Jimmy Wallin covers Star Spangled War Stories 90

Original cover by Ross Andru and Mike Esposito; 1960. Jimmy Wallin's website is here.

Our Fighting Forces #127

Our Fighting Forces #127 (On Sale: July 9, 1970) has a Losers cover by Joe Kubert.

We begin with the Losers in "Angels Over Hell's Corner" by Robert Kanigher, Ross Andru and Mike Esposito.

The back-up story is the U.S.S. Stevens in "Dragonfly" written and drawn by Sam Glanzman.

Edited by Joe Kubert.

Action Comics #391

Action Comics #391 (On Sale: June 30, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story, the imaginary tale "The Punishment of Superman's Son" by Robert Kanigher, Ross Andru and Mike Esposito.

The back-up is the Legion of Super-Heroes in "The Ordeal of Element Lad" by E. Nelson Bridwell, Winslow Mortimer and Jack Abel. This story was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.

Edited by Mort Weisinger.

Aaron Conley covers Flash 177

Original cover by Ross Andru and Mike Esposito; DC 1968. Aaron Conley's website is here.

Jimmy Giegerich covers World's Finest 177

Original cover by Ross Andru and Mike Esposito; DC 1968. Jimmy Giegerich's website is here.

Our Army at War #220

Our Army at War #220 (On Sale: March 31, 1970) has an awesome Sgt. Rock cover by Joe Kubert.

Our Sgt. Rock cover-story is "Stone-Age War" written and illustrated by Joe Kubert. This story was reprinted in Sgt. Rock #318. Next is "The Last Soldier" by Robert Kanigher, Ross Andru and Mike Esposito. We end with a U.S.S. Stevens story, "The Idiot" by Sam Glanzman.

Edited by Joe Kubert.

World's Finest Comics #193

World's Finest Comics #193 (On Sale: March 10, 1970) has a cover by Curt Swan and Murphy Anderson.

This issue begins with Superman and Batman in "The Breaking of Superman and Batman" by Bob Haney, Ross Andru and Mike Esposito. The back-up story stars Robin and is from Star Spangled Comics #120 and is drawn by Jim Mooney.

Edited by Mort Weisinger.

Our Fighting Forces #125

Our Fighting Forces #125 (On Sale: March 3, 1970) has a Losers cover by Joe Kubert

We begin with our cover-story, the Losers in "Daughters of Death" by Robert Kanigher, Ross Andru and Mike Esposito. Finally, a book I don't own!

That is followed by "Too Much G.I." from All-American Men of War #60 by Bob Haney and Russ Heath. We end with "The Browning Shot" another story of the U.S.S. Stevens by Sam Glanzman.

Edited by Joe Kubert.

Brave and the Bold #89

Brave and the Bold #89 (On Sale: February 24, 1970) has a Batman and Phantom Stranger cover by Neal Adams over an obvious Carmine Infantino layout. This is the first issue to use the new Batman logo, which will disappear next issue but return after that.

This issue is dreadful. From the uninspired cover to the uninspired ending this book reeks. Bob Haney doesn't have the slightest clue how to use the Phantom Stranger or worse yet, Dr. Thirteen. We open with a group of covered wagons pulled by oxen and led by one Josiah Heller, self-proscribed descendant of the Hellerite leader of the same name. The Hellerites, so Batman says the legend goes, settled in Gotham 150 years ago, a strange sect of people (think Amish crossed with Mormon) who frightened the citizens of Gotham because they were so different. When a child is found dead on the streets the citizens blame the Hellerite sorcery for the death (most likely caused by a fever) and burned the Hellerite encampment, killing Josiah who proclaimed as the flames engulfed him that, "Someday the dust of the desert will fill Gotham's streets--and then this city's sins must be cleansed!"

These modern-day Hellerites set up camp in Gotham Park, where Batman and Commissioner Gordon head Heller tell his people that they have returned to Gotham for reparations and that they will demand that Gotham give up the land where their ancestor's encampment once stood. This land is now part of downtown Gotham, even Bruce Wayne owns a piece, and worth a fortune. The declaration splits Gotham in two and at a council meeting, Bruce Wayne (who Haney seems to think in on the City Council), donates the Wayne Foundation building to the Hellerite cause.

