Unexpected #119

Unexpected #119 (On Sale: April 2, 1970) has a cover by Nick Cardy.

We begin with "Mirror, Mirror on the Wall, Who's the Deadliest of All?" drawn by Bernie Wrightson. That is followed by "The Swampchild" by Carl Wessler, Werner Roth and Frank Giacoia. Next is "Rachel Isn't Ready to Die" by George Kashdan, Sid Greene and Vinny Colletta. We next have "Rest in Pieces" drawn by Murphy Anderson and reprinted in Unexpected #160. We end with "A Phantom in the Tree" by Murray Boltinoff and Jerry Grandenetti.

Edited by Murray Boltinoff.

Unexpected #118

Unexpected #118 (On Sale: February 5, 1970) has a cover by Neal Adams.

We begin with "Play a Tune of Treachery" by George Kashdan, John Calnan and Murphy Anderson. Next is "The Face in the Ball" by Jack Oleck and Jerry Grandenetti. This story was reprinted in Unexpected #161. We end with our cover-story, "Why Was Everyone Afraid of Hester?" by George Kashdan and George Tuska.

Edited by Murray Boltinoff.

House of Mystery #185

House of Mystery #185 (On Sale: January 8, 1970) has a cover by Neal Adams. For some reason this cover just doesn't work for me. I love the foreground figures, but something about the gaping-mouthed swamp in the background just doesn't register right with me.

Irregardless of my misgiving with this issue's cover, this is a wonderful issue of House of Mystery with good stories all around and more importantly, Joe Orlando brings a legend to DC for the first time and he performs like the legend he is. But that is later on.

We begin with "Boom!" written and drawn by Jerry Grandenetti. I liked this story and the way it utilized Cain. It begins with Cain running back to the House of Mystery being chased by something in the air following him. He makes it back inside when "Boom!," whatever it is lands on the roof of the house.

Deciding to meet his fate head on, Cain runs upstairs and sees something through the open window. It ends up being a man, wearing a parachute. He is an exhibition sky diver named Tony Saunders, who can't figure out how he landed at Cain's house in Kentucky when he jumped out a plane in California. Unable to catch a ride anywhere, Saunders settles down for the night in the house as Cain's guest, when a strange car pulls up to the house and two gentlemen in top hats and suits get out and ask for Tony Saunders.

Saunders goes freely with the two men, saying he "knew you'd come for me." The next morning, listening to the news on his radio Cain hears of the the death of sky diver Tony Saunders when his chute failed to open somewhere in California. Cain rushes to his front door and sees that Tony left him a gift: his parachute.

Next is a Cain's Game Room by Sergio Aragones and a Page 13 written by Joe Orlando and drawn by Sergio Aragones.

These are followed by a short three-pager, "Voice of the Dead" drawn by Wayne Howard and reminiscent to the "true" short stories around this time that were written by Marv Wolfman. A North Carolina farmer dies in 1921 and when his will is read he leaves everything to his third son, Marshall. This leaves his widow and her other children penniless. Four years later his second son begins having a reoccurring dream where the ghost of his father tells him to look inside his old coat for a sewn-up pocket. A note of the art here is that some attribute the inking of this story to Wally Wood, though DC does not. Wayne Howard was such a Wood devotee that it would be hard to say for sure, but I would tend to agree with those who say this is Wood's inks. It really, really looks like Wally Wood.

After nights of having the same dream the son goes to his mother's house finds the coat and a note inside saying to look in the family bible. There they find a later dated will which split his estate evenly.

This is followed by another Cain's Game Room, this one written and drawn by Joe Orlando, but none of these are the reason you should own this book. No, that is the final story in the issue, "The Beautiful Beast" by Joe Gil and the legendary Al Williamson. This is the only story that Al will both pencil and ink for DC and folks, it is just out and out, drop dead gorgeous! This is Williamson in his Secret Agent Corrigan prime. This is the story of Joe Carver, escaped killer who hides out in the swamp and the inescapable justice that lurks there. But the story is superfluous, the artwork is the real story. Handsome men, a beautiful woman, hulking dinosaur-like creatures, a fetid swamp, serpents, lost cities, gnarled moss-laden trees, cavemen-like warriors, exotic birds and flying reptiles; this is a story custom-made for the talents of Al Williamson and he delivers completely.

But there is more to the art in this story than meets the eye. In an interview in Comic Book Artist Michael Kaluta said this:

I never even thought about being an illustrator or comic book artist. I’d just finished my second year of college...I didn’t know what I was going to do, stay in school or join the army. After the next SCARP convention, Phil Seuling contacted me and said that Al Williamson had seen stuff that I did and was interested in talking to me about maybe helping with a story. That flipped me out. At the next New York Convention I went up to Al and he gave me a script that he was having trouble getting in to. He asked me to stretch it out. “Give me plenty of boots, girls, dinosaurs and stuff” he said. I made 7 pages into 12. Al still has my fumbling pencil originals and unless he gets mad at me we won’t tell anyone. They’re really awful, awful stuff. I was so uptight about doing the job that I just rendered and detailed it to death. Later Al did a fine job with the story and let me doodle a bit on a page or two. DC Comics published it under the title The Beautiful Beast.

