Posts mit dem Label Bob Haney werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Bob Haney werden angezeigt. Alle Posts anzeigen

Mittwoch, 7. Juli 2010

Super DC Giant S-14

Super DC Giant S-14 (On Sale: July 7, 1970) has a cover by Joe Kubert and features "Top Guns of the West."

We begin the reprint-fest with Johnny Thunder in "Target -- Johnny Thunder" by Robert Kanigher and Gil Kane and reprinted from All-Star Western #107.

Next is Nighthawk in "Black Sar Gang" by Gardner Fox and Ruben Moreira and reprinted from Western Comics #43.

That is followed by Matt Savage Trail Boss in "The Gun-Trap on Signal Hill" by Gardner Fox, Gil Kane and Joe Giella and reprinted from Western Comics #84.

Next we have the Wyoming Kid in "The Million Dollar Coin" by Gardner Fox and Bruno Premiani and reprinted from World's Finest Comics #62.

We have another Johnny Thunder tale, "Trap of the Sheriff's Hat" by Bob Haney and Gil Kane and reprinted from All-Star Western #99.

We end with the Trigger Twins in "The Surprise Sheriff of Rocky City" by Robert Kanigher and Carmine Infantino and reprinted from All-Star Western #104.

Edited by Dick Giordano.

Mittwoch, 23. Juni 2010

Brave and the Bold #91

Brave and the Bold #91 (On Sale: June 23, 1970) has a cover by Nick Cardy.

"A Cold Corpse for the Collector" featuring Batman and the Black Canary is by Bob Haney and Nick Cardy and I remember this being some really great artwork. I wish I could remember the story and I know I have this around here somewhere, but everything got rearranged when I moved my new table into my studio. Damn! I'll find it soon and put a real entry in here. This was reprinted in Showcase Presents: The Brave and the Bold Batman Team-Ups Vol. 2 TPB.

Edited by Murray Boltinoff.

Mittwoch, 7. April 2010

G.I. Combat #142

G.I. Combat #142 (On Sale: April 7, 1970) has a Haunted Tank cover by Joe Kubert.

We begin with the Haunted Tank in "Checkpoint -- Death" by Robert Kanigher and Russ Heath and reprinted in Showcase Presents: Haunted Tank Vol. 2 TPB. Next is "The Garbage Hero" by Bob Haney and Sam Glanzman. We end with "The Last Survivors" by Robert Kanigher and Russ Heath.

Edited by Joe Kubert.

Mittwoch, 17. März 2010

Superman #226

Superman #226 (On Sale: March 17, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story, "When Superman Was King Kong" by Leo Dorfman, Curt Swan and George Roussos. The back-up is "Uncle Sam's Prize Prisoner" by Bob Haney, Curt Swan and Joe Giella.

Edited by Mort Weisinger.

Mittwoch, 10. März 2010

World's Finest Comics #193

World's Finest Comics #193 (On Sale: March 10, 1970) has a cover by Curt Swan and Murphy Anderson.

This issue begins with Superman and Batman in "The Breaking of Superman and Batman" by Bob Haney, Ross Andru and Mike Esposito. The back-up story stars Robin and is from Star Spangled Comics #120 and is drawn by Jim Mooney.

Edited by Mort Weisinger.

Mittwoch, 3. März 2010

Our Fighting Forces #125

Our Fighting Forces #125 (On Sale: March 3, 1970) has a Losers cover by Joe Kubert

We begin with our cover-story, the Losers in "Daughters of Death" by Robert Kanigher, Ross Andru and Mike Esposito. Finally, a book I don't own!

That is followed by "Too Much G.I." from All-American Men of War #60 by Bob Haney and Russ Heath. We end with "The Browning Shot" another story of the U.S.S. Stevens by Sam Glanzman.

Edited by Joe Kubert.

Mittwoch, 24. Februar 2010

Brave and the Bold #89

Brave and the Bold #89 (On Sale: February 24, 1970) has a Batman and Phantom Stranger cover by Neal Adams over an obvious Carmine Infantino layout. This is the first issue to use the new Batman logo, which will disappear next issue but return after that.

This issue is dreadful. From the uninspired cover to the uninspired ending this book reeks. Bob Haney doesn't have the slightest clue how to use the Phantom Stranger or worse yet, Dr. Thirteen. We open with a group of covered wagons pulled by oxen and led by one Josiah Heller, self-proscribed descendant of the Hellerite leader of the same name. The Hellerites, so Batman says the legend goes, settled in Gotham 150 years ago, a strange sect of people (think Amish crossed with Mormon) who frightened the citizens of Gotham because they were so different. When a child is found dead on the streets the citizens blame the Hellerite sorcery for the death (most likely caused by a fever) and burned the Hellerite encampment, killing Josiah who proclaimed as the flames engulfed him that, "Someday the dust of the desert will fill Gotham's streets--and then this city's sins must be cleansed!"

