famous theme parks?

Well, much like silhouettes of the famous mouse appear all over the Disney theme parks so do representations of the Sleestak from the classic 70s television show The Land of the Lost appear elsewhere! A fan site commenter somewhere made the assertion that the statue of El Cid in San Diego's Balboa Park contains a Secret Sleestak! Can you find it?


El Cid, by Anna Hyatt Huntington. Installed 1930.

The Good, the Bad, the Weird

Kim Ji-woon does it again (see previous post). This time out, the genre-hopping Korean director serves up a heapin' helpin' of what I would call "kim chee ramen western." Yes, in an affectionate nod to the Dollars Trilogy of Sergio Leone, Kim delivers a fast-paced, wildly exotic horse opera set in Manchuria in the 1930s filled with gun-slinging Chinese outlaws, opium-smoking prairie prostitutes, marauding Korean bandits, thieves, psychos and revolutionaries ... oh, and the Japanese Imperial Army, all in constant motion via motorcycles, trains, trucks, jeeps and, of course, horses. Lots of horses.

At the center of it all is the irrepressible Song Kang-ho (The Host, The Quiet Family, The Foul King, Thirst, JSA, Secret Sunshine, Sympathy for Mr. Vengeance, Memories of Murder, etc. etc.) as Yoon Tae-goo, The Weird. While robbing a train he comes into possession of a treasure map (which becomes the operative MacGuffin of the piece). He's a two-pistol shooter, greasing, hmm, maybe 100 guys throughout the picture? 200? (The mortality rate in this movie is off the chart.) Then there's Jeong Woo-seong as The Good (a bounty hunter named Park Do-won), doing a slick Korean version of Clint Eastwood. And finally we have Lee Byeong-heon as The (very) Bad Park Chang-yi, channeling a sinister Alain Delon by way of Prince (trust me, it works -- you've just gotta see it). These guys go round and round, winding up in a three-way standoff similar to their original counterparts in the film's namesake. Along the way we get many an homage to the Leone trilogy including a scene involving metal plating used as a bullet-proof vest, as well as a bit where someone's hat is shot off, then continually shot out of reach.

Kim Ji-woon was also influenced by Eastwood's Unforgiven (1992). "I wasn't particularly aiming to make the Western genre popular in Asia," he told an interviewer at Cannes last Spring. "It's enough that I can revive the Manchurian Western genre in Korea."

There's so much lead flying through the air in The Good, the Bad, the Weird, it could pass as a weather condition. Some might feel the action sequences go on a bit; that all depends on how you feel about action sequences. Fortunately, Kim's are the best in the business: Inventive, thrilling, outrageous. My advice is don't fight it, just sit back, relax, and let the madness sweep over you. As contemporary Korean westerns go, you really can't do better.

EDIT: I recently purchased this DVD of the film. It's the shits. Terrible, blurry transfer. Clearly somebody downloaded a low-res, compressed version, pressed it on disk and distributed it to vendors who don't bother to check out their foreign titles. DO NOT BUY THIS DISK.

Girls' Love Stories #149

Girls' Love Stories #149 (On Sale: December 23, 1969) has a cover penciled by Ric Estrada. Some have this credited to Nick Cardy, but those people are on serious drugs.

This issue begins with our cover-story, "Forbidden Love," penciled by Ric Estrada. Next is "For Better or Worse" penciled by John Rosenberger. That is followed by "...But Only in My Dreams" penciled by Ric Estrada. We end with Confessions : "Episode 3" penciled by John Rosenberger.

Edited by Joe Orlando.

From Beyond the Unknown #3

From Beyond the Unknown #3 (On Sale: December 23, 1969) has a great cover by Neal Adams.

We begin with our cover-story, "When Earth Turned into a Comet" reprinted from Strange Adventures #150 and created by Gardner Fox, Carmine Infantino and Joe Giella. An astronaut on the Moon uses illusion and bluff to save the Earth from invaders.

Next is "Prisoner of the Electronic Eye" from Mystery In Space #53 and the work of John Broome, Gil Kane and Frank Giacoia. A man must figure out how to escape from an inescapable room so he can stop Earth and Saturn from going to war.

The next story is "The Space Hermit" from Strange Adventures #34 and the product of Sid Gerson and Henry Sharp. When an alien sealed in an indestructible bubble crashes into a ballpark a scientist works to free him. The question is should he? Between 1953 and 1955 Henry Enoch Sharp drew 15 science-fiction stories fro DC Comics appearing in Mystery In Space and Strange Adventures; this is the only one of those stories where Sharp provided both pencils and inks. During his tenure at DC Sharp also worked for St. John Publishing.

