House of Mystery #188

House of Mystery #188 (On Sale: July 9, 1970) has a cover by Neal Adams.

This issue introduced American comic fans to the amazing pencil and ink artwork of Tony DeZuniga in its first story, "Dark City of Doom" written by Gerry Conway.

Next is a Cain's Gargoyles one-pager written and drawn by Sergio Aragones, a Page 13 one-pager by Joe Orlando and Sergio Aragones and a Cain's Game Room one-pager by John Albano. In a few years John Albano and Tony DeZuniga would team up to create western anti-hero Jonah Hex.

This issue ends with "House of Madness" drawn by Bernie Wrightson.

The entire issue was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

House of Mystery #186

House of Mystery #186 (On Sale: March 3, 1970) has a very nice cover by Neal Adams.

This issue begins with our "The Secret of the Egyptian Cat" by Robert Kanigher and Bernie Wrightson. Cain is complaining about the caterwauling of the cat belonging to one of his boarders. Mr. Konassos, when said cat makes an appearance. As he stares into the cat's eyes it turns into a beautiful young girl who says that she was once a priestess in an Egyptian temple.

One night the man Cain knows a Mr. Konassos came to the temple and bespoke of his lust for the priestess. Guards arrive and throw Konassos out, but he returns the next day with magical potions to take care of the guards and a spell that turns the priestess into a cat. And so he kept her through time as they wandered the world together till one day they came to the House of Mystery and Mr. Cain.

At night Isha the cat would sneak out and wail her troubles into the night. Only the wild cats of the woods would answer her call and one of them, Ra-Na became her protector, keeping the other cats at bay. But Konassos saw them together and killed Ra-Na with some poisoned milk. One night Konassos drank himself into a stupor and forgot to lock up his potions. Isha dug through them finding just what she was looking for and dripping the potion onto a scarf she had her revenge.

When Konassos awoke Isha was once again a beautiful woman, but he on the other hand had been transformed into a mouse. And Isha let in Ra-Na's friends from the woods. Cain calls Isha's revenge, "purrfect!" This story has been reprinted in Limited Collectors' Edition C-23, Masterworks Series of Great Comic Book Artists #3, Welcome Back to the House of Mystery #1 and Showcase Presents: The House of Mystery Vol. 1 TPB.

It is followed by a Room 13 page and a two-page Cain's Game Room both by Sergio Aragones.

Next is our cover-story "Nightmare" by Jack Oleck and Neal Adams.Little Judy is a lonely rich girl but in the yard of the estate she lives in the statue of Pan comes alive and plays with her, or so it seems to her. Not to her governess though nor her father. Her nights are filled with the joy of playing with Pan, but during the day she lays in bed, stricken with a fever. When she does get to see Pan again he takes her to a beautiful place of unicorns and fairies but warns her never to go beyond a wall, "There are bad things on the other side. You must never go through the door. Never!"

But Pan fades away and she is back in bed, her fever getting worse by the day. But for Judy, the world of Pan is the only reality. One day Pan takes a nap during their play and Judy opens the door in the wall. She is transported to a realm of hideous creatures who pursue her leading her toward a fire. Alone amidst the hot flames she is rescued by Pan only to awaken in her bed, her terrific fever finally broken. Her father explains that it was all a dream of hers, a way to escape the pain of the fever and he shows her that Pan is not real, but a statue of stone. And she touches the statue and she knows it is true and she walks away and never looks back as the statue of Pan cries.

Great story of the loss of innocence and childhood, wonderfully told and justifiably reprinted in Limited Collectors' Edition C-23, DC Special Blue Ribbon Digest #17, Welcome Back to the House of Mystery #1 and Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Witching Hour #8

Witching Hour #8 (On Sale: February 17, 1970) has a nice cover by Neal Adams.

This month DC put out two excellent horror/mystery comics, House of Secrets #85 and this book. Not surprisingly, they are both the work of editor Dick Giordano. This issue's framing sequence, "The True Picture of the Servant Problem at the Witching Hour" is drawn by, well, my guess is Alex Toth and Neal Adams. It might be Adams by himself, but if so he is surely channeling the work of Toth; it is a beauty. It seems the girls have hired photographer Renay Phydeaux to create a family portrait. In order to set the mood for Renay, the girls each tell a tale...

The first real story is "Above and Beyond the Call of Duty" written by Sergio Aragones and Neal Adams and drawn, so they say, by Neal Adams. I say that because this is obviously Neal's inks, but the pencils have got to be by someone else. Neal doesn't draw entire pages with no backgrounds; it just doesn't happen. Stylistically this reminds me of "The Succubus" from Vampirella #10, which was penciled mostly my soon to be comic writer Steve Engelhart. I don't know if Steve was apprenticing with Neal here a year earlier, but it has that look of Neal working with a raw, young talent, rather than Neal blasting through a story.