As Batman, Bruce keeps tabs on Heller and that night Heller is visited by the Phantom Stranger, who warns Heller that he has "unleashed a terrifying threat against Gotham City." When Heller tried to attack the Stranger, he knocks himself unconscious and Batman enters Heller's room and finds cigarettes in his pocket. He notes that Hellerites don't smoke and that they are supposed to be non-violent, yet Heller attacked the Stranger.

The city is soon crawling with Hellerites with glowing eyes and when Batman attempts to find out why he is confronted by the Phantom Stranger who paralyzes Batman so he can watch the Hellerites confronting Gotham citizens and demanding their property. The people find it impossible to resist the glowing stare of the Hellerites. The Stranger tells Batman that some of the Hellerites are "spectral beings...ghosts of Gotham's past."

Batman heads to Gotham Park and confronts Heller, who says that his people are all in the park and knows nothing of the Hellerites walking around Gotham. The Stranger appears and says that Heller has unwittingly called forth the spirits of the long-dead Hellerites. Dr. Thirteen shows up to call the Stranger a fraud (does he do anything else?) and karate-chops the Stranger unconscious.

Heller disappears during all of this and Batman goes searching for him, finding him painting a mark on the door of a house in Gotham. When Batman confronts Heller, his hands go right through him and Heller vanishes. Batman notices that the house is the one he has rented after vacating the Wayne Foundation building. Using the Gotham police computers Batman finds out that all of the houses "marked" by the Hellerites have an elder son at home (I guess Haney decided to ignore the fact that Robin wasn't living at home anymore).

Returning to his house Batman is psychically attacked by Dick and when Heller arrives to ask Bruce Wayne for even more "reparations" he is attacked by the ghostly Heller who calles him "an imposter." The ghostly Heller says that the modern-day Heller is not his decendant and only has the power to "unwittingly stir the spirits from their eternal sleep. Once aroused, all we can do is evil--until he who called us forth confesses his sacrilege."

Batman awakens the Stranger in police lock-up and the two of them go on the attack against the ghostly Heller and Dick. The ghosly Heller tries to kill the modern-day Heller and the Phantom Stranger intervenes. A sherriff arrives with a wanted poster for Karl Lofus, the modern-day Heller. Seeing the poster snaps Lofus out of his delusion that he is Heller and the spirit Heller and all his Hellerites disappear.

It is explained how Lofus had amnesia after breaking out of jail and ran into the Hellerite settlement in the desert and was mistaken by them for Heller. Dr. Thirteen looks stupid once again and the real Hellerites head back for the desert. Ugh! Horrible story all around. This piece of dreck was reprinted in Showcase Presents: The Brave and the Bold Batman Team-Ups Vol. 2 TPB and Showcase Presents: Phantom Stranger Vol. 2 TPB.

Edited by Murray Boltinoff.

World's Finest Comics #192

World's Finest Comics #192 (On Sale: January 27, 1970) has a Superman/Batman cover by Curt Swan and Murphy Anderson.

This issue begins with our cover-story, Superman/Batman in "The Prison of No Escape" by Bob Haney, Ross Andru and Mike Esposito. The back-up is Robin in "Danger in the Hall of Trophies" reprinted from Star Spangled Comics #126 and drawn by Jim Mooney.

Edited by Mort Weisinger.

Our Fighting Forces #124

Our Fighting Forces #124 (On Sale: January 8, 1970) has a Losers cover by Joe Kubert.

This issue begins with The Losers in "Losers Take All" by Robert Kanigher, Ross Andru and Mike Esposito. The Losers sneak in through Nazi-occupied France to another, unnamed Nazi-occupied country to rescue a king from the hands of the Nazis. There is a modicum of action along their way to the castle where the king is being held, but they eventually make it. There they find that the king is only a child.

As the Nazis storm the castle ("Have good time stormin' the castle!"), the Losers escape with the boy-king by making parachutes out of the royal curtains ("No, not the curtains!"). After blowing up a statue of Hitler in the town plaza the Losers turn the boy over to Allied forces. I'm not quite sure I see the purpose in this story existing, but I feel that way after reading many Kanigher books.