These modern-day Hellerites set up camp in Gotham Park, where Batman and Commissioner Gordon head Heller tell his people that they have returned to Gotham for reparations and that they will demand that Gotham give up the land where their ancestor's encampment once stood. This land is now part of downtown Gotham, even Bruce Wayne owns a piece, and worth a fortune. The declaration splits Gotham in two and at a council meeting, Bruce Wayne (who Haney seems to think in on the City Council), donates the Wayne Foundation building to the Hellerite cause.

As Batman, Bruce keeps tabs on Heller and that night Heller is visited by the Phantom Stranger, who warns Heller that he has "unleashed a terrifying threat against Gotham City." When Heller tried to attack the Stranger, he knocks himself unconscious and Batman enters Heller's room and finds cigarettes in his pocket. He notes that Hellerites don't smoke and that they are supposed to be non-violent, yet Heller attacked the Stranger.

The city is soon crawling with Hellerites with glowing eyes and when Batman attempts to find out why he is confronted by the Phantom Stranger who paralyzes Batman so he can watch the Hellerites confronting Gotham citizens and demanding their property. The people find it impossible to resist the glowing stare of the Hellerites. The Stranger tells Batman that some of the Hellerites are "spectral beings...ghosts of Gotham's past."

Batman heads to Gotham Park and confronts Heller, who says that his people are all in the park and knows nothing of the Hellerites walking around Gotham. The Stranger appears and says that Heller has unwittingly called forth the spirits of the long-dead Hellerites. Dr. Thirteen shows up to call the Stranger a fraud (does he do anything else?) and karate-chops the Stranger unconscious.

Heller disappears during all of this and Batman goes searching for him, finding him painting a mark on the door of a house in Gotham. When Batman confronts Heller, his hands go right through him and Heller vanishes. Batman notices that the house is the one he has rented after vacating the Wayne Foundation building. Using the Gotham police computers Batman finds out that all of the houses "marked" by the Hellerites have an elder son at home (I guess Haney decided to ignore the fact that Robin wasn't living at home anymore).

Returning to his house Batman is psychically attacked by Dick and when Heller arrives to ask Bruce Wayne for even more "reparations" he is attacked by the ghostly Heller who calles him "an imposter." The ghostly Heller says that the modern-day Heller is not his decendant and only has the power to "unwittingly stir the spirits from their eternal sleep. Once aroused, all we can do is evil--until he who called us forth confesses his sacrilege."

Batman awakens the Stranger in police lock-up and the two of them go on the attack against the ghostly Heller and Dick. The ghosly Heller tries to kill the modern-day Heller and the Phantom Stranger intervenes. A sherriff arrives with a wanted poster for Karl Lofus, the modern-day Heller. Seeing the poster snaps Lofus out of his delusion that he is Heller and the spirit Heller and all his Hellerites disappear.

It is explained how Lofus had amnesia after breaking out of jail and ran into the Hellerite settlement in the desert and was mistaken by them for Heller. Dr. Thirteen looks stupid once again and the real Hellerites head back for the desert. Ugh! Horrible story all around. This piece of dreck was reprinted in Showcase Presents: The Brave and the Bold Batman Team-Ups Vol. 2 TPB and Showcase Presents: Phantom Stranger Vol. 2 TPB.

Edited by Murray Boltinoff.

Mittwoch, 10. Februar 2010

G.I. Combat #141

G.I. Combat #141 (On Sale: February 10, 1970) has a Haunted Tank cover by Joe Kubert.

We begin with the Haunted Tank in "Let Me Live... Let Me Die" by Robert Kanigher and Russ Heath. This story was reprinted in DC Special Blue Ribbon Digest #21 and Showcase Presents: Haunted Tank Vol. 2 TPB.

Our back-up stories are "Sea Devil" from All-American Men of War #65 by Bob Haney and Mort Drucker and "Churchill at Omdurman" by Ric Estrada.

Edited by Joe Kubert.

Mittwoch, 27. Januar 2010

World's Finest Comics #192

World's Finest Comics #192 (On Sale: January 27, 1970) has a Superman/Batman cover by Curt Swan and Murphy Anderson.

This issue begins with our cover-story, Superman/Batman in "The Prison of No Escape" by Bob Haney, Ross Andru and Mike Esposito. The back-up is Robin in "Danger in the Hall of Trophies" reprinted from Star Spangled Comics #126 and drawn by Jim Mooney.

Edited by Mort Weisinger.

Mittwoch, 23. Dezember 2009

Brave and the Bold #88

Brave and the Bold #88 (On Sale: December 23, 1969) has a cool Batman and Wildcat cover by Neal Adams.