Don't get me wrong, the artwork is extremely nice, just the lack of backgrounds makes you wonder. Also, the layout is very straightforward; most pages are in a three-tier, six-panel fixed format. Not very Adams-like, but his may have to do with Aragones, who was known for turning in his stories as quick-sketch layouts.

Regardless, old, rich Jonas Sentry spends his days contemplating the glories of his past. He wishes he had a young body again, like that of his butler, so that he could chase after beautiful young women, like his chambermaid Maria. His butler overhears him one day and says that for his soul, a deal can be struck, where Jonas could have the butler's young body. Over the next few days, Maria seems more attentive to Jonas than ever and finally he confronts her, will she be his?

She says that it is not possible due to the difference in their ages, but if he were young like her, she would marry him in an instant. And with that incentive the deal with the butler is done. As Jonas moves from his old body to that of the butler, the devil emerges from the butler's body. Jonas kicks his old useless body down the stairs and grabs Maria as the devil phones the police to report that Jonas Sentry has been murdered by his butler. Jonas tries to explain, but in the end he is sentenced to life in prison. This story has been reprinted in DC Special Blue Ribbon Digest #17 and Deadman #4.

Next is our cover-story, "Three Day Free Home Trial" drawn by Nick Cardy. A housekeeper named Winifred offers Emily Carson three days free of charge to test out her abilities. On Wednesday Emily finds her house to be the cleanest she has ever seen it, but she feels a bit faint and Winifred offers her some more of her wonderful tea, an old family recipe don't you know? For some reason Winifred shoos away Emily's cousin Elmer. By Thursday Emily's head feels like it is going to explode. but the doctor she has summoned is sent away by Winifred, who offers up more tea as her cure-all.

Later that evening Emily awakens to some horrible noises in her house but finds the door to her bedroom locked. Looking through the keyhole she sees Winifred dancing and cavorting with all manor of demon and creature. Winifred comes in to calm her, but so do her fiends. they leave poor Emily in her room going mad while outside the loud noises continue. Then, abruptly, they end. The silence is deafening, but it to eventually ends, replaced by the thumping of footsteps, getting closer and closer. The door slowly opens and in walks Cousin Elmer.

He finds his cousin in a state of shock and summons a doctor. They find a note to Emily from Winifred reading, "Dear Miss Emily, I thank you for the use of your lovely home!! It made our annual meeting a great success! You really must learn to relax more! Get Well! Love Winnie! P.S., Hope to see you again next year...that is if we don't find a better place!" It is the morning of Friday, the 13th.

Our last story is "ComputERR" written, drawn and lettered by Alex Toth. It's a cute little piece: Kipp meets Rod through computer dating and they get married. Rob moves Kipp to his house, a huge mansion all alone in the hills. It's a sweet place, just Kipp and Rod and, oh yeah, Ferencz, a trollish little bald fellow who takes care of Rod's every need. Days turn into weeks and Kipp and Rod are in bliss in their new life together, just the, eh, three of them; Ferencz is ever-present.

One day Rod is missing, gone on a business trip and it is just Kipp and Ferencz together for a bit. Rod's trips become more frequent, more lengthy. Ferencz tries to entertain Kipp, but she begins to resent the ugly little fellow. They have no phone, no car except the one Rod takes on trips, they get no mail, Kipp has no contact with the outside world; her house has become a prison and Ferencz is her jailer. Finally she can stand it no more and confronts Rod, either Ferencz goes or she goes.

Hearing this sentence of confinement Kipp hops into Rod's beautiful 1937 yellow Cord and attempts to drive off. Rod tries to stop her and she backs into him as she leaves. Ferencz runs to Rod's side. Later we see Ferencz working on Rod's insides, he is a robot. and Ferencz promises that he will make him better than before and they will once again use their computer-match service to find a more quiet, stay-at-home type of girl. Just then there is a knock at the door. The police want to know if Ferencz owns a yellow Cord and when he replies in the affirmative they want him to come with them to the site of the wreck. "Wreck?" he asks?

There is something they want him to explain to them. When they get there, he sees the body of Kipp, thrown from the car and lying on the road. She has been ripped apart and her mechanical insides are showing.

This brings us back to the wrapper story, which now looks to be totally Neal Adams art. The girls' stories have petrified Phydeaux, so Igor shows him out, dragging his chair behind him as he goes and then trudging off into the swamp. The girls are sure the readers will be upset with them as they promised the readers a picture of Igor. There is a pounding at the door and the girls worry that the readers are in revolt, but at the door they find waiting for them a cute little girl, holding a big envelope. She gives the witches the envelope then runs off. Inside they find a picture of the girl and Igor. Of course, you can't see much of Igor, but what did you expect?

Edited by Dick Giordano.

House of Mystery #185

House of Mystery #185 (On Sale: January 8, 1970) has a cover by Neal Adams. For some reason this cover just doesn't work for me. I love the foreground figures, but something about the gaping-mouthed swamp in the background just doesn't register right with me.