Regardless of the pedigree of the artwork, it is some stunning stuff and certainly makes you wish Al Williamson could have done more work for DC. Al Williamson was born in New York City but spent his childhood in Bogotá, Colombia. Upon his return to New York, he took art courses from Burne Hogarth, whom he assisted on some 'Tarzan' Sunday pages.

He made his professional debut at the age of 17 with western and adventure series like 'Buster Crabbe' for Eastern Color, 'Billy the Kid' and 'John Wayne' for Toby and 'Outlaw Kid' for Marvel. He was the youngest member of the "EC family," joining when he was only 21 years old in 1952, He was considered "the kid brother," for most of his colleagues were family men. Williamson contributed to EC's Weird Fantasy, Weird Science and Tales of Valor, often in collaboration with the so-called "Fleagle Gang": Frank Frazetta, Roy Krenkel and Angelo Torres. Al especially loved doing pencil work, but was "deathly afraid" of inking, so often Frazetta undertook that task for him.

Al also did comics work for ACG, Charlton, Prize and Dell. In the 1960s, he assisted John Prentice on 'Rip Kirby' and did a 'Flash Gordon' comic book, which was a natural for Al as his fluid style is highly influenced by Alex Raymond's original Flash Gordon work. For King Features Syndicate, he took over the 'Secret Agent X-9' daily, which was retitled to 'Secret Agent Corrigan' which was written by the wonderful Archie Goodwin.

In the 1980s Al drew the Marvel adaptation of The Empire Strikes Back and eventually the syndicated Star Wars newspaper strip. When this strip folded, Al went back to comic books, working for Pacific Comics in Alien Worlds and Summerset Holmes. For Marvel he did the Blade Runner and Return of the Jedi adaptations and a couple of stories for Epic Illustrated. He then transitioned to becoming a full-time inker, working first at DC on Superman and then for Marvel where he inked a ton of stuff off and on through 2003.

Al has worked for Dark Horse and has done occasional inking for DC. His last work for DC was on Green Lantern #146 in 2002.

This entire book was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Unexpected #117

Unexpected #117 (On Sale: December 4, 1969) has a cover by Nick Cardy.

We begin with Johnny Peril in "Midnight Summons the Executioner" by George Kashdan and Sid Greene. This is the last Johnny Peril story for ten years. Next is "Hands of Death" by Murray Boltinoff and Jerry Grandenetti. That is followed by "The House That Hate Built" by Carl Wessler and George Tuska. This story was reprinted in Unexpected #161. We end with "Death of the Man Who Never Lived" by Carl Wessler and Bruno Premiani.

Edited by Murray Boltinoff.

House of Mystery #183

House of Mystery #183 (On Sale: September 11, 1969) has a cover by Neal Adams.

We begin with an intro page featuring Cain by Joe Orlando, which leads into "The Haunting" by Jack Oleck and Jerry Grandenetti. This is followed by an one-page Odds and Ends from Cain's Cellar a reprint by an unknown writer and artist.

Next from Cain's True Files we have "The Dead Can Kill!" by Marv Wolfman and Bernie Wrightson. That is followed by a Page 13 by Joe Orlando and Sergio Aragones and a Cain's Game Room by Sergio Aragones.

We end with "The Secret of the Whale's Vengence" by Robert Kanigher, Jerry Grandenetti and Wally Wood. The entire book was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

House of Mystery #182

House of Mystery #182 (On Sale: July 10, 1969) has another cool cover by Neal Adams.

We begin with "The Devil's Doorway" by Jack Oleck and Alex Toth. Wealthy student of the occult, Phillip Warren, buys a strange mirror from a New England auction. Phillip mentions his wife's misgivings about owning the piece and the auctioneer says that it is perfectly safe as the contents of the house were exorcised over a century ago and that the records of the exorcism are in the family records in City Hall.

Satisfied, the mirror is shipped home, but almost immediately strange things begin to happen. Phil's daughter Beth begins to disappear for hours at a time and when she does show up she says she has been in the mirror playing with Mr. Belial. Beth is told to stay away from the mirror, but just a few nights later she brings her father a gift, an ancient cult demon statuette used in black magic.

Beth once again claims that she has been in the mirror and the the gift is from Mr. Belial. Knowing the mirror has been exorcised, Phil tells his daughter to stop making up stories and sends he off to bed. But Phil can't sleep and that night while sitting in front of the mirror he sees inside it a strange world. He walks into the mirror and meets Mr. Belial, AKA Satan, who says that he has been expecting him to arrive. Satan explains that he finds students of the occult a challenge and since he could not leave the mirror he had to find a way to lure Phil into his world. He threatens to soon have Phil's wife as well.