We begin with Batman and Wildcat in "Count Ten ...and Die" by Bob Haney, Irv Novick and Mike Esposito. Much like the Vigilante in this month's Justice League of America, this too is a new Wildcat of Earth 1 and never before seen. Bruce Wayne visits a flophouse on skid row to find Ted Grant, the retired undefeated heavyweight champion, who has fallen on hard times since he left the world of heavyweight competition to open a gym for underprivileged children. Over time Ted lost the gym and is now just another bum existing on the seedier side of town.

Bruce offers to pay off all of Grant's debts if Ted will coach the American boxing team for the World Youth Games in Vienna, in which Bruce is coaching the fencing team. Ted declines, saying his best days are in the past and after Bruce leaves he pulls out his old Wildcat costume and thinks how he is even too old and slow to wear it anymore. But when he sees Bruce being hassled by two guys on the street, Ted leaps into action and takes the two out easily. He decides that maybe their is still life in his old bones after all and accepts Bruce's offer. After Ted leaves Bruce pays off the two "thugs" whom he hired to rough him up knowing it would spur Ted into action.

Weeks later in Vienna, the seemingly Russian coach (if is never said for sure), Koslov, taunts Grant in front of his team, saying he was too afraid of Koslov to ever fight him. Meanwhile, as Batman, Bruce is briefed by "Military Intelligence" in Vienna on a free-lance spy named Kurt Schimmerling who was supposed to sell some information on the date the "other side" is planning on launching an armed space station. Schimmerling never delivered the information and it is now assumed that the "other side" has offered him more to sell it back to them. Batman's job is to get the information from Schimmerling before he sells it back.

Back in the athlete's village Ted breaks up a fight between the American boxing team and the team from the "other side." Koslov is there to say that the Americans started the fight and are bad sportsmen. Signs of "Americans Go Home!" and "Americans Don't Play Fair" spring up around the village and later Koslov eggs Ted on and challenges him to a fight, which Ted backs away from. His kids see it all and are afraid of becoming a laughing stock and Bruce tells him that he has now become part of the cold war and needs to fight Koslov and win. Grant is unsure what to do and walks off to think it over.

Bruce needs the time to change back into Batman and pick up Schimmerling's trail. He finds him and begins following him through the streets of Vienna. Meanwhile Ted has borrowed a bike from the cycling team and is tooling through the streets in his old Wildcat uniform when he sees Batman chasing Schimmerling into the sewers. Schimmerling loses Batman there but Wildcat picks up the trail only to lose him as well when he is suckered over a waterfall.

Back as Ted Grant spots him entering an amusement park and when Ted takes a ride on the giant Ferris wheel, Batman joins him in the car. Batman tells Ted that he must fight Koslov and says that Ted has not lost his old gifts at all and to prove it takes Ted on in a massive fight in the car. In the end only Ted emerges, Batman flat on the floor and thinking that though he pulled some punches, that Ted was quite a scrapper in his time.

The ploy works and Ted begins to train for the fight with Koslov. Batman meanwhile sets a timer on the arena lights to turn them off in the seventh round, figuring that if Ted is losing he will "take his place using a plasti-face-mask from my disguise kit." Batman then gets back on the trail of Schimmerling finding a ticket to the Koslov/Grant fight in his room, but before he can act on this information he is captured by agents from the "other side."

Later the big fight takes place and Ted goes out strong against Koslov, but by the fourth round Ted is tired out and Koslov is coming on strong. Later when Koslov gets Ted in tight he tells him that they have Batman and that if he wants to see him alive he needs to lose the fight. Just then the lights go out and Ted knocks Koslov out, carries him out to a nicely placed cycle with sidecar and gets the now awake Koslov to tell him that they are keeping Batman on a river barge.

Ted drives off a bridge onto the barge and rescues Batman and they somehow manager to get back to the arena before the lights go back on. Batman spots Schimmerling as Koslov knocks Ted to the mat. As Batman follows Schimmerling out of the arena and Ted is being counted out, Batman throws a batarang into the ring to land in front of Ted on which Batman has written "has-been!" This is enough to inspire Ted to his feet where he knocks out Koslov. Meantime Batman is able to intercept the transfer of information between Schimmerling and the folks from the "other side"

The American boxing team does well in the games and Ted begins to think that maybe Wildcat isn't completely washed up either. Reprinted in Showcase Presents: The Brave and the Bold Batman Team-Ups Vol. 2 TPB.

The back-ups are both filler stories written by Murray Boltinoff and drawn by George Tuska: "Death Turns the Dial" and "Killed with Kindness."

Edited by Murray Boltinoff.

Freitag, 18. Dezember 2009

Our Army at War #216

Our Army at War #216 (On Sale: December 18, 1969) has a cover by Joe Kubert.