Henry Enoch Sharp started off in the early 1950s working for the pulps, drawing for Fantastic Adventures and Other Worlds along with doing some advertising work. As the pulps began to die, Sharp switched over to comics, spending four years at Ziff-Davis where he worked on a number of books including G.I. Joe (see his cover painting for G.I. Joe #10, which is actually issue #1) and Sky Pilot. Then in a change of careers, Sharp began to work in television as a writer where he had a successful run through the mid-1970s.

Henry Sharp wrote for such diverse shows as The Real McCoys, Bachelor Father, The Donna Read Show, The Many Loves of Dobie Gillis, The Andy Griffith Show, McHales's Navy, Bewitched, Here Comes the Brides, Mission: Impossible, The Man From U.N.C.L.E., Target, MacKenzie's Raiders and The Addams Family. Moreover, Sharp was the Story Consultant and one of the writers for The Wild Wild West for four years. In the 1970s he wrote for Valley of the Dinosaurs, Super Friends and The Amazing Chan and the Chan Clan.

Our last story is "Escape from Earth" reprinted from Mystery In Space #61 and created by John Broome and Murphy Anderson. In the 30th century the Council of Eternity decrees that all the people of Earth must enter the Chamber of Immortality so they will live forever. Four people decide that the new immortals no longer seem fully human and contrive to escape from Earth and find a new planet to live on as mortals, even though this means if caught immortality will be forced on them and they will be given a jail sentence of 100,000 years!

Edited by Julius Schwartz.

Noel Tuazon covers Gargoyle 2



















Original cover by Jon J. Muth; Marvel 1985. Noel Tuazon's website is here.

Detective Comics #396

Detective Comics #396 (On Sale: December 23, 1969) has a cover by Neal Adams.

This issue begins with Batman in "The Brain-Pickers" by Frank Robbins, Bob Brown and Joe Giella. Wall Street wiz-kid Rory Bell makes the cover of Now! Magazine and the notice of Bruce Wayne and three thugs led by a guy named Sharf. Bell rides around on his motorcycle and radio-phones in his orders to his broker and girl friend, Nan Owens.

Sharf has a buddy who works at the garage where Bell keeps his bike and has had his helmet bugged, so that when he places an order Sharf and his buddies will be able to "share in the wealth." Their plan goes south when they find out Bell phones in his orders in code.

As it ends up Nan is Bruce's broker as well and Bruce calls in to see how "the street" is reacting to Wayne Enterprises proposed merger with Seven-Star Pictures. Nan mentions how Bell has bought in for a "big slice" and how others are following his lead. Meantime, Sharf and his buddies waylay Bell on his bike and say they are going to hold him up in a motel room for a few days and make all the same trades as he does to get rich quick.

Bell tells them it doesn't work that way, that if he can't ride his bike he can't figure out what to trade, so the thugs agree to just follow him by car. Bell's first order is to sell Wayne Enterprises which forces Nan to Call Bruce to try and soften the blow on "the street." Eventually Bruce figures out that Bell's orders are really a code for where he located and as Batman Bruce goes to intercept him.

At a gas station Batman confronts the thugs and has to use the remote-control features of the new Batmobile to foil the thug's plans. All in all a pretty stupid story. I remember liking Robbins' run on Batman, so either it gets a lot better or I didn't have very good taste in writing back then.

Much better written by Frank Robbins is the back-up Batgirl story, "The Orchid-Crusher," drawn by Gil Kane and Murphy Anderson. The Orchid-Killer is murdering one redhead after another and Barbara Gordon is even dreaming that as Batgirl she is a victim of the killer. She learns that the last victim had registered at a computer dating service when she finds a book with the woman's dating card used as a bookmark. She tracks down the last borrower of the book, but he has moved out of his apartment. Barbara immediately rents the apartment and also joins the computer dating service. She has to brush off Jason Bard's advances as she waits for the trap she is setting to be sprung.

She does get a date through the service, a mousy looking man named Max Tournov, but he seems harmless, till he buys her an orchid and then tries to kiss her. She sends him over her shoulder and he responds by crushing he orchid and running off. As Batgirl Barbara gives chase, but loses him. As she frantically searches, she is pulled into a dark alley by an unseen figure who says, "A red-headed Batgirl will do for now!"

The filler story is "The Master of Mind Over Matter" from Strange Adventures #26 by Jack Miller, Gil Kane and John Giunta. This is a tight little story about a psychiatrist and amateur magician named Blake, whom the police asked to report on the sudden death of a magician named Elmo the Great, since the man had been investigating Elmo for a while. It seemed Elmo could do miraculous things: levitate people, turn water into wine, etc. Blake was present when Elmo suddenly died. In his report he tells the police that he believes an alien creature had entered Elmo's body and was the source of his amazing powers. The police scoff at such nonsense and leave. Blake then reveals that he knows what he says to be true because when Elmo died the creature entered his own body.