Irregardless of my misgiving with this issue's cover, this is a wonderful issue of House of Mystery with good stories all around and more importantly, Joe Orlando brings a legend to DC for the first time and he performs like the legend he is. But that is later on.

We begin with "Boom!" written and drawn by Jerry Grandenetti. I liked this story and the way it utilized Cain. It begins with Cain running back to the House of Mystery being chased by something in the air following him. He makes it back inside when "Boom!," whatever it is lands on the roof of the house.

Deciding to meet his fate head on, Cain runs upstairs and sees something through the open window. It ends up being a man, wearing a parachute. He is an exhibition sky diver named Tony Saunders, who can't figure out how he landed at Cain's house in Kentucky when he jumped out a plane in California. Unable to catch a ride anywhere, Saunders settles down for the night in the house as Cain's guest, when a strange car pulls up to the house and two gentlemen in top hats and suits get out and ask for Tony Saunders.

Saunders goes freely with the two men, saying he "knew you'd come for me." The next morning, listening to the news on his radio Cain hears of the the death of sky diver Tony Saunders when his chute failed to open somewhere in California. Cain rushes to his front door and sees that Tony left him a gift: his parachute.

Next is a Cain's Game Room by Sergio Aragones and a Page 13 written by Joe Orlando and drawn by Sergio Aragones.

These are followed by a short three-pager, "Voice of the Dead" drawn by Wayne Howard and reminiscent to the "true" short stories around this time that were written by Marv Wolfman. A North Carolina farmer dies in 1921 and when his will is read he leaves everything to his third son, Marshall. This leaves his widow and her other children penniless. Four years later his second son begins having a reoccurring dream where the ghost of his father tells him to look inside his old coat for a sewn-up pocket. A note of the art here is that some attribute the inking of this story to Wally Wood, though DC does not. Wayne Howard was such a Wood devotee that it would be hard to say for sure, but I would tend to agree with those who say this is Wood's inks. It really, really looks like Wally Wood.

After nights of having the same dream the son goes to his mother's house finds the coat and a note inside saying to look in the family bible. There they find a later dated will which split his estate evenly.

This is followed by another Cain's Game Room, this one written and drawn by Joe Orlando, but none of these are the reason you should own this book. No, that is the final story in the issue, "The Beautiful Beast" by Joe Gil and the legendary Al Williamson. This is the only story that Al will both pencil and ink for DC and folks, it is just out and out, drop dead gorgeous! This is Williamson in his Secret Agent Corrigan prime. This is the story of Joe Carver, escaped killer who hides out in the swamp and the inescapable justice that lurks there. But the story is superfluous, the artwork is the real story. Handsome men, a beautiful woman, hulking dinosaur-like creatures, a fetid swamp, serpents, lost cities, gnarled moss-laden trees, cavemen-like warriors, exotic birds and flying reptiles; this is a story custom-made for the talents of Al Williamson and he delivers completely.

But there is more to the art in this story than meets the eye. In an interview in Comic Book Artist Michael Kaluta said this:

I never even thought about being an illustrator or comic book artist. I’d just finished my second year of college...I didn’t know what I was going to do, stay in school or join the army. After the next SCARP convention, Phil Seuling contacted me and said that Al Williamson had seen stuff that I did and was interested in talking to me about maybe helping with a story. That flipped me out. At the next New York Convention I went up to Al and he gave me a script that he was having trouble getting in to. He asked me to stretch it out. “Give me plenty of boots, girls, dinosaurs and stuff” he said. I made 7 pages into 12. Al still has my fumbling pencil originals and unless he gets mad at me we won’t tell anyone. They’re really awful, awful stuff. I was so uptight about doing the job that I just rendered and detailed it to death. Later Al did a fine job with the story and let me doodle a bit on a page or two. DC Comics published it under the title The Beautiful Beast.

Regardless of the pedigree of the artwork, it is some stunning stuff and certainly makes you wish Al Williamson could have done more work for DC. Al Williamson was born in New York City but spent his childhood in Bogotá, Colombia. Upon his return to New York, he took art courses from Burne Hogarth, whom he assisted on some 'Tarzan' Sunday pages.

He made his professional debut at the age of 17 with western and adventure series like 'Buster Crabbe' for Eastern Color, 'Billy the Kid' and 'John Wayne' for Toby and 'Outlaw Kid' for Marvel. He was the youngest member of the "EC family," joining when he was only 21 years old in 1952, He was considered "the kid brother," for most of his colleagues were family men. Williamson contributed to EC's Weird Fantasy, Weird Science and Tales of Valor, often in collaboration with the so-called "Fleagle Gang": Frank Frazetta, Roy Krenkel and Angelo Torres. Al especially loved doing pencil work, but was "deathly afraid" of inking, so often Frazetta undertook that task for him.