We begin with Sgt. Rock in "Doom Over Easy" from Our Army at War #107 by Robert Kanigher and Joe Kubert. After Easy Company is shelled by enemy fire, Everett, a new member of Easy, begins having visions of the future. He tries to switch positions with Buster and Ice Cream Soldier after Rock has given them assignments. Rock refuses to make the switch, and the other soldiers die. When Rock goes on a mission himself, Everett comes along to prevent Rock from dying. Rock and Everett both survive, though another blast robs Everett of his precognition.

In the original printing of this story, Ice Cream Soldier dies in action. Here the name of the dead soldier is changed to Young Willy. Since Ice Cream Soldier went on to appear in later Sgt. Rock stories, this change makes sense.

Next is "Silver Star for a Tin Can" from Our Fighting Forces #33 by Bob Haney and Russ Heath. That is followed by "Last on a Match" by Hank Chapman, Ross Andru and Mike Esposito and reprinted from G.I. Combat #77. Next is "Unknown G.I." from Our Fighting Forces #41 and created by Bob Haney and Russ Heath. "Return to Beach Red" from Our Fighting Forces #11 is next and created by Bob Haney and Joe Kubert,

"Introducing -- the Haunted Tank" is reprinted from G.I. Combat #87 and the creation of Robert Kanigher and Russ Heath. Jeb Stuart the commander of an M-3 tank and his crew assist a squad of heavier Pershing tanks. The Pershings are destroyed by enemy bombers, leaving only Stuart's tank to take on a squad of heavy German tanks.

The tiny tank is shelled by the heavy guns of a German "Tiger" tank, and it falls into a ravine. The crew is knocked out, leaving it an easy target for the enemy tank. However, the M-3 manages to fire a shot that destroys the enemy tank. When Jeb and the crew awaken, they are shocked to find the enemy tank destroyed, as they had not fired their gun.

The tank then continues on its mission to protect a squad of infantry. Using its better speed and maneuverability, the M-3 is able to take on and defeat an entire unit of German tanks. Jeb Stuart is the only one that can hear laughter which comes from the ghost of civil war General Jeb Stuart, who has protected his descendant and the tank.

Lastly we have Great Battles of History "Chaeronaea" written and drawn by Ric Estrada.

Edited by Joe Kubert.

Mittwoch, 9. Dezember 2009

G.I. Combat #140

G.I. Combat #140 (On Sale: December 9, 1969) has a cover by Joe Kubert.

We begin with "The Last Tank" from All-American Men of War #50 by Robert Kanigher and Joe Kubert. Next is "Time Bomb Tank" from Our Fighting Forces #53 by Bob Haney and Russ Heath. That is followed by "Second-String Soldier" from Our Army at War #71 by Bob Haney and Mort Drucker. We end with "Face of the Enemy" from Our Army at War #56 by Robert Kanigher and Russ Heath.

Edited by Joe Kubert..

Freitag, 9. Oktober 2009

G.I. Combat #139

G.I. Combat #139 (On Sale: October 9, 1969) has a Haunted Tank cover by Joe Kubert.

The haunted Tank stars in "Corner of Hell" by Robert Kanigher and Russ Heath. This story was reprinted in Showcase Presents: haunted Tank Vol. 2 TPB.

The back-up story is "A Man... a Chain... a Rock" by Bob Haney and Fred Ray.

Edited by Joe Kubert.

Freitag, 18. September 2009

Teen Titans #24

Teen Titans #24 (On Sale: September 18, 1969) has a cool cover by Nick Cardy.

"Skis of Death" is by Bob Haney, Gil Kane and Nick Cardy. I can't find my copy of this book for some reason. This story was reprinted in DC Super Stars #1, Best of DC #18 and Showcase Presents: Teen Titans Vol. 2 TPB.

Edited by Dick Giordano.

Freitag, 21. August 2009

Brave and the Bold #86

Brave and the Bold #86 (On Sale: August 21, 1969) has another great cover by Neal Adams. Nothing like Deadman to bring out the best in Neal.

Batman and Deadman star in "You Can't Hide from a Deadman" which is written by Bob Haney and drawn by Neal Adams. Well, that's the story anyway, but I don't buy it for one minute because the Neal Adams Checklist on Neal's own site and my gut say this is Neal's work through and though. Now it is not that this checklist is all that accurate, as it only lists Neal as the writer and penciler of this story when he is obviously the inker as well, but my gut is pretty good on this stuff and this story so nicely wraps up the writing that Neal was doing on the Deadman strip in Strange Adventures, that I guess it is possible that Bob Haney did some of the dialog, but the plot has got to be Neal's.

This is Neal's eighth Brave and the Bold and his last of this run. Neal would draw one more full issue in a little over a year and finish up a Jim Aparo story a year or so later, but for all intents and purposes, this was the end of Neal's run as the regular penciler and it seems appropriate that he both began and ended his B&B run with Deadman.