There is a nice two-page Battle Album on the "Killer Flying Fish of the North Atlantic" by Ken Barr.

We end with the "find' of the issue: "Parable" by Jerry DeFuccio and John Severin. This is the first of five war stories that Jerry DeFuccio would write for DC and it is wonderful in its richness of character and place. This may be due to Jerry's tenure at EC Comics where he was an assistant editor and researcher for Harvey Kurtzman's war books, Frontline Combat and Two-Fisted Tales, books for which Jerry also wrote stories. But Jerry is mainly known for his long career as a writer at Mad Magazine, where was was also an associate editor for 25 years. Jerry DeFuccio died of cancer in August, 2001.

The "Parable" takes place in British-occupied Kandahar Afghanistan in the 1880s and tells the tale of one Private Shelley, a tightrope walker turned British soldier who fell in love with Afghanistan and after his discharge went to live with one of the local tribes. There he made the tribesmen's lives better, lowering the infant mortality rate and turning the men to a more peaceful way of life. But they believed that Shelley was a saint and as such would serve them better in paradise looking after their black souls, so one day they gutted him and left him on the side of the road for dead while they rushed home to pray for his released spirit in paradise.

But he wasn't quite dead yet and a British patrol finds him and brings him to their fort, where none of them recognize him since his appearance had changed so much since joining the tribe. When they ask him through a translator if his wound is deep he answers with a quote from Romeo and Juliet, "Tis not deep as a well nor wide as a church-door" and they realize that he is an Englishman. As one of the men put it, "He died as an Englishman...without denying his people of the Hindu-Kush!" This story was reprinted in Sgt. Rock Special #3.

This story also marked the first work at DC by John Severin since 1958, his first work with the company being in 1948 on a Boy Commandos story. Severin has had four good runs at DC, the first in 1957-1958 doing war stories. The second begins with this story and continues a year from now when he takes over the reigns of the Losers from 1971-1974. The third begins in late 1980 and really picks up steam in 1981 when he draws Enemy Ace for two years. His fourth run began in 2000 and contains runs on Desperadoes Quiet of the Grave, Caper, and Bat Lash.

John Severin is well known for his stint at EC Comics working on Two-Fisted Tales and of course as one of the five artists who began Mad. When EC folded John worked for years at Atlas/Marvel and was well regarded as an inker for Dick Ayers in Sgt. Fury and His Howling Commandos and Herb Trimpe on The Incredible Hulk. In the 1970s he worked with his sister Marie Severin on King Kull.

Many people know John Severin from his years of association with Cracked Magazine, where he did countless movie and TV parodies and tons of covers.

Edited by Joe Kubert.

Our Army at War #216

Our Army at War #216 (On Sale: December 18, 1969) has a cover by Joe Kubert.

We begin with Sgt. Rock in "Doom Over Easy" from Our Army at War #107 by Robert Kanigher and Joe Kubert. After Easy Company is shelled by enemy fire, Everett, a new member of Easy, begins having visions of the future. He tries to switch positions with Buster and Ice Cream Soldier after Rock has given them assignments. Rock refuses to make the switch, and the other soldiers die. When Rock goes on a mission himself, Everett comes along to prevent Rock from dying. Rock and Everett both survive, though another blast robs Everett of his precognition.

In the original printing of this story, Ice Cream Soldier dies in action. Here the name of the dead soldier is changed to Young Willy. Since Ice Cream Soldier went on to appear in later Sgt. Rock stories, this change makes sense.

Next is "Silver Star for a Tin Can" from Our Fighting Forces #33 by Bob Haney and Russ Heath. That is followed by "Last on a Match" by Hank Chapman, Ross Andru and Mike Esposito and reprinted from G.I. Combat #77. Next is "Unknown G.I." from Our Fighting Forces #41 and created by Bob Haney and Russ Heath. "Return to Beach Red" from Our Fighting Forces #11 is next and created by Bob Haney and Joe Kubert,

"Introducing -- the Haunted Tank" is reprinted from G.I. Combat #87 and the creation of Robert Kanigher and Russ Heath. Jeb Stuart the commander of an M-3 tank and his crew assist a squad of heavier Pershing tanks. The Pershings are destroyed by enemy bombers, leaving only Stuart's tank to take on a squad of heavy German tanks.