Phil hurls the demon statuette at Satan and fights his way past demons to finally reach the mirror portal. Once outside he takes an axe to the mirror and then burns what remains. However, once the mirror is completely consumed Phil falls into a coma, yet a fitful coma of nightmare dreams. Days later the dreams end and Phil tells his wife that he was just sick and hallucinating. Now that Phil is better his wife tells him that their daughter Beth has vanished, that she has not been seen since the night Phil destroyed the mirror. But the mirror is harmless, the mirror had been exorcised. Phil heads to City Hall to look up the records of the house and finds that yes, everything in the house was exorcised, except a mirror that has been sent out to be gilded.

This story is a real winner and Alex Toth's artwork is an amazing workshop in minimalist line-work in the support of a story. This is wonderful work from Toth.

This is Jack Oleck's first credited work at DC, though he is known to have written both issues of Bother Power: The Geek. This only makes sense as Oleck was Joe Simon's brother-in-law and as Simon has said, "the number one scriptwriter for Simon and Kirby since the early days of Young Romance," though, it would seem, largely uncredited. According to the Jack Kirby Museum, Oleck also worked at Atlas in the 1950s when the company was publishing 85 titles a month, but exactly what work he did is not known as there are few records from this era. Jack also wrote for EC Comics doing war stories for Aces High and science-fiction for Incredible Science Fiction.

As a credited writer Jack Oleck would write more than 200 stories for DC, mostly in the horror/mystery books, but a few wars stories and humor stories for Plop! and the first three issues of Kong, the Untamed. Jack also wrote both of the paperback anthologies of adaptations of The House of Mystery stories and EC Comics The Vault of Horror paperback as well.

Oleck also wrote novels, including Messalina. As reviewer Joe Kenney says on Amazon, "Published in 1959 and continuously in print for the next several years, Jack Oleck's Messalina is now long out of print and barely remembered. Yet it is historical fiction of the best sort: trashy, exploitative, packed with violence and graphic sex. No "detectives in togas," no poorly-written military fiction, no thinly-veiled Christian glurge - this is a full-on romp in the salacious world of Imperial Rome, more Technicolor than Elizabeth Taylor's "Cleopatra."

Messalina recounts the tale of the real-life woman who married Claudius, the fourth emperor of Rome. She's known to history as a backstabbing schemer with an insatiable lust for sex, so don't go into this novel expecting a G-rated story of ancient Rome. Oleck takes us from her youth to her end, barring no details of her cold-blooded and predator-like ways: for Messalina, sex was a means to power, and boy did she know how to use it. "

Next is "Grave Results!" a "Cain's True Case File" by Marv Wolfman and Wayne Howard.
It tells the story of the Chase family of Barbados and how each time they go to bury a family member in the family crypt they find the caskets thrown about the crypt and overturned, even though the crypt is sealed each time with molten lead to keep anyone out. The two caskets belonging to the original owner of the crypt and her grand-daughter are never disturbed. Eventually the family has to leave the island to escape the cursed crypt. Reprinted in House of Mystery #229 and Showcase Presents: The House of Mystery Vol. 1 TPB.

This little piece of fluff was Wayne Howard's first work for DC and his first credited work anywhere. He contributed to comics fanzines in the mid-1960s before becoming an art assistant at the Long Island, New York studio of Wally Wood in 1969 and the Wood influence is evident in every panel Howard ever did. Wayne would only draw four stories for DC, though he would ink another 8 over the next 13 years. Howard also did work for the short-lived Web of Horror black and white book that also appeared in 1969.

Howard did work for a number of publishers. He penciled a story in Gold Key's TV-series tie-in The Twilight Zone and inked stories for Warren's Creepy and Eerie. At marvel he did inks for Worlds Unknown, Marvel Team-Up, Thongor! Warrior of Lost Lemuria in Creatures on the Loose and the Marvel black and white Haunt of Horror.

But none of this is what Wayne Howard is known for. Wayne Howard was the first American comics' cover-credited series creator, with the Charlton horror anthology book Midnight Tales which carried the blurb: "Created by Wayne Howard" on each issue. Howard did other work for Charlton, but it is with this book that he made his mark. Charlton writer/editor Nicola Cuti says that Howard's credit was granted since "it was his idea, his concept, his everything." Howard created the main characters, host Professor Coffin, The Midnight Philosopher, and his niece, Arachne, who in a twist on the horror-host convention would themselves star in a story each issue. Howard also developed the notion of having each issue be themed. He penciled and inked every cover, most of the stories and he even wrote a few of them.

In Comic Book Artist #12, Charlton editor George Wildman, described Howard as, "sort of shy. Easy come, easy go",and said Howard had married the sister of one of Wildman's early secretaries. In the same issue, Nicola Cuti said the heavy-smoker artist "always wore the same outfit: a white shirt, a kind of tan bush jacket, black hat, black pants and black tie. ...I was over at his apartment, and he opened up his closet, and there were 20 white shirts, 20 bush jackets, 20 black pants...."

Wayne Howard's last known comic work was for Warlord #64. Always a bit of a recluse, when Comic Book Artist attempted to contact him in 2001 they were told that "the artist/writer had no interest in delving into the past." Wayne Howard, one of the first African-American comic book artists of the Silver Age, died December 9, 2007 at the age of 58.