However, this end-of-the-run may not have been Neal's idea. According to the DC Timeline "Neal Adams fired by Murray Boltinoff for rewriting Bob Haney’s script for Brave and Bold 86." I can't find any verification of this actually being the case. I know that Neal says that about this time Julius Schwartz came to him with "a handful of letters and he stops me in the hallway and he says, “How come all these fans say the only Batman at DC Comics is in Brave and Bold?” I said, “Well, Julie, in Brave and Bold he’s really Batman. He is not walking around in the daytime in his underwear, he is skulking around at night.” He said, “What makes you think you know how to do Batman?” I said, “Julie, it’s not me who knows how to do Batman, it’s me and every kid in America who knows what Batman ought to be. The problem at DC Comics is that no one knows what Batman is.” He said, “Get back here. Now you are going to be drawing Batman.” So it may have been a more gentle parting of ways than the DC Timeline says, but who knows.

It is rather telling though that in the same Comics Bulletin interview, Neal says of his talk with Boltinoff when getting the book, "I said, “Only one thing, I don’t want to change anything in the writing, I just want to every once in a while change locations and time of day.” I wanted to change the time to night because it just seems silly to have Batman walking around in his underwear in the daytime. Murray said, “That’s fine, no problem.” So, I took the script and I started drawing Brave and the Bold." If this is true and what I suspect as to the identity of the real plotter of #86, Boltinoff may have given Neal the boot.

It's just another night in Gotham as Batman and Robin break up an extortion racket, except that after mopping up the bad guys, Robin picks up a gun and tries to shoot Batman. Blinding the boy wonder with a smoke pellet saves Batman's hide and Robin strangely snaps out of it. When Commissioner Gordon and his men reach the scene Gordon uses an officer's service revolver to try and shoot Batman as well. Everyone is clueless, except Batman who has surmised that his "old friend Deadman is trying to kill me!"

Out on the street Batman runs a gauntlet of people suddenly possessed by Boston Brand's ghost and out to kill Batman. After almost being run over by a truck, Batman heads for the rooftops where Deadman will have a much harder time finding a host to possess. However Deadman finds a pigeon fancier and comes after Batman with a club. Batman tries to talk sense into Deadman, saying they are friends, but Deadman says he is trying to kill Batman. Batman's response is that Deadman is a liar and that he can prove it. "If you really want to kill me, do it the simple way...jump into my body and make me jump off the roof...clean and simple!" The logic of this causes Deadman to freak out and quickly exit the man's body.

Meanwhile, in Hong Kong at the secret headquarters of the Society of Assassins, the Sensei is listening to a report from Willie Smith. Smith recounts how Deadman found his killer, the Hook and after confirming that he was dead, returned to Nanda Parbat seeking out Rama Kushna and the end of his unnatural existence. Deadman interfered with Smith's plan to destroy Nanda Parbat and thinking Smith dead, Deadman met with Rama Kushna. Afterward, Deadman chose to leave Nanda Parbat and return to being a ghost (a pretty good recap of Strange Adventurers #215 and #216). As Deadman was leaving, Smith shot him with a poison dart, but because he was only partially corporeal at the time it did not kill him but left him dazed and susceptible to suggestion. Smith used the opportunity to turn Deadman's hatred of the Sensei into a hatred for Batman. With Deadman busy trying to kill Batman the Sensei sees this as the perfect time to once and for all destroy Nanda Parbat.

Back in Gotham Batman visits the Hills Bros. Circus where Boston's brother, Cleavland, has taken over the role of the trapeze artist Deadman. Boston enters his brother's body and once again takes to the high platform, where he attempts his famous quadruple somersault, only to find that his brother's muscles are not as supple as his once were and he is saved only by the intervention of Batman. Boston is more confused than ever now that Batman has saved his brother's life. Just then circus mystic Vashnu arrives to say that Rama Kushna wants Deadman to return to Nanda Parbat.

Batman and Deadman in his brother's body are shot at as they parachute over the Himalayas down to Nanda Parbat. Deadman leaves his brother's body and leaps into the body of his attackers, turning one against the other. Returning to Cleavland's body Deadman leads Batman to Nanda Parbat where upon entrance he leaves Cleve's body and becomes corporeal once again. But as he does so the poison from Willie Smith's dart takes affect and he collapses to the ground.

Rama Kushna appears and explains that Boston has been poisoned but that one of the men coming to attack Nanda Parbat carries an antidote. Batman and Cleve head out to stop the assault on Nanda Parbat and to find the antidote. Using a now arrived blinding snowstorm for cover they take out the Sensei's men one by one, till they finally get to Smith and retrieve the antidote. The Sensei challenges them both, but they ignore him and hurry back to Boston.