Al also did comics work for ACG, Charlton, Prize and Dell. In the 1960s, he assisted John Prentice on 'Rip Kirby' and did a 'Flash Gordon' comic book, which was a natural for Al as his fluid style is highly influenced by Alex Raymond's original Flash Gordon work. For King Features Syndicate, he took over the 'Secret Agent X-9' daily, which was retitled to 'Secret Agent Corrigan' which was written by the wonderful Archie Goodwin.

In the 1980s Al drew the Marvel adaptation of The Empire Strikes Back and eventually the syndicated Star Wars newspaper strip. When this strip folded, Al went back to comic books, working for Pacific Comics in Alien Worlds and Summerset Holmes. For Marvel he did the Blade Runner and Return of the Jedi adaptations and a couple of stories for Epic Illustrated. He then transitioned to becoming a full-time inker, working first at DC on Superman and then for Marvel where he inked a ton of stuff off and on through 2003.

Al has worked for Dark Horse and has done occasional inking for DC. His last work for DC was on Green Lantern #146 in 2002.

This entire book was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

House of Mystery #184

House of Mystery #184 (On Sale: November 6, 1969) has a cover by Neal Adams.

We begin with "Turner's Treasure" by Jack Oleck and Alex Toth. That is followed by a Page 13 by Joe Orlando and Sergio Aragones. Next is "The Eyes of the Basilisk" by E. Nelson Bridwell, Gil Kane and Wally Wood. Lastly is a Cain's Game Room by Sergio Aragones.

Edited by Joe Orlando.

House of Mystery #183

House of Mystery #183 (On Sale: September 11, 1969) has a cover by Neal Adams.

We begin with an intro page featuring Cain by Joe Orlando, which leads into "The Haunting" by Jack Oleck and Jerry Grandenetti. This is followed by an one-page Odds and Ends from Cain's Cellar a reprint by an unknown writer and artist.

Next from Cain's True Files we have "The Dead Can Kill!" by Marv Wolfman and Bernie Wrightson. That is followed by a Page 13 by Joe Orlando and Sergio Aragones and a Cain's Game Room by Sergio Aragones.

We end with "The Secret of the Whale's Vengence" by Robert Kanigher, Jerry Grandenetti and Wally Wood. The entire book was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Bat Lash #7

Bat Lash #7 (On Sale: August 25, 1969) has another great cover by Nick Cardy.

Inside we have "(Brothers)" which is plotted by Sergio Aragones, scripted by Denny O'Neil and drawn by Nick Cardy. One night Bat Lash runs into Don Pasqual, his father's best friend, who relates to Bat the night his family was killed and how Pasqual was able to pull Bat's brother, Billy, away from the
"evil ones" who burned his family's farm to the ground and killed his father and mother.

Pasqual related how he took Billy and fled to Mexico, to the house an an aunt, but how Billy would not speak and would not take notice when spoken to. A doctor examined Billy and said his problems were of the soul and he offered to adopt Billy. On the way back to the Lash ranch Don Pasqual was shot by bandits and "struggled with death" for a year. When he finally returned to the farm he learned how Bat had dealt with those who murdered his family and how since that time Don Pasqual has been searching for Bat.

Meanwhile in El Paso, a blond-haired bounty hunter is pulling a Bat Lash wanted poster off the wall and heads off in search of the man he does not know is his brother, while at the same time Bat and Don Pasqual set off in search of Billy. As the bounty hunter searches he recalls his lack of a childhood and how he does remember Dr. Jimeniz taking him to a camp of revolutionaries where he was trained like a man in the ways of shooting. As a revolutionary the young boy fought against the tyrannical Mexican government before traitors in their midst were their undoing. He sought out and hunted down the traitors, killing them one-by-one, and when he was through, he felt as if a part of him had died with each man. All that he was good for was killing, so he took up the life of a bounty hunter.

Billy hit the small town of Encinitas just after Bat and Pasqual, who are in the cantina trying to enjoy a meal wile being eyeballed by a group of brothers who think Bat looks a whole lot like the bounty hunter that nailed their pa, though, the bounty hunter looked younger than Bat. Bat overhears the brothers, knocks them around and then he and Don Pasqual convince them it is better for them to leave the cantina vertical rather than horizontal. As they are chased into the street they meet Billy coming into town and can't believe that there at two of them.

Unable to figure out which one nailed their pa, they run for cover and decide to take them both out. As bat and Don Pasqual leave the cantina, they are confronted by Billy. Bat tries to talk Billy down to no avail and as they prepare to stand off against each other, a shocked Don Pasqual attempts to break up the fight, telling them "You are bro--!" before he is shot in the back by the ambushing brothers. Fighting side-by-side, Bat and Billy neatly handle the four brothers. A dying Don Pasqual tries in vain to tell them who they each are, to no avail.