Edited by Julius Schwartz.

Brave and the Bold #88

Brave and the Bold #88 (On Sale: December 23, 1969) has a cool Batman and Wildcat cover by Neal Adams.

We begin with Batman and Wildcat in "Count Ten ...and Die" by Bob Haney, Irv Novick and Mike Esposito. Much like the Vigilante in this month's Justice League of America, this too is a new Wildcat of Earth 1 and never before seen. Bruce Wayne visits a flophouse on skid row to find Ted Grant, the retired undefeated heavyweight champion, who has fallen on hard times since he left the world of heavyweight competition to open a gym for underprivileged children. Over time Ted lost the gym and is now just another bum existing on the seedier side of town.

Bruce offers to pay off all of Grant's debts if Ted will coach the American boxing team for the World Youth Games in Vienna, in which Bruce is coaching the fencing team. Ted declines, saying his best days are in the past and after Bruce leaves he pulls out his old Wildcat costume and thinks how he is even too old and slow to wear it anymore. But when he sees Bruce being hassled by two guys on the street, Ted leaps into action and takes the two out easily. He decides that maybe their is still life in his old bones after all and accepts Bruce's offer. After Ted leaves Bruce pays off the two "thugs" whom he hired to rough him up knowing it would spur Ted into action.

Weeks later in Vienna, the seemingly Russian coach (if is never said for sure), Koslov, taunts Grant in front of his team, saying he was too afraid of Koslov to ever fight him. Meanwhile, as Batman, Bruce is briefed by "Military Intelligence" in Vienna on a free-lance spy named Kurt Schimmerling who was supposed to sell some information on the date the "other side" is planning on launching an armed space station. Schimmerling never delivered the information and it is now assumed that the "other side" has offered him more to sell it back to them. Batman's job is to get the information from Schimmerling before he sells it back.

Back in the athlete's village Ted breaks up a fight between the American boxing team and the team from the "other side." Koslov is there to say that the Americans started the fight and are bad sportsmen. Signs of "Americans Go Home!" and "Americans Don't Play Fair" spring up around the village and later Koslov eggs Ted on and challenges him to a fight, which Ted backs away from. His kids see it all and are afraid of becoming a laughing stock and Bruce tells him that he has now become part of the cold war and needs to fight Koslov and win. Grant is unsure what to do and walks off to think it over.

Bruce needs the time to change back into Batman and pick up Schimmerling's trail. He finds him and begins following him through the streets of Vienna. Meanwhile Ted has borrowed a bike from the cycling team and is tooling through the streets in his old Wildcat uniform when he sees Batman chasing Schimmerling into the sewers. Schimmerling loses Batman there but Wildcat picks up the trail only to lose him as well when he is suckered over a waterfall.

Back as Ted Grant spots him entering an amusement park and when Ted takes a ride on the giant Ferris wheel, Batman joins him in the car. Batman tells Ted that he must fight Koslov and says that Ted has not lost his old gifts at all and to prove it takes Ted on in a massive fight in the car. In the end only Ted emerges, Batman flat on the floor and thinking that though he pulled some punches, that Ted was quite a scrapper in his time.

The ploy works and Ted begins to train for the fight with Koslov. Batman meanwhile sets a timer on the arena lights to turn them off in the seventh round, figuring that if Ted is losing he will "take his place using a plasti-face-mask from my disguise kit." Batman then gets back on the trail of Schimmerling finding a ticket to the Koslov/Grant fight in his room, but before he can act on this information he is captured by agents from the "other side."

Later the big fight takes place and Ted goes out strong against Koslov, but by the fourth round Ted is tired out and Koslov is coming on strong. Later when Koslov gets Ted in tight he tells him that they have Batman and that if he wants to see him alive he needs to lose the fight. Just then the lights go out and Ted knocks Koslov out, carries him out to a nicely placed cycle with sidecar and gets the now awake Koslov to tell him that they are keeping Batman on a river barge.

Ted drives off a bridge onto the barge and rescues Batman and they somehow manager to get back to the arena before the lights go back on. Batman spots Schimmerling as Koslov knocks Ted to the mat. As Batman follows Schimmerling out of the arena and Ted is being counted out, Batman throws a batarang into the ring to land in front of Ted on which Batman has written "has-been!" This is enough to inspire Ted to his feet where he knocks out Koslov. Meantime Batman is able to intercept the transfer of information between Schimmerling and the folks from the "other side"

The American boxing team does well in the games and Ted begins to think that maybe Wildcat isn't completely washed up either. Reprinted in Showcase Presents: The Brave and the Bold Batman Team-Ups Vol. 2 TPB.