Once back in Nanda Parbat Batman uses the antidote to save the life of a Deadman. Boston realizes the absurdity of it all and that Nanda Parbat is the only place where he can be harmed and therefore decides to leave and become a ghost once more. The Sensei is seen trudging down the mountain plotting his revenge on Batman and Deadman.

This classic story has been reprinted in Best of DC #26, Deadman #7, Deadman Collection HC, Batman Illustrated by Neal Adams Vol. 2 HC and Showcase Presents the Brave and the Bold Batman Team-Ups Vol. 1 TPB.

Edited by Murray Boltinoff.

Freitag, 17. Juli 2009

Teen Titans #23

Teen Titans #23 (On Sale: July 17, 1969) has one of the most popular Nick Cardy covers of all time. I know the 13-year-old me drooled over this one for hours, eh weeks... OK, months... alright, years! This cover always reminds me of Kurt Busiek's afterword in The Art of Nick Cardy where he recalls, "...I'm at a Marvel Christmas party and Cardy's name comes up, and Miss Jo Duffy, sitting on a desk, bursts out with, "Oh, man! He was the best--he did the best jailbait ever!" Indeed, and Nick Cardy's Wonder Girl was the queen of my Silver Age jailbait.

"The Rock 'n' Roll Rogue" is by Bob Haney, Gil Kane and Nick Cardy and is another example of Cardy's wonderful inking style. The Teen Titans are enjoying a Sammy Soul concert from the front row when Sammy suddenly runs from the stage causing the kids to start a major riot in the theater. Robin and Wonder Girl, showing off her new and improved costume distract the kids with a show of acrobatics while Kid Flash gives everyone on hand an instant refund. the immediate crisis averted the Titans take the Titan whirlybird to Sammy Soul's estate, where below Sammy's cousin Irmgard and her husband Luther are arguing with Sammy's manager over who owns him till he reaches legal age.

The Titans land and listen to Sammy's tale of woe, an orphan who grew up in a foster family who never loved him but now fight over custody since he has become famous and rich, how the only person who ever loved him was his Uncle Matt who was lost in South America years ago whole looking for treasure. Wonder Girl tries to come on to Sammy, to console him and Robin tells her to "Cool it." Looking back on these stories I guess, for a while there, they played up Wonder Girl as a little slut, something I never minded as a kid.

Anyway, the Titans leave but the next day they return to find Sammy is missing, but they find a clue in a guitar given to Sammy by his Uncle Matt and decide that Sammy has headed off to South America to find his Uncle. Sammy has landed in Los Santos Venezuela and is mobbed by fans even there, but is rescued by Juan Sastre, who tells Sammy he remembers Sammy's uncle, Matt Murdock (strange how that name gets around comics), who vanished in the great plateau of the interior of the country. Juan signs on as Sammy's guide and off they go.

Meanwhile, the Titans have tracked Sammy and locate his helicopter on the plateau. When they land to inspect the site, they are attacked by native headhunters, who are beaten back by an onslaught of arrows from Speedy. Sammy and Juan have been taken by the natives to their village where they find Uncle Matt unharmed in one of the huts, However, he has lost his memory, which Juan says is the only thing keeping him alive as the natives will not shrink the head of an amnesiac.

The Titans discover the village and using all of their powers they manage to rescue Sammy, Juan and Uncle Matt and thanks once again to Speedy and his amazing array of arrows they manage to keep the natives from following them. But, a short time later Matt's memory returns and he leads them through a tunnel to a hidden indoor pool,, which he says is El Dorado, where the old Indian civilization tossed their fortune in gold and emeralds to keep them from the Spanish conquistadors. It was while diving deep for the treasure that Uncle Matt lost his memory and was captured by the headhunters.

Wonder Girl says that she can swim very deep and will dive for the treasure but all she finds are the bones of those who tried to find El Dorado in the past. Convinced that he has not found El Dorado Uncle Matt agrees to return home, but on the way back to the choppers the natives capture Juan. Using Sammy's amps and mics from his helicopter, Uncle Matt booms his voice out into the jungle pretending to be the thunder god, Pichu Pichu and using Wonder Girl to drop Sammy Soul dolls from the sky as thunder god tributes the natives are convinced to let Juan go free. This story was reprinted in Showcase Presents: Teen Titans Vol. 2 TPB.

Edited by Dick Giordano.

Freitag, 10. Juli 2009

Our Fighting Forces #121

Our Fighting Forces #121 (On Sale: July 10, 1969) has a Lt. Hunter's Hellcats cover by Joe Kubert.

We begin with Lt. Hunter's Hellcats in "Take My Place" by Robert Kanigher and Artie Saaf. The back-up is "Jump into Two Wars" by Bob Haney and Joe Kubert and reprinted from Star Spangled War Stories #108.