Next we have a one-page ad for the House of Secrets featuring Cain and written and drawn by Joe Orlando. That is followed by a Cain's Game Room by Sergio Aragones.

The last story in the book is "The Hound of the Night" by Robert Kanigher and Jerry Grandenetti. It was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

House of Secrets #81

House of Secrets #81 (On Sale: June 3, 1969) has a cover by Neal Adams as it rejoins the DC ranks after being AWOL for the past three years.

We begin with "Don't Move It!" by Mike Friedrich, Jerry Grandenetti and George Roussos which is the origin story for the House of Secrets. That is followed by "House of Secrets" drawn by Bill Draut and containing the first appearance of Abel in the House of Secrets (remember he premiered in last month's DC Special #4).

Next is a text story, "Burn This House!" by persons unknown. That is followed by "Aaron Philips' Photo Finish!" by Gerry Conway and Jack Sparling. The issue ends with an Epilogue to the "House of Secrets" drawn by Bill Draut. The entire issue was reprinted in Showcase Presents: The House of Secrets Vol. 1 TPB.

This was Gerry Conway's first story for DC. Between now and 1990 Gerry would write 630 tales for DC. He began selling such anthological stories here and for Marvel's Chamber of Darkness and Tower of Shadows through the end of 1970. He published his first continuing-character story in The Phantom Stranger #10.

Conway broke into Marvel Comics through Marvel editor Roy Thomas as he explained in Back Issue #26:

"I'd been writing for DC Comics for two or three years . . . but to paraphrase the joke about the actor's ambitions to be a director, what I really wanted to do was write superheroes — specifically Marvel heroes. Through friends I'd become acquainted with Roy Thomas, who was Stan Lee's right-hand man at the time, and Roy offered me a shot at the Marvel 'writing test'. Stan wasn't impressed, but Roy liked what I did, and began throwing some short assignments my way, including scripting over his plot on an early Ka-Zar [story]...”

Following his first continuing-character story for Marvel, with his script for Ka-Zar in Astonishing Tales #3, Conway's began writing superhero stories with Daredevil #72. He quickly went on to assignments on Iron Man, The Incredible Hulk, and both "The Inhumans" and "The Black Widow" features in Amazing Adventures. Conway would eventually script virtually every major Marvel title, as well as co-create (with writers Roy & Dann Thomas and artist Mike Ploog) "Werewolf by Night", in Marvel Spotlight #2; and write the premiere issue of Marvel's The Tomb of Dracula, introducing the longstanding literary vampire into the Marvel universe. He scripted the first Man-Thing story, in 1971, sharing co-creation credit with Stan Lee and Roy Thomas.

At 19, Conway began scripting The Amazing Spider-Man, one of Marvel's flagship titles. His run, from issues #111–149, included the landmark death of Gwen Stacy story in #121. Eight issues later, Conway and Ross Andru introduced the Punisher as a conflicted antagonist for Spider-Man. The character went on to become a popular star of numerous comic books and has been adapted into three movies. Conway additionally scripted Marvel's other flagship, Fantastic Four, from #133–152.

Gerry Conway succeeded Marv Wolfman as editor-in-chief of Marvel Comics in mid-1976, but held the job only briefly, relinquishing the post before the year was out and succeeded in turn by Archie Goodwin.

Conway returned to DC Comics in mid-1975, beginning with three books cover-dated Nov. 1975: Hercules Unbound #1, Kong the Untamed #3, and Swamp Thing #19. Shortly afterward, he was chosen by Marvel and DC editors to script the historic inter-company crossover Superman vs. the Amazing Spider-Man #1, a 96-page, tabloid-sized, $2 one-shot, at a time when comic books sold for 25 cents.

He continued writing for DC, on titles including Superman, Detective Comics (starring Batman), Metal Men, Justice League of America, 1st Issue Special #11 starring Codename: Assassin, and that of the licensed character Tarzan, yet briefly returned to Marvel as editor in mid-1976. For a time, a confluence of publishing schedules resulted in Conway stories appearing in both Marvel and DC comics in the same month.

After leaving Marvel's editorship, he again wrote exclusively for DC, writing both major and lesser titles — from those featuring Superman, Batman, Wonder Woman, the Justice League of America, and the Legion of Super-Heroes to such books as Weird Western Tales, Atari Force and Sun Devils — through mid-1986. His co-creation Firestorm, "the Nuclear Man", debuted in the eponymous Firestorm #1, which lasted five issues before being canceled during a 1978 DC retrenchment. The character then starred in a backup feature in The Flash before again receiving his own series, The Fury of Firestorm (later Firestorm the Nuclear Man), from June 1982 – August 1990; Conway wrote most of the first half of the run, plus four of its five annuals.

Conway returned to Marvel in the 1980s and served as the regular writer of both The Spectacular Spider-Man and Web of Spider-Man from 1988 until 1990. He relinquished writing duties on both titles when he became the script-editor of TV's Father Dowling Mysteries.