The tiny tank is shelled by the heavy guns of a German "Tiger" tank, and it falls into a ravine. The crew is knocked out, leaving it an easy target for the enemy tank. However, the M-3 manages to fire a shot that destroys the enemy tank. When Jeb and the crew awaken, they are shocked to find the enemy tank destroyed, as they had not fired their gun.

The tank then continues on its mission to protect a squad of infantry. Using its better speed and maneuverability, the M-3 is able to take on and defeat an entire unit of German tanks. Jeb Stuart is the only one that can hear laughter which comes from the ghost of civil war General Jeb Stuart, who has protected his descendant and the tank.

Lastly we have Great Battles of History "Chaeronaea" written and drawn by Ric Estrada.

Edited by Joe Kubert.

World's Finest Comics #191

World's Finest Comics #191 (On Sale: December 11, 1969) has a cover by Curt Swan and Jack Abel.

We begin with Superman and Batman in "Execution on Krypton" by Cary Bates, Ross Andru and Mike Esposito. The back-up Robin story is "Stone-Deaf Robin" reprinted from Star Spangled Comics #130 and is by David Reed and Jim Mooney.

Edited by Mort Weisinger.

Flash #194

Flash #194 (On Sale: December 4, 1969) has a cover by Neal Adams.

The Flash stars in "The Bride Cast Two Shadows" by John Broome, Ross Andru and Mike Esposito. Joan Boardman awakens one night in a trance, walking out of her hotel murmuring something about finding "her love." On the street she sees a poster of the Flash and thinks, "It's him!" The Flash is a few blocks away fighting the Owl Gang and during the fight Joan rushes into the line of fire and is knocked unconscious. When the police and Iris arrive (Iris in her role as a news photographer), Iris suggests that they take the unconscious girl to her house (in real life something this stupid would never happen, but in John Broomeland, this is the norm).

Once there, Joan wakes up and begins referring to the Flash as Daniel. Whenever the woman stares at Barry, he has visions of a past life where he is proposing and planning for his wedding to Elfriede Talman who is the spitting image of Joan Boardman. Eventually Iris uncovers the story of Daniel Porter and Elfriede Talman. Daniel was the mayor of Central City a hundred years ago and is a look-alike for Barry. On the night before his wedding to Elfriede, she disappeared in a freak storm. When Joan awakens again they notice that she casts two shadows, as if two people were in possession of her body.

The next time Joan looks at Barry he does not fight the visions and joins her in marriage. They are then both swept into another realm, where Elfriede says she lives and can visit the Earth once every hundred years for a single day. As she departs, the Flash tries to find his way back to reality but is attacked by a number of demons. Finally, he is able to make his way out of the strange realm, where he finds that Joan Boardman is fine once again and remembers nothing of the past 24 hours.

Confession time. I have never much cared for the art team of Ross Andru and Mike Esposito and found it strange that for years Esposito was the only inker of Ross Andru's pencils (the team actually goes all the way back to Andru's first story for DC in 1953). I particularly did not like the team on the Flash, as Andru's characters seem a little clunky and off-balance and this trait was something that I certainly did not think applied to the Flash. That said, I thought much of the art in this issue worked for me, particularly the scenes of the Flash fighting the demons. Odd that Ross Andru should finally get it "right" on this his last story as the Flash artist.

The back-up story is "The Man Who Televised Time" from Strange Adventures #13 and produced by Gardner Fox, Carmine Infantino and Joe Giella. This little story is about a professor who offers $1 million for an invention that will change the world. The first man has what he calls a perpetual motion machine, but has forgotten to take into account the wear caused by friction. Next is a man who claims his machine can extract gold from water, but it costs more to run than it can produce in gold. Next is a man who has invented a sonic typewriter, but it has no way of dealing with homophones. The last man says that he has a machine that can retrieve past light waves and display the past on a television screen. The professor has this man arrested for fraud when he shows sound and pictures at the same time, since sound waves travel at a very different speed than light waves.

Edited by Julius Schwartz.

World's Finest Comics #190

World's Finest Comics #190 (On Sale: October 28, 1969) has a cover by Curt Swan and Murphy Anderson.