Edited by Joe Kubert.

Mittwoch, 24. Juni 2009

Brave and the Bold #85

Brave and the Bold #85 (On Sale: June 24, 1969) has the classic Neal Adams' Batman and the new Green Arrow cover.

I can still smell the paper and the ink of this issue, I poured over it so much, digesting every panel over and over. This book was a revelation to me; I think it hooked me on comics more than any other book. After living through John, and Martin and Bobby, the opening assassination attempt gripped me because it felt so real. The 1960's were a decade of liberal politicians being gunned down in our streets and this book gave us a revised hero, a modern-day Robin Hood, who was there to help fight the corruption of our country. He had a mustache and a goatee and cool new threads and he was an obvious good man. It put Batman into this world too, and said that he was more than just a crime fighter. Both of these heroes were the "rich guys" of DC, but both of them show that they cannot be corrupted by their wealth, as some are. A classic issue for sure.

Batman and Green Arrow star in "The Senator's Been Shot!" by Bob Haney and Neal Adams. Election day and Senator Paul Cathcart wins the race only to be shot while making his acceptance speech, falling into the arms of friend Bruce Wayne. Bruce changes into Batman and chases down the assassins, but is foiled by a low overpass. Bruce Wayne visits Paul's room at Gothan State Hospital where Paul's son Edmond is by his father's side, Paul in a coma.

Bruce gets a call from the governor who discusses the importance of an anti-crime bill that Paul was going to vote for and the need to appoint someone else in Paul's place. Bruce suggests Paul's son, Edmond, but the governor says that Edmond's psychiatric practice keeps him too busy and he wants to appoint Bruce as Senator. The governor mentions how the bill is aimed at the biggest crime combine of all run by Miklos Minotaur, who may be behind the assassination attempt. Bruce says he will think about it.

Meanwhile Oliver Queen is finishing up plans for "New Island" a second Gotham that could save the state from bankruptcy. The only other bidder on the project is Argonaut Unlimited run by Miklos Minotaur. After his assistant locks up the plans and leaves, Oliver pulls out his new Green Arrow costume. He ponders if he should give up Green Arrow completely and devote his energies to helping humanity instead as plain old Oliver Queen. At the same time he notes that his assistant has stolen the plans for New Island a man on a window-washing rig throws a grenade into Oliver's office, but an arrow with a hook on it flings the grenade out the window where it explodes harmlessly. He pulls out a duplicate set of plans for New Island and can't figure out which identity is more important, Oliver Queen or Green Arrow.

The next day Bruce and Edmond are at the gym working out when Bruce tells Edmond that he is not sure he will take the governor's appointment. Edmond lashes out at him, that people's lives are at stake and "you won't even stand up and be counted." Bruce confesses that he can't because he has another job to do, Batman's job, "because I am Batman!" Bruce continues that he told Edmond because he knows that, as a psychiatrist, Edmond will never reveal his secret and because he needs his advice. Who is more important, Senator Bruce Wayne or Batman?

Later Edmond is looking over the New Island project with Oliver Queen when Oliver confides that he is Green Arrow and needs Edmond's help is figuring out which identity is more important. That night in his office, as Edmond ponders the two heroes coming to the same crisis in their lives, he is kidnapped by two of Minotaur's goons. Hours later Green Arrow pays Edmond a visit but finds Batman there instead. They listen to a secret recording that Edmond had running. Hearing that Minotaur is behind Edmond's capture both heroes silently think Minotaur is trying to get to their civilian identities through Edmond.

The next morning Bruce Wayne is sworn in as a US Senator, while Green Arrow parachutes onto a small Mediterranean island and plants a tracking device on Minotaur's yacht as it enters a hidden grotto. The tracking device is found and destroyed, leaving Green Arrow lost in the grotto. Minotaur releases his private hunting stock into the grotto and Green Arrow is attacked by a bear, a boar and a lion. He takes them out but is floored by the charging lion.

He is awakened later by Batman, who has tracked him through his Justice League locator transmitter. Batman uses a real bat and another locator device to find their way out of the grotto. Batman and Green Arrow crash into Minotaur's lair, only Minotaur puts a gun to Edmond's head and tells them to stop or he will kill Edmond. Green Arrow jams the trigger of Minotaur's gun with a trick arrow and while they are fighting his men, Minotaur escapes.

Bruce flies back to Washington for the crime bill vote while Oliver invites Minotaur to a lavish party on the island. When Minotaur arrives Oliver tries to have him arrested, but Minotaur notes that he cannot be arrested in a foreign country. Oliver then informs him that he should have noticed that the party was at the American Embassy. Oliver knocks him out and they take him away in a helicopter from the roof. Meanwhile back in Washington, Batman lands at the airport and makes it by Batrope and leg-power to the Senate, where he quickly changes into his civilian duds in time to vote for the crime bill.