Conway's last recorded comics credit is Topps Comics' "Kirbyverse" one-shot NightGlider #1 , scripting from a Roy Thomas plot.

In addition to comics, Conway published two science-fiction novels: The Midnight Dancers and Mindship. He also wrote the February 14 - December 3, 1983 dailies of the syndicated newspaper comic strip Star Trek.

Conway as well moved into screenwriting in the 1980s, starting with the animated feature Fire and Ice in 1983, co-written with Roy Thomas, based on characters created by Ralph Bakshi and Frank Frazetta. Conway and Thomas wrote the story basis for Stanley Mann's screenplay for the film Conan the Destroyer.

Conway went on to write, and eventually produce, for such TV series as Diagnosis Murder, Matlock, Jake and the Fatman, Father Dowling Mysteries, Hercules: The Legendary Journeys, Baywatch Nights, Pacific Blue, Silk Stalkings, Perry Mason telefilms, Law & Order, The Huntress, Law & Order: Criminal Intent, and an episode of Batman: The Animated Series.

Edited by Joe Orlando.

DC Special #4

DC Special #4 (On Sale: May 22, 1969) has a cover by Neal Adams for the 13 Shock-Ending Stories issue.

We begin with a framing sequence for 13 Shock-Ending Stories 13 by Mark Hanerfeld and Bill Draut. This is famous for being the first appearance of Abel, caretaker of the House of Secrets. Not only did Hanerfeld write Abel's first appearance he is the original model for Abel.

Next is "Ghost Writer" drawn by Leonard Starr and reprinted from House of Mystery #19. That is followed by "The Magic Hammer" drawn by Jack Kirby and reprinted from Tales of the Unexpected #16 where it was originally entitled "The Magic Stick."

We next have "A Piece of Rope" from House of Mystery #5. Jerry Grandenetti drew "Last Mile Martin" from House of Mystery #15 "The Dream Lamp " is drawn by John Prentice and is reprinted from Tales of the Unexpected #1.

Next is "Door of No Return" written by Murray Boltinoff and drawn by George Roussos and reprinted from House of Secrets #62. That is followed by "Beware after Dark" drawn by Carmine Infantino and Joe Giella and reprinted from Sensation Mystery #114.

"The Tree Man of Tanganyika" comes to us from House of Mystery #30 and is drawn by Ralph Mayo. Ralph Mayo was the art director of AC Comics in the 1940s. He drew 'Black Terror and Tim' for America's Best Comics, Black Terror and Exciting Comics. He also penciled some 'Miss Masque' splash pages. In the 1950s he drew Jann of the Jungle for Marvel, 'Camilla' for Fiction House and crime stories for Lev Gleason and St. John. He was penciller and/or inker on Dell titles like Dragoon Wells Massacre, Jungle Jim, Lassie, Quentin Durward and Roy Rogers. His first work for DC was in Mr. District Attorney #2 in 1948. He worked mainly on the Johnny Quick feature in Adventure Comics and drew 66 stories in all for DC before his death in 1956. Some of his last work was with Al Williamson on Jann of the Jungle.

Next is "Written in the Sands" drawn by George Papp and reprinted from House of Mystery #26. "The Secret of Salzo the Great" comes to us from artist John Prentice and House of Mystery #2. That is followed by "Secret Locked in the Ice" from House of Secrets #63 and the pen of artist Gene Colan.

Rounding out the issue is "The Bullet Man" drawn by Bernard Baily from Tales of the Unexpected #17 and "The Strange Faces of Death" drawn by Ruben Moreira and reprinted from House of Mystery #19.

Edited by Joe Orlando.

Spectre #10

Spectre #10 (On Sale: March 18, 1969) has a pretty good cover by Nick Cardy as this title limps to its death.

We begin with "Footsteps of Disaster" drawn by Jerry Grandenetti and George Roussos.Charles A. Felix has been a criminal since he was young. He is repeatedly caught and punished for his crimes, but he never learned his lesson. Many times his punishment was foretold by a creaking staircase as an authority figure climbed the stairs to get him. After killing his former partner, Felix hears the creaking stairs again. This time it is the Spectre who is coming to get him. Felix collapses from fear and dies.

Next is "Hit and Run" drawn by Jack Sparling. Small-time hood Johnny Stull is haunted by dreams of hitting a kid with his car while fleeing police. The Spectre watches as Johnny's dream becomes prophetic and plays out in real life. However, Johnny acts to save the kid by swerving out of the way instead of hitting him. As a result, Johnny crashes the car and is killed, but the Spectre concludes that Stull isn't as evil as he originally thought.

That is followed by "How Much Can a Guy Take?" also drawn by Jack Sparling. In high school Allie Johnson was thought to be a nice guy who would grow up to become a lawyer or doctor. Instead Allie became a shoe shine man who can barely feed his family. Nichols, a former classmate, has become a financial success and taunts Allie daily while getting his shoes shined.