Billy lets bat go, for Don Pasqual's sake as he seemed like he "was a brave old hombre...an' he seemed to think yo're worth savin'!" As they go their separate ways, both brothers are haunted by the familiarity of the other. Billy is drawn to watch as Bat buries Don Pasqual while Bat laments how everything he touches dies. A sad ending.

What is unfortunate is that this is the end, the last issue of Bat Lash; a book killed way too soon. I think DC ran the ads touting the book's near arrival longer than they published the book itself.

This story was reprinted in All-Star Western #11, Weird Western Tales #12 and Showcase Presents: Bat Lash TPB.

Edited by Joe Orlando.

House of Mystery #182

House of Mystery #182 (On Sale: July 10, 1969) has another cool cover by Neal Adams.

We begin with "The Devil's Doorway" by Jack Oleck and Alex Toth. Wealthy student of the occult, Phillip Warren, buys a strange mirror from a New England auction. Phillip mentions his wife's misgivings about owning the piece and the auctioneer says that it is perfectly safe as the contents of the house were exorcised over a century ago and that the records of the exorcism are in the family records in City Hall.

Satisfied, the mirror is shipped home, but almost immediately strange things begin to happen. Phil's daughter Beth begins to disappear for hours at a time and when she does show up she says she has been in the mirror playing with Mr. Belial. Beth is told to stay away from the mirror, but just a few nights later she brings her father a gift, an ancient cult demon statuette used in black magic.

Beth once again claims that she has been in the mirror and the the gift is from Mr. Belial. Knowing the mirror has been exorcised, Phil tells his daughter to stop making up stories and sends he off to bed. But Phil can't sleep and that night while sitting in front of the mirror he sees inside it a strange world. He walks into the mirror and meets Mr. Belial, AKA Satan, who says that he has been expecting him to arrive. Satan explains that he finds students of the occult a challenge and since he could not leave the mirror he had to find a way to lure Phil into his world. He threatens to soon have Phil's wife as well.

Phil hurls the demon statuette at Satan and fights his way past demons to finally reach the mirror portal. Once outside he takes an axe to the mirror and then burns what remains. However, once the mirror is completely consumed Phil falls into a coma, yet a fitful coma of nightmare dreams. Days later the dreams end and Phil tells his wife that he was just sick and hallucinating. Now that Phil is better his wife tells him that their daughter Beth has vanished, that she has not been seen since the night Phil destroyed the mirror. But the mirror is harmless, the mirror had been exorcised. Phil heads to City Hall to look up the records of the house and finds that yes, everything in the house was exorcised, except a mirror that has been sent out to be gilded.

This story is a real winner and Alex Toth's artwork is an amazing workshop in minimalist line-work in the support of a story. This is wonderful work from Toth.

This is Jack Oleck's first credited work at DC, though he is known to have written both issues of Bother Power: The Geek. This only makes sense as Oleck was Joe Simon's brother-in-law and as Simon has said, "the number one scriptwriter for Simon and Kirby since the early days of Young Romance," though, it would seem, largely uncredited. According to the Jack Kirby Museum, Oleck also worked at Atlas in the 1950s when the company was publishing 85 titles a month, but exactly what work he did is not known as there are few records from this era. Jack also wrote for EC Comics doing war stories for Aces High and science-fiction for Incredible Science Fiction.

As a credited writer Jack Oleck would write more than 200 stories for DC, mostly in the horror/mystery books, but a few wars stories and humor stories for Plop! and the first three issues of Kong, the Untamed. Jack also wrote both of the paperback anthologies of adaptations of The House of Mystery stories and EC Comics The Vault of Horror paperback as well.

Oleck also wrote novels, including Messalina. As reviewer Joe Kenney says on Amazon, "Published in 1959 and continuously in print for the next several years, Jack Oleck's Messalina is now long out of print and barely remembered. Yet it is historical fiction of the best sort: trashy, exploitative, packed with violence and graphic sex. No "detectives in togas," no poorly-written military fiction, no thinly-veiled Christian glurge - this is a full-on romp in the salacious world of Imperial Rome, more Technicolor than Elizabeth Taylor's "Cleopatra."

Messalina recounts the tale of the real-life woman who married Claudius, the fourth emperor of Rome. She's known to history as a backstabbing schemer with an insatiable lust for sex, so don't go into this novel expecting a G-rated story of ancient Rome. Oleck takes us from her youth to her end, barring no details of her cold-blooded and predator-like ways: for Messalina, sex was a means to power, and boy did she know how to use it. "

Next is "Grave Results!" a "Cain's True Case File" by Marv Wolfman and Wayne Howard.
It tells the story of the Chase family of Barbados and how each time they go to bury a family member in the family crypt they find the caskets thrown about the crypt and overturned, even though the crypt is sealed each time with molten lead to keep anyone out. The two caskets belonging to the original owner of the crypt and her grand-daughter are never disturbed. Eventually the family has to leave the island to escape the cursed crypt. Reprinted in House of Mystery #229 and Showcase Presents: The House of Mystery Vol. 1 TPB.