We begin with Superman and Batman in "The Final Revenge of Luthor" by Cary Bates, Ross Andu and Mike Esposito. The back-up story features Robin in "Murder on the Chessboard" drawn by Jim Mooney and reprinted from Star Spangled Comics #135.

Edited by Mort Weisinger.

Flash #193

Flash #193 (On Sale: October 16, 1969) has a nice cover by Carmine Infantino and Murphy Anderson.

Unfortunately the nice cover hides an absolutely horrendous story by John Broome, Ross Andru and Mike Esposito, entitled "Captain Cold Blows His Cool." It begins with a breakout at Central State Penitentiary, where Captain Cold helps five "old timers" escape by, get this, making them young. No explanation is given for Cold's miraculous power, which alone would make someone rich beyond any other crime they may commit, but I digress.

Cold explains that he is in love with old-time movie star Laura Lamont, who's heart he intends to win over by making her young and presenting her with magnificent gifts that he needs the ex-"old timers" to steal for him. Cold also tells us that he does not know where to find Lamont, but that Iris Allen has written an article and interview with Lamont and so he plans on getting here whereabouts from Iris.

In disguise as an estate attorney he visits Iris, explaining the Lamont has come into some big money. Iris will not tell Cold Lamont's location but agrees to pass along the information. Barry thinks the attorney looks familiar and notices him following Iris as she drives off to see Lamont. I already hate this story, but the next piece seals it for me. Barry hesitates "several seconds" before deciding to follow as the Flash and is unable to locate Iris or Cold. Horrible writing on Broome's part.

While searching though he does find some of the ex-"old timers" stealing a painting for Cold and he captures them. The next day he finds out that they have the same fingerprints as two of the old guys who recently escaped. He also finds out that there were a rash of robberies last night. Searching for clues he finds an old stump outside of town that is frozen and figures Captain Cold is behind it all. He traces the residual radiation from Captain Cold's "Cold-Gun" but it soon dissipates. He eventually picks up the radiation trail again and tracks it back to Captain Cold. Another digression here: if Flash has the ability to do this, why has he not done it in the past to quickly find and capture Captain Cold? Like I said, really bad writing by Broome.

Where was I? I yeah, Flash has found Cold but Cold hits him with an Absolute Zero Ray that blows Flash into pieces and embeds him into the wall of Cold's hideout. Cold places a picture frame around the broken Flash (this looks pretty stupid folks, which is why the Carmine Infantino cover was such a great idea). Having followed Iris the night before Cold goes to Laura Lamont's house, makes her young, takes her to his hide-out where he gives her the gifts and proposes to her. He then goes off to call a Justice of the Peace to marry them tonight, but dials Heat-Wave instead and invites him over to show him the frozen Flash.

Heat-Wave once to take on last crack at the Flash and blasts him with his Heat-Blaster, reversing the effect of Cold's gun and restoring the Flash, who quickly mops up the room with the two, now bickering, villains. Laura Lamont doesn't want to be young and uses her ability with make-up to make herself look old again and swears she will do that for the rest of her life.

Iris takes Barry by a theater where Laura sells tickets to her old movies. Later on Barry explains that while he was frozen by Captain Cold, his brain still functioned and that he concentrated on Heat-Wave and through some here-to-fore unknown and never-heard-of-again telepathic ability on Barry's part, got Cold to call Heat-Wave instead of the Justice of the Peace. The less said about this mess the better and thankfully, this tripe has never been reprinted.

Edited by Julius Schwartz.

World's Finest Comics #189

World's Finest Comics #189 (On Sale: September 11, 1969) has a cover by Curt Swan and Murphy Anderson.

We begin with Superman and Batman in "The Man With Superman's Heart" by Cary Bates, Ross Andru and Mike Esposito. The back-up is Roy Raymond in "The City That Time Forgot" by Jack Miller and Ruben Moreira and reprinted from Detective Comics #270.

Edited by Mort Weisinger.

Flash #192

Flash #192 (On Sale: September 4, 1969) has a cover by Carmine Infantino and Murphy Anderson.