After considerable humiliation, Allie breaks down and tries to steal a briefcase from Nichols that supposedly contains a fortune. Nichols catches him, so Allie pulls a gun. The Spectre stops him from shooting, then shows him that the briefcase is empty. He also shows Allie that Nichols is a criminal. After preventing Allie from becoming a murderer, the Spectre takes retribution on Nichols.

We end with "Will the Real Killer Please Rise?" another Jack Sparling drawn story. The Spectre investigates two murders which he believes were committed by Vargo the Ventriloquist. The victims were former associates for whom Vargo carried a grudge. The Spectre tries to pull the truth from Vargo's mind, but he can't read it. He continues to watch Vargo in order to protect Sarah Frame, his next likely target. The Spectre barely discovers the truth in time that Vargo has been disguising himself as his ventriloquist dummy. The human Vargo is a robot which had no mind for the Spectre to read. The Spectre prevents Sarah's murder, and Vargo is arrested.

Edited by Dick Giordano.

Showcase #82

Showcase #82 (On Sale: March 13, 1969) has a cover featuring Nightmaster by Joe Kubert. It also has added "Preview" to the appellation and a large DC logo. The irony of this is that this is one of the few three-issue tryouts that never went anywhere. And yeah, before there was a Conan comic at Marvel, DC tried sword and sorcery.

"Some Forbidden Fate" is by Denny O'Neil, Jerry Grandenetti and Dick Giordano. Thousands of years ago, the mighty warrior Nacht was driven from his other-dimensional world of Myrra by his rival Brom and the evil magician Farben. While Nacht's magic Nightsword inserted itself into a stone pillar, Nacht himself ended up on Earth where he settled down under his family name of Roke.

In 1969, Jim Rook, lead singer of the rock band called the Electrics, entered an abandoned store on Manhattan named Oblivion, Inc. and is magically transported to Myrra. One of Nacht's descendants, Rook reluctantly claimed his ancestor's Sword and became the new protector of Myrra – the Nightmaster. Although Rook really wantd to return to Earth, he finds himself in the midst on the conflict between Myrra's King Zolto and the evil Warlocks, when the Warlocks captures Rook's girlfriend, Janet Jones.

Edited by Murray Boltinoff.

Our Army at War #206

Our Army at War #206 (On Sale: March 4, 1969) has an interesting split cover by Joe Kubert.

We start with Sgt. Rock in "There's a War On" by Robert Kanigher and Joe Kubert. That's followed by "The Wall" a reprint from All-American Men of War #7 by France Herron, Jerry Grandenetti and Sy Barry. Lastly is "Death Crowns an Ace" by Robert Kanigher and Ken Barr.

This is Scottish artist Ken Barr's first work for DC. Ken would draw twelve stories for DC in all, eleven of them between 1969 and 1974 and a final one in 1981. Barr would also write one of the stories and he would draw four war covers for DC as well. Ken's style lent itself to war books, though two of his stories were for the horror/mystery line.

Comic fans most likely remember Ken Barr for his paintings. He did a couple of covers for Warren's Creepy and for the fanzines Phase 1 and Hot Stuf but his real workload was for Marvel. Ken painted the covers of their black and white Doc Savage book from issue 2-8. He also did covers for The Deadly Hands of Kung Fu, The Rampaging Hulk, Marvel Preview, The Savage Sword of Conan, Planet of the Apes and Savage Tales.

According to his website, Ken is currently working on a fully painted Dracula graphic novel.

Edited by Joe Kubert.

Witching Hour #2

Witching Hour #2 (On Sale: February 18, 1969) has a cover by Nick Cardy.

We start with our Mordred, Mildred and Cynthia framing sequence, "(Come, dear reader, come along!)" drawn by Alex Toth. That's followed by "(That's right, Bernard -- scream!) " pencilled by Jerry Grandenetti adn "The Trip of Fools" by persons unknown. by persons unknown. We end with "Once Upon a Surprise Ending" drawn by Jack Sparling.

Edited by Dick Giordano.

Spectre #9

Spectre #9 (On Sale: January 16, 1969) has a cover by Nick Cardy.

We begin with an untitled story by Mike Friedrich and Jerry Grandenetti. Detective Jim Corrigan and a police sergeant track down a criminal known as Sharky. When they try to make the arrest, the sergeant is shot. This causes the Spectre to emerge, and he kills the shooter. Corrigan is upset with the Spectre and lapses into unconsciousness after denying the Spectre access to reenter his body.

The Spectre is called before the powers that created him. He is pronounced a failure and forced to relinquish his power. He is given a book and tasked with the responsibility to observe and judge the lives within.

Next is "Abraca-Doom" by Denny O'Neil and Bernie Wrightson. This would be Bernie Wrightson's second strip for DC and his first super-hero work (if you consider the Spectre to be a super-hero). The Spectre investigates the life of Fredrick Foost, a small-time magician. Foost bargains with the Devil, who gives him a magic wand known as Abraca-Doom. Foost uses the wand to achieve fame as a professional magician. He then begins amassing power by making himself the ruler of a small country. The Spectre continues to withhold judgment, until Foost presses for additional power. Foost then encounters his old assistant Willard who made the same bargain with the Devil as his old boss. The two magicians then must pay the price for their demonic bargains as the Devil collects their souls. Reprinted in House of Mystery #224.