This little piece of fluff was Wayne Howard's first work for DC and his first credited work anywhere. He contributed to comics fanzines in the mid-1960s before becoming an art assistant at the Long Island, New York studio of Wally Wood in 1969 and the Wood influence is evident in every panel Howard ever did. Wayne would only draw four stories for DC, though he would ink another 8 over the next 13 years. Howard also did work for the short-lived Web of Horror black and white book that also appeared in 1969.

Howard did work for a number of publishers. He penciled a story in Gold Key's TV-series tie-in The Twilight Zone and inked stories for Warren's Creepy and Eerie. At marvel he did inks for Worlds Unknown, Marvel Team-Up, Thongor! Warrior of Lost Lemuria in Creatures on the Loose and the Marvel black and white Haunt of Horror.

But none of this is what Wayne Howard is known for. Wayne Howard was the first American comics' cover-credited series creator, with the Charlton horror anthology book Midnight Tales which carried the blurb: "Created by Wayne Howard" on each issue. Howard did other work for Charlton, but it is with this book that he made his mark. Charlton writer/editor Nicola Cuti says that Howard's credit was granted since "it was his idea, his concept, his everything." Howard created the main characters, host Professor Coffin, The Midnight Philosopher, and his niece, Arachne, who in a twist on the horror-host convention would themselves star in a story each issue. Howard also developed the notion of having each issue be themed. He penciled and inked every cover, most of the stories and he even wrote a few of them.

In Comic Book Artist #12, Charlton editor George Wildman, described Howard as, "sort of shy. Easy come, easy go",and said Howard had married the sister of one of Wildman's early secretaries. In the same issue, Nicola Cuti said the heavy-smoker artist "always wore the same outfit: a white shirt, a kind of tan bush jacket, black hat, black pants and black tie. ...I was over at his apartment, and he opened up his closet, and there were 20 white shirts, 20 bush jackets, 20 black pants...."

Wayne Howard's last known comic work was for Warlord #64. Always a bit of a recluse, when Comic Book Artist attempted to contact him in 2001 they were told that "the artist/writer had no interest in delving into the past." Wayne Howard, one of the first African-American comic book artists of the Silver Age, died December 9, 2007 at the age of 58.

Next we have a one-page ad for the House of Secrets featuring Cain and written and drawn by Joe Orlando. That is followed by a Cain's Game Room by Sergio Aragones.

The last story in the book is "The Hound of the Night" by Robert Kanigher and Jerry Grandenetti. It was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Bat Lash #6

Bat Lash #6 (On Sale: June 24, 1969) has a cover by Nick Cardy.

(Revenge) is by Sergio Aragones, Denny O'Neil, Mile Sekowsky and Nick Cardy. Some people claim that Nick Cardy was the penciler and Mike Sekowsky was the inker, but this is nonsense. Cardy even talks about this issue in The Art of Nick Cardy saying, "...I was too busy and his pencils really lightened the load. Mike and I went way back so he was great to step in and assist. Mike had a wonderful eye for design. I always felt Mike's talent was wasted on super-hero books."

The story opens with Bat Lash riding through a driving rainstorm when he comes upon a funeral in progress. As he is getting off his horse he notices that the preacher's voices sounds sort of familiar. Bat walks up to the grave and faces off against the preacher gunning him down with a lightning quick draw. The local sheriff is present and pulls his gun on Bat, saying that was "the brazenest thing I ever seen...cold-blooded murder in front of twenty witnesses!" Only Bat points out that the "preacher" has a .44 derringer in his had and was about a second away from gunning down Bat. The sheriff doesn't know what to make of this, but decides to lock Bat Lash up till he figures out what is going on.

While in a nice dry cell Bat relates the story of "preacher" Rickett, how 10 years earlier Bat lived on a farm with his family and how one day Rickett rode into their property, bringing good news. Seems he had discovered oil on their land. Rickett talks Bat's father into selling his farm to get the cash up for well equipment. Only, they drilled for an entire week and never hit any oil. When young Bat was looking for rocks to build a fireplace he found an empty oil barrel and knew his family had been swindled.

I'd love to tell you the rest of the story, only I can't find my copy. All I can locate is my copy of All-Star Western #9, which reprints the first half of this issue. Reprinted in All-Star Western #9, All-Star Western #10 and Millennium Edition: All-Star Western 10 (#17).

Edited by Joe Orlando.

House of Mystery #181

House of Mystery #181 (On Sale: May 8, 1969) has another beautiful cover by Neal Adams, with some wonderfully moody coloring.