"The Day the Flash Failed" is by Robert Kanigher, Ross Andru and Mike Esposito. This is one of those rather convoluted Kanigher stories, but I found it compelling. The real interesting thing in this story is the reason Flash fails on the "Day the Flash Failed." I don't think this was ever done in a comic before or maybe since and for 1969 it is pretty progressive of ol' DC. The Flash fails because he is late getting to the launch of a Navy submarine because he was busy, uh, servicing his wife Iris. I kid you not. Check out the page below if you don't believe me. I will say as a horny teenager this subtle reference to Iris's carnal needs totally slipped by me.

So as we can see by page 2 here, the Flash is running late for a meeting with a Navy submarine that he was supposed to be aboard. We have to forget for a moment that the Flash can swim at super speed and can vibrate through walls and could easily "catch up" to the submarine because to remember that would just ruin the whole story.
Anyway, the sub disappears and Flash does do some super speed swimming and can't locate it and everyone blames him for the sub going missing and his life is hell, yada, yada, yada. Did I say I found this compelling?

Iris wants to get Barry out of the house and get his mind off of, you know, him being a failure and all, and so they go and visit a friend, Phil Anderson, at a lighthouse. There is a storm and the helicopter Barry is piloting is hit by lightning and Barry has to turn into the Flash to save them and Phil is a mess and his wife is missing and his heart is giving out and geeze, do the coincidences just keep a comin'!

It seems Phil and his wife went on a super-secret mission for the CIA, where they pretended to be a couple on their second honeymoon crossing the Atlantic in a small sailboat, but were actually looking for enemy nuclear subs lurking off the Greenland shelf, which just happens to be where Flash's sub went missing. Anyway Phil and his wife, Phyllis, get knocked overboard in a storm and picked up by a, you guessed it, enemy nuclear sub.

After being captured Phil and Phyllis escape through the sub but are trapped in the torpedo room, which is being filled with poisonous gas and Phyllis stays behind while Phil is ejected through the torpedo tube and eventually picked up by an American fishing boat. Phil is now waiting for Phyllis to come walking back across the water and into his arms because she promised she would.

OK, so the Flash goes looking for Phyllis and of course finds the underwater lair where the "enemy nuclear sub" is hiding with Phyllis and the missing sub that the Flash lost while he was busy "getting some" from the missus. Flash rescues everyone, but Phyllis was exposed to too much of the poison gas back in the torpedo room and is dying and the Flash super-speeds her to Phil, but she dies along the way and Flash sees her ghost walk across the water to meet Phil's ghost (his heart gave out at the same time). The end!

I have to give Robert Kanigher credit for the Flash gets laid and is late plot idea, proving that Barry is not "The Fastest Man Alive!" in all regards, but man, did this thing go south quickly.

Edited by Julius Schwartz.

World's Finest Comics #187

World's Finest Comics #187 (On Sale: July 24, 1969) has a cover by Curt Swan and Murphy Anderson.

We begin with Superman and Batman in "The Demon Sin" by Robert Kanigher, Ross Andru and Mike Esposito. The back-up strip is Green Arrow in "The Green Arrow's First Case" a reprint from Adventure Comics #256. This telling of Green Arrow's origin is by France Herron, Jack Kirby and Roz Kirby. Green Arrow and his partner Speedy learn of a scientific expedition bound for Starfish Island. G.A. is worried that the expedition will uncover his secret identity because the island was where he became Green Arrow. As the two archers fly to the island to intercept the expedition, G.A. tells Speedy the story of how he became Green Arrow.

One night, Oliver Queen fell overboard on a ship. He was unable to be rescued, so he swam to a nearby island. He made a home in a cavern on the island and fashioned a bow and arrow for hunting. At first his aim was poor, but long hours of practice paid off and he improved.

While fishing with his arrows, the fish would swim away after being hit, so Queen attached a vine to the arrow so that he could reel in his catch. This became his first trick arrow; a rope arrow. He soon created net and drill arrows, as well as a green leaf outfit for camouflage while hunting.

One evening Queen spotted a ship offshore. He swam to the ship to discover that the crew was mutinying. Using grease to cover the reflection of light on his white face, The masked Queen defeated the pirates and acted for the first time as Green Arrow.