Lastly is "Shadow Show" by Mark Hanerfeld and Jack Sparling. Mark Hanerfeld was an assistant editor at DC and the original model for Abel, the soon-to-be host of the House of Secrets. This is the first of two stories he would write for DC. Mark belonged to a Queens' comic book fan group called T.I.S.O.S., or The Illegitimate Sons of Superman. Other members included Marv Wolfman and Len Wein. In the photo above are Hanerfeld, Wolfman and Wein.

A crook named Hickey evades police by hiding in the shadows. However, as he escapes, the crook begins feeling paranoia. Hickey feels the shadows chasing him, so he tries to remain in the light. When he finally reaches his home Hickey meets the Spectre and is apprehended. Reprinted in House of Mystery #225.

Edited by Dick Giordano.

House of Mystery #179

House of Mystery #179 (On Sale: January 7, 1969) has another wonderful cover by Neal Adams. This is just a classic issue as you will see.

We begin with an introduction page featuring Cain written and drawn by Joe Orlando. Next is "Sour Note" by E. Nelson Bridwell, Jerry Grandenetti and George Roussos. This is the story of Mark Eldon, who was given a note written in a strange language by a mysterious silent woman in a dark abandoned mansion. Everyone he gives the note to seems to be able to translate it and every time they do, the results are disastrous for Mark. What is the secret of the sour note? Reprinted in House of Mystery #229.

Next is "The Man Who Murdered Himself" by Marv Wolfman and introducing Bernie (Berni) Wrightson. This is Marv's first horror story sale and of course he would go on to write years worth of Tomb of Dracula for Marvel. Bernie will always be remembered for his classic run on his co-creation, Swamp Thing, and the numerous covers he will do over the years for the DC horror/mystery line. Bernie also pulled a long stint at Warren drawing some classic black and white horror stories. Reprinted in House of Mystery #228. This story is a pretty inauspicious start for Wolfman, a short tale of a maybe haunted house.

Next we have "Page 13" by Joe Orlando and Sergio Aragones and "Cain's game Room" by Sergio Aragones.

That brings up to "The Widow's Walk" by Howie Post, Neal Adams and Joe Orlando. This is the second of five horror stories that Anthro creator Howie Post would write for DC. Joe Orlando's inks are not a very good fit for Neal Adam's pencils and this is a team you would not see again. Post's story is terrific, beginning in 1897 where we meet Angus Beame, a young merchant seaman. This is the story of Angus's foiled marriage for money scheme and the curse of a scorned and devoted wife. Great stuff and obviously the reason it has been reprinted so much. Reprinted in Limited Collectors' Edition C-23, DC Special Blue Ribbon Digest #17 and Saga of Ra's Al Ghul #3.

The entire issue was also reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Showcase #80

Showcase #80 (On Sale: December 12, 1968) has a Phantom Stranger cover by Neal Adams.

We begin with the Phantom Stranger in "Men Call Me the Phantom Stranger" by Mike Friedrich, Jerry Grandenetti and Bill Draut. This was the first new Phantom Stranger story since The Phantom Stranger #6 in 1953. DC was looking for more mystery comics and found a winner in this long-forgotten character, revamped for the 1960s. This story was a framing sequence around the rest of the book which was reprints and was itself reprinted in Showcase Presents Phantom Stranger Vol. 1 TPB.

Next we have "The Three Signs of Evil" by John Broome, Carmine Infantino and Joe Giella and reprinted from Phantom Stranger #2. Artist Mark Davis strolls through Columbus Circle and happens upon a gathering. As he watches, he begins sketching a picture of some symbols the people are using. When the group notices him, they demand that he turn over the sketches. Davis refuses and leaves the scene.

The cult members follow Davis and attack him near Times Square. Mark is rescued by the Phantom Stranger who examines Mark's sketch. The Stranger deduces where the cult will be from the sketch. Mark offers his assistance in stopping the cult.

Following the third sign in his sketch, Mark is captured by the Moon Cult. They intend to sacrifice him to gain mystical power. The Phantom Stranger comes to the rescue again and knocks out the cult. Mark summons the police, while the Stranger disappears.

Lastly we have a reprint of the first Doctor 13 story, "I Talked with the Dead" from Star Spangled Comics #122 and drawn by the great Leonard Starr. DC took the mystical Stranger and added the supernatural hoax-breaker Terrance Thirteen as a foil for the Stranger's mystic adventures.

Edited by Joe Orlando.

Unexpected #111

Unexpected #111 (On Sale: December 5, 1968) has a cover by Nick Cardy.

We begin with Johnny Peril in "Mission into Eternity" by George Kashdan and Jack Sparling. Next is the cover story, "The Wheel of Misfortune" by Dave Wood, Jerry Grandenetti and Bill Draut. Lastly is "The Baby Who Had... But One Year to Die" by Dave Wood and Angel B. Luna. This story was reprinted in Secrets of Sinister House #18 and is the only artwork by Angel B. Luna I have ever heard of, though I have seen the name listed on a site of Filipino comic artists.