We begin with "Sir Greeley's Revenge" by Otto Binder and Frank Springer. Except for a single story printed in House of Mystery #257 in 1978, this is the last DC story by the great Otto Binder. This is also the last DC story for Frank Springer for seven years. This is a great little story about orphan Tim Halloway taken in one cold winter night by the rich and powerful Sir Greeley. He is a kind man who takes an immediate liking to the poor child, particularly when he find that Tim has a natural ability on the piano. The Sir's affection for Tim does not sit well with his spinster sister Abigail and his nephew Percy.

They try to toss Tim back to the streets, but Sir Greeley steps in and lets them know that they too stay at his house solely due to his generosity. Sir Greeley provides Tim with the best of piano teachers and Tim's abilities grow, but death comes one night for Sir Greeley. At the reading of his will, Abigail and Percy learn that they are only given half of Sir Greeley's estate and the the other half goes to young Tim, provided he can perform at a concert and not make a single mistake, thus proving him worthy.

Abigail and Percy begin to distract Tim from his practicing for the concert, forcing him to ride horses, which they purposefully startle in an unsuccessful attempt to break Tim's arm. The ghost of Sir Greeley returns to keep young Tim on the right path. The next day Abigail makes Tim split logs for hours, creating swollen, bleeding hands that are unable to practice. Seeing the depths to which his kin will stoop, Sir Greeley's ghost lures Abigail and Percy to the basement where they uncover a cache of gold coins which rain down upon them. Suddenly they realize that the coins are filling the room and that it is too late for them to escape. They die swallowed up by the fortune they craved.

When the concert finally comes Tim plays flawlessly and wins the entirety of Sir Greeley's estate, which pleases the old ghost very much. Reprinted in House of Mystery #229.

After a Page 13 by Sergio Aragones we have "The Siren of Satan" by Robert Kanigher and Bernie Wrightson. The artwork is vintage very early Bernie Wrightson, with lots of cross-hatched backgrounds and Frank Frazetta-inspired figures, but the story by Kanigher is a real turd involving the ancient Egyptian princess Re-Na. She was the most beautiful of women, but the god Ro-Tan placed a curse on anyone who would fall in love with her. Even after her death, we see that throughout the centuries, one captive of her affection after another died from the curse of Ro-Tan. Her beautifully carved sarcophagus eventually makes it's way to America and is purchased at auction by Jason, who, believing that everyone is plotting to steal Re-Na from him, hides out at the House of Mystery and shelters the sarcophagus in a nearby cemetery.

When Jason's fiancé traces him to the House, Cain points her to the cemetery where she finds Jason slumped over the sarcophagus and at her touch his body turns to dust. We are then asked who will next fall victim to the curse? Could it be you?

Sergio Aragones ends the book with another round of Cain's Game Room. The entire contents was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Bat Lash #5

Bat Lash #5 (On Sale: April 22, 1969) has a nice cover by Nick Cardy.

The full-length Bat Lash strip is untitled and produced by the normal crew of plotter Sergio Aragones, scripter Denny O'Neil and artist Nick Cardy. This untitle story is sometimes referred to as "Wanted - Sergio Aragones" as the character after Bat Lash in this issue is named Sergio and looks a whole lot like you know who.

Edited by Joe Orlando.

House of Mystery #180

House of Mystery #180 (On Sale: March 11, 1969) has another creepy cover by Neal Adams.

We begin with "Comes a Warrior" written and penciled by Gil Kane and inked by Wally Wood. This is the story of barbarian Rangarry and his search for an adventure that would immortalize his name. He finds an unnamed village haunted by demons and sets out on a quest to slay the dragon in a distant valley that is said to spawn the demons.

Next is "His Name is... Kane" by Mike Friedrich, Gil Kane and Wally Wood. Comic artist Gil Kane finds himself being sucked into the page he has just completed drawing, there to fight against demons. He remembers back to how it all began, how that cheapskate editor Joe Orlando wouldn't pay him until he finished his work. And what crap it all was, hack stories and even worse inkers.

Kane decides to go off to a quiet place to work on his own stories and takes a room from caretaker Cain at the House of Mystery, where he is soon interrupted by Joe Orlando again. In a fit of rage he kills the hapless editor only to find a small factory of creatures how drawing and inking and coloring his pages. Shrinking down into the pages he fights on against the demon editors and writers. Later Cain looks in on Kane only to find him gone, all that remains is his artwork...or is there something else there as well? Reprinted in Limited Collectors' Edition C-23 and Welcome Back to the House of Mystery #1.

This is followed by a Cain's Game Room page by Sergio Aragones and "Oscar Horns In!" as two-page text story by Cliff Rhodes illustrated by Joe Orlando.

Mext is "Scared to Life" by Marv Wolfman and Bernie Wirghtson. Lord Dufferin, the British Ambassador to Paris is vacationing in Ireland when a terrible moaning sound draws him out into the night and to his destiny. Reprinted in House of Mystery #226 and Showcase Presents: The House of Mystery Vol. 3 TPB

The book ends with another Cain's Game Room page by Sergio Aragones. Along with the previously noted, the entire book was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB

Edited by Joe Orlando.