Green Arrow kept a diary of events on the cavern wall. He is worried the expedition will find it and learn his secret identity. Using a fake-uranium arrow, G.A. scares off the expedition who believes there is radiation on the island. G.A. then destroys the diary so no one will learn his secret.

Edited by Mort Weisinger.

Flash #191

Flash #191 (On Sale: July 17, 1969) has the last of the three brilliant covers by Joe Kubert. This is the least of the three, but it is one of those like Secret Six #1 where the cover is the first panel of the story.

"How to Invade Earth -- Without Really Trying" is by John Broome, Ross Andru and Mike Esposito and begins with a groggy figure crawling around a corner to find the Flash's suit and as the cover tells you, it is not Barry Allen. No, it is Hal (Green Lantern) Jordan and he is surprised as anyone to find the Flash's costume and not his own.

From this point the story backtracks to earlier in the day when Hal is visiting the home of the Barry Allen's, Hal being in Central City on toy business. Iris Allen informs Hal that she has a surprise for him, a beautiful woman who she met while doing interviews for an article on modern fashions for her newspaper. Hal then recounts how he had met another woman in Florida last week and how she had stole his client by employing "the most shameless use of her feminine wiles!" This of course took place in Green Lantern #71 earlier this month and a nice bit of cross-over work by John Broome and Julius Schwartz, something you rarely saw at DC in 1969.

The doorbell rings and the cross-over continues as in walks brazen toy saleswoman Olivia Reynolds. Hal is really annoyed but over a good home-cooked meal he begins to warm up to Olivia and can't believe she is the same woman who went for the "hard sell" in Florida. Hal wonders which Olivia is real when his ring attempts to read her mind to find out. It is an unconscious act which Hal can't stop, but he does manage to turn the mind-probing beam invisible at least. However, for some reason the beam is thrown back at Hal, who yelps in pain. While getting some air he explains to Barry what happened and Barry thinks it might be that the Guardians prevented the beam from reaching Olivia and sent it painfully back at Hal because he was trying to use it for personal gain.

Suddenly spaceships appear over Central City and begin sending out telepathic communications saying they are the Mogrians and the they are taking over the Earth. Barry and Hal change into the Flash and Green Lantern and attack the Mogrians only to be attacked by strange monsters, that look like something out of a science-fiction movie. Something isn't adding up here as the Mogrian's ray-guns are just toys. Just then the aliens link arms and blast the Flash and green Lantern, appearing to disintegrate them.

Inside the spaceship we see a different type of character, an old alien named Glabr, who we learn is from an ancient race know as the Lenglyns, who use the power of subconscious mental giants they call U-Minds to sustain their civilization. Glabr has found a U-Mind on Earth in Olivia Reynolds. It was Glabr who repelled Hal's energy beam from Olivia's mind and decided to distract Green Lantern by staging a fake invasion of Earth using the Mogrian robots he carries on his ship, robots that just so happen chose this time to revolt against their masters and begin constructing machines to build more of themselves.

Which takes us to the opening scene of Hal waking up on a sidewalk to find the Flash's uniform. Just then Barry comes round the corner in Hal's Green Lantern suit, Barry saying he was told where to find Hal by a voice in his head. Glabr appears and tells them what has transpired and that only the Flash and Green Lantern can defeat the Mogrians. But Hal and Barry soon learn that they have been stripped of their powers. Glabr says that the Mogrians do not have the power to do such a thing unless they have already tapped into the power of Olivia's U-Mind. By banding together Glabr, Barry and Hal are able to telepathically locate Olivia being held captive in the spaceship.

They are able to connect with her mind and convince her that she has the power to mentally restore the Flash and Green Lantern's powers, which she is able to do. All that remains is for the Flash and Green Lantern to board the spaceship, defeat the Mogrians and rescue Olivia. Green Lantern uses his ring to remove Olivia's knowledge of what has transpired, a requirement for the Lenglyns to use her U-Mind. They wake Olivia up back at the Allen's house and she is none the wiser where the four of them play some bridge.

The letters page is a real winner this issue, featuring letters by regulars Gary Skinner and Peter Sanderson Jr and a guy named Mark Evanier.

Edited by Julius Schwartz.