The back-ups are both filler stories written by Murray Boltinoff and drawn by George Tuska: "Death Turns the Dial" and "Killed with Kindness."

Edited by Murray Boltinoff.

Adventure Comics #389

Adventure Comics #389 (On Sale: December 23, 1969) has a cover by Murphy Anderson.

This issue begins with Supergirl in "The Mystery Magician" by Robert Kanigher, Winslow Mortimer and Bob Oksner. The back-up Supergirl story, "Supergirl's Jilted Boy Friends"is by Cary Bates and Kurt Schaffenberger.

Edited by Mort Weisinger.

Action Comics #385

Action Comics #385 (On Sale: December 23, 1969) has a cover by Curt Swan and Murphy Anderson.

This issue begins with Superman in "The Immortal Superman" by Cary Bates, Curt Swan and George Roussos. The back-up Legion of Super-Heroes story, "The Fallen Starboy" is by E. Nelson Bridwell, Winslow Mortimer and Jack Abel. This story was reprinted in Legion of Super-Heroes Archives Vol. 9 HC and is the first LSH story in years not written by the now departed Jim Shooter.

Edited by Mort Weisinger.

Dienstag, 22. Dezember 2009

Futura - Chapter 14

Planet Comics #56 from September 1948 picks up with space heroine Futura as a prisoner, falsely accused of being the pirate Yrina. Futura is taking steps to clear her name when another pirate attacks and takes her prisoner. This episode has Futura held under guard and in more cheesecake poses than is usual. Perhaps the creators chafed under the typical guidelines for this type of tale because it doesn't take long for them to have Futura break the cliche of the helpless prisoner.

Sooner or later you would think the bad guys would learn not to bring Futura into their sanctum and allow guns, heavy objects and pointy things within her reach.

Enjoy!

Dan Lehane covers Amazing Spider-Man 55





















Original cover by John Romita and Mike Esposito; Marvel 1967. Dan Lehane's website is here.

Montag, 21. Dezember 2009

Be First Back To Your Cave

This is an Operation: Awesome Christmas update!

I am a difficult person to buy presents for. If it isn't the newest Gerber multi-plier my wife has no idea what to get me for special occasions. So some of the time we agree upon a budget and I buy myself something nice. This year for Christmas we did just that and I really scored.

After more than a few unsuccessful years trying to find a vintage Land of the Lost board game for my own I finally managed to snag a good specimen. I had searched for the LotL game from the first series in an on-again, off-again fashion for a few years now. Professional collector resources were ridiculously expensive and the grifting nature of the sellers of most auction sites made my attempts to buy one exercises in frustration. Bids at a more than fair price were routinely lost at the last possible second as Seller ABC, under the guise of sock-puppet Buyer ACB, purchased the item from themselves to prevent it from being sold at less than what they wanted monetarily.

Discouraging, but I knew that interest in the 2009 Land of the Lost movie would see a greater proportion of LotL-related merchandise for sale than were previously available. While the studio predictably did not market a line of toys there were a few promotional and licensed memorabilia items available. One internet pal has sent me on several occasions promotional gear from the film such as a shirt, compass and hat. That was cool and was very welcome.

It was over the course of the last several weeks I managed to successfully purchase two examples of vintage Land of the Lost merchandise. My experiences with the sellers were positive and not merely because I won the sales but because they acted like professionals running a business, something that is sorely missing from much online retail.

Here are the two recent acquisitions to my collection of Land of the Lost memorabilia. Click the photos to make them Dino-sized.

Safari Shooter
The first game I purchased was the Land of the Lost Safari Shooter pinball game from 1975. It is in excellent condition and if I ever go insane I'll take it out of the wrapper. The backboard image for the pinball machine is pretty sweet and I'd love to take it apart just to scan it. If I ever find one for real cheap that is a mess I will. More than likely it will go in a shadowbox and get hung on the wall.


Land of the Lost game
The second item is the big prize and is the favorite of the two. It is the 1975 Land of the Lost board game by Milton Bradley. It is relatively rare to find one of these games in acceptable condition and this one is in really good shape. Here are photos of the box cover, inside cover, rules with adjacent spinner and the game board.

This is the best Christmas ever.

Note: I'm not usually one for watermarking my images but I put a bit of time and effort into acquiring this awesome vintage game. I did take pains to avoid placing the LTMS logo over the image itself because I like to share. If someone is going to gank these pics and use them without attribution or go so far as to slap a 'Mecha-Droid Ten' logo on it and act like they own it then they are going to have to spend a few minutes working for it.