Edited by Murray Boltinoff

Spectre #8

Spectre #8 (On Sale: November 19, 1968) has a really cool cover by Nick Cardy.

"The Parchment of Power Perilous" is by Steve Skeates, Jerry Grandenetti and Murphy Anderson. This is Skeates' first work ad DC for someone other than Dick Giordano. An 18th century sorcerer attempts to open a doorway to unlimited power. He records the secret on parchment, then realizes that such power is evil. When he attempts to destroy the parchment, his apprentice Narkran kills him. Narkran then uses the parchment to gain limitless power and leaves the Earthly plane. Eventually he realizes that his body cannot contain such power. He must return to Earth and find the parchment which he believes contains additional secrets vital to his survival.

Meanwhile, the Spectre helps Jim Corrigan battle the Carstagg Mob. The Spectre acts recklessly and nearly kills an innocent bystander. The Spectre is punished for his actions and will be given a weakness when presented with stressful situations in the future.

Narkran returns to the Earthly plane after 200 years seeking the parchment. The Spectre goes to battle the supernatural foe. As the battle ensues, the Spectre's new weakness presents itself in the form of blindness. The Spectre then must overcome Narkran without his vision. He does so, then he also destroys the parchment. Narkran is destroyed, and the Spectre's eyesight returns. Reprinted in Adventure Comics #502.

Edited by Julius Schwartz.

Unexpected #110

Unexpected #110 (On Sale: October 8, 1968) has a new logo and one of the creepier Neal Adams covers amplified by some wonderful color work.

We begin with a Johnny Peril story "Death Town, USA" by George Kashdan and Jack Sparling. That is followed by "Half a Man is Better Than None" by Dave Wood and Bill Draut and "The Last Executioner" by Dave Wood, Jerry Grandenetti and Bill Draut.

Edited by Murray Boltinoff.

Spectre #7

Spectre #7 (On Sale: September 17, 1968) has a fairly awful cover by two guys who should not be working together, Jerry Grandinetti and Murphy Anderson.

We begin with the Spectre in "The Ghost That Haunted Money" by Gardner Fox, Jerry Grandinetti and Murphy Anderson. While attempting a bank robbery Frankie Barron is shot and killed by a security guard. Even after his death Barron is intent on stealing the bank's money and his spirit remains behind. Though he is physically unable to touch the money, he is able to haunt the bank and interfere with the customers.

Jim Corrigan is unable to stop the ghost, so his other self the Spectre takes on Barron's spirit. However the Spectral Avenger cannot banish the ghost because his attachment to the money is too strong. The Spectre finally prevails by turning the money itself against Barron. Terrorized by the money, the ghost finally breaks his psychic connection to it and leaves Earth for the spirit world. Reprinted in Adventure Comics #501.

The back-up Hourman story is "The Hour Hourman Died" by Gardner Fox, Dick Dillin and Sid Greene. Hourman interrupts a robbery at the Tyler Chemical Company. The thief, Tricky Dick Arnold, is using a device called a Metalizer which enables him to walk through the metal vault door. When exposed to radiation from the Metalizer, Hourman dies.

The Miraclo in Hourman's system revives the hero a short time later, but he deduces that once the Miraclo wears off, he will be dead permanently. Hourman then tracks down the crook, before his life is over. Then by analyzing the metalizer radiation he concocts an antidote just before the hour is up. Reprinted in Justice League of America #91 and Crisis on Multiple Earths:The Team Ups Vol. 1 TPB.

Edited by Julius Schwartz.

Spectre #6

Spectre #6 (On Sale: July 16, 1968) in a total and complete departure from the Neal Adams covers of the past four issues, has a really poorly colored cover by Jerry Grandenetti and Murphy Anderson.

"Pilgrims of Peril" is by Gardner Fox, Jerry Grandenetti and Murphy Anderson. Jim Corrigan responds to trouble in Gateway City's Old Quarter. Four spectral pilgrims have chased away the residents and erected a smokey barrier that prevents entry to the area. The Spectre crosses the barrier and follows a young boy named Billy who was trapped inside. They soon find themselves in the realm of Geimpo in battle against the demon lord Nawor. The Spectre is able to defeat Nawor using earthly objects from Billy's pockets.

Back on Earth Jim Corrigan has lost his battle against the spectral pilgrims. Hundreds of years ago they tried to bring Nawor to Earth using magic talismans. They failed, but Nawor allowed them to return every 100 years to try again. This time they finally succeed in bringing Nawor to Earth.

The Spectre battles Nawor again, but now on Earth, the demon is invincible. Billy helps Jim Corrigan escape and defeat the pilgrims which weakens Nawor. The Spectre then uses a rowan tree to defeat the demon and banish him. The spectral pilgrims then dissolve into dust. Reprinted in Adventure Comics #499.

Edited by Julius Schwartz.