Later Edmond meets both Oliver and Bruce separately. Oliver thinks that there is room in his life for both of his identities, while Bruce has resigned his Senate seat and has chosen the road of Batman. Later, alone in his office Paul begins sessions of self-hypnosis to wipe the knowledge of the secret identities from his mind. This classic story has been reprinted in DC Special Blue Ribbon Digest #23, Best of the Brave and the Bold #1, Millennium Edition: The Brave and the Bold 85 (#48), Batman Illustrated by Neal Adams Vol. 1 HC, Showcase Presents Green Arrow Vol. 1 TPB and Showcase Presents the Brave and the Bold Batman Team-Ups Vol. 1 TPB.

Some mention must be given to the loose artwork by Neal Adams. It has none of the stiffness that would creep into his work over the years as he labored to be "Neal Adams," rather than a great comic book artist. Just my opinion here, but Adams seemed to just be having fun in these days; he hadn't yet become the "it guy" of comics and with nothing to keep proving, he was free to just cut loose.

Edited by Murray Boltinoff.

Mittwoch, 17. Juni 2009

Star Spangled War Stories #146

Star Spangled War Stories #146 (On Sale: June 17, 1969) has an Enemy Ace cover by Joe Kubert and a declaration that this is a "Special Issue!" That is of course DC talk for reprints!.

There is a very short Joe Kubert drawn framing sequence around the two reprints regarding a new pilot who, as von Hammer puts it, is "mistaken...if you believe only you live in fear of the killer skies!" The first is (Balloon for a Hawk) from Our Fighting Forces #60 by Bob Haney and Russ Heath and concerns the first American to fly with the French. The unnamed Lieutenant plays a bar-room game his first night in France with the French pilots where they throw darts at balloons representing the Germans. The Lieutenant hits the balloon representing the German ace known as the Hawk. But real combat proves more difficult and on his first mission he is shot down by the Hawk, barely making it back to the field before crashing.

When he recovers he is grounded by the French Colonel. But one day, as a Spad is landing The Hawk shoots it down and the Lieutenant leaps for a nearby plane and gives chase. However, the Hawk is a better pilot and slowly lures the Lieutenant's plane over his own filed where he shoots it down and he is taken prisoner. He makes a run for it and hops into a hot-air balloon used to guard the field against strafing. He casts off and is soon facing down the Hawk again, balloon against Fokker. The balloon eventually catches fire and he once again plummets to the ground, only the torn balloon gets caught in a tree breaking his fall and as the Hawk moves in for the kill, the Lieutenant fires the balloons guns and blasts the Hawk out of the sky.

The second is "Brother Enemy" from All-American Men of War #101 by Hank Chapman, Ross Andru and Mike Esposito. This story begins with the sinking of Titanic and identical twins Richard and Carl being put on separate lifeboats, while their parents perish. They never do get back together and five years later Richard joins the Air Force and hopes to find Carl also in the service. Everywhere he goes he asks if anyone has seen someone who looks exactly like him, but they always answer in the negative.

One day in a bombing run over Germany Richard gets into a dogfight with a German Black ace, Richard's gunfire rips into the German's cockpit splattering oil into the face of the German ace, who rips off his goggles to see and Richard finds himself looking into his own face. The German ace is his brother Carl. Richard pulls off the fight and lets Carl get away, but back on the ground his loyalty is questioned. On their very next mission they meet the Black Squadron again and this time it is Carl who sends bullets into Richard's cockpit, shattering his goggles. When Richard takes them off Carl sees that it is his brother and this time he is the one to pull out of the fight. He too is reprimanded when he lands.

The next day the two squadrons meet for a third time in the killer skies and Richard and Carl go after each other with everything they have, eventually both running out of bullets. They play a dangerous game of chicken in the air and neither pulls out. Their planes crash into each other. Carl is knocked unconscious and Richard leaps to Carl's disabled plane and while the two squadrons watch, they fall to the ground. Two battered figures crawl from the burning remains and embrace each other as the brothers they are.

Edited by Joe Kubert.

Freitag, 12. Juni 2009

G.I. Combat #137

G.I. Combat #137 (On Sale: June 12, 1969) has a Haunted Tank cover by Joe Kubert. This one is a sub-genre of the "we think we are OK but the Nazis are about to attack us" where the character is either deaf or blind.

We begin with the Haunted Tank in "We Can't See" by Robert Kanigher and Russ Heath. This was reprinted in Showcase Presents: Haunted Tank Vol. 2 TPB.

The back-up is a reprint from All-American Men of War #64, "Story of a Boot" by Bob Haney and Joe Kubert.

Edited by Joe Kubert.