House of Mystery #179

House of Mystery #179 (On Sale: January 7, 1969) has another wonderful cover by Neal Adams. This is just a classic issue as you will see.

We begin with an introduction page featuring Cain written and drawn by Joe Orlando. Next is "Sour Note" by E. Nelson Bridwell, Jerry Grandenetti and George Roussos. This is the story of Mark Eldon, who was given a note written in a strange language by a mysterious silent woman in a dark abandoned mansion. Everyone he gives the note to seems to be able to translate it and every time they do, the results are disastrous for Mark. What is the secret of the sour note? Reprinted in House of Mystery #229.

Next is "The Man Who Murdered Himself" by Marv Wolfman and introducing Bernie (Berni) Wrightson. This is Marv's first horror story sale and of course he would go on to write years worth of Tomb of Dracula for Marvel. Bernie will always be remembered for his classic run on his co-creation, Swamp Thing, and the numerous covers he will do over the years for the DC horror/mystery line. Bernie also pulled a long stint at Warren drawing some classic black and white horror stories. Reprinted in House of Mystery #228. This story is a pretty inauspicious start for Wolfman, a short tale of a maybe haunted house.

Next we have "Page 13" by Joe Orlando and Sergio Aragones and "Cain's game Room" by Sergio Aragones.

That brings up to "The Widow's Walk" by Howie Post, Neal Adams and Joe Orlando. This is the second of five horror stories that Anthro creator Howie Post would write for DC. Joe Orlando's inks are not a very good fit for Neal Adam's pencils and this is a team you would not see again. Post's story is terrific, beginning in 1897 where we meet Angus Beame, a young merchant seaman. This is the story of Angus's foiled marriage for money scheme and the curse of a scorned and devoted wife. Great stuff and obviously the reason it has been reprinted so much. Reprinted in Limited Collectors' Edition C-23, DC Special Blue Ribbon Digest #17 and Saga of Ra's Al Ghul #3.

The entire issue was also reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Angel and the Ape #2

Angel and the Ape #2 (On Sale: November 14, 1968) has a cover by Bob Oksner.

"Most Fantastic Robbery in History" is co-written by Sergio Aragones, co-written and penciled by Bob Oksner and inked by Wally Wood. Angel is kidnapped by the Bikini Gang, a family of criminal circus performers. After quitting his job working for Stan Bragg, Sam Simeon tracks the gang to a run-down circus and rescues Angel. He then pursues work at D.Z. Comics, but Stan lures him back by faking his own death. Angel then lures the crooks to Brain-Pix Comics and calls the police. The cops apprehend the crooks, and Sam makes Stan look like a killer. Stan is arrested and vows vengeance.

The great EC science-fiction artist Wally Wood returned to DC Comics after a number of years two months prior, penciling and inking Captain Action #1. With the exception of a single story in Strange Adventures #154 in 1963 Wood had not worked at DC since he stopped inking Jack Kirby's Challengers of the Unknown pencils in 1959. With the demise of the Tower Comics Thunder Agents books, Wood needed work and found it mostly as an inker at DC.

He would ink Oksner's Angel and the Ape pencils for the rest of the series, displaying his humorous style he popularized at Mad Magazine and would soon begin a long stint on Superboy inking Bob Brown, drawing more on the realism of his EC work and his super-hero work at Tower.

Edited by Joe Orlando

House of Mystery #178

House of Mystery #178 (On Sale: November 12, 1968) has a gorgeous cover by Neal Adams.

We begin with a one-page intro by Joe Orlando. This is followed by the gem of the book, "The Game" written and drawn by Neal Adams. This is one of the most amazing Neal Adams stories ever. The artwork is just wonderful, employing a grease pencil on Bristol board technique that permeates the pages with this grainy feel. Young Jamie Markus is walking home from a birthday party where he won the door prize, a board game, when it begins to rain. A light sprinkle turns into a raging storm and Jaime frantically looks for shelter, finding it in the old Unger House. The house is empty except for a large four-poster bed, with curtained valance. When Jamie hears someone coming he hides under the bed. Feeling silly he comes out of hiding to find a young boy in the bed who looks exactly like Jamie.

Jamie's doppelganger tries to get him to leave but changes his mind when he sees the game. Enclosed in the curtained bed the two boys spend hours playing the game until finally Jamie wins. Just then the other boy dives under the covers as a hand comes through the curtains and grabs Jamie. And then...well, why spoil a great ending. This was Adams at his very best. Reprinted in DC Special Blue Ribbon Digest #17 and Deadman #1.

Next is "The Man Who Haunted a Ghost" from House of Mystery #35 and drawn by Jim Mooney. In the middle of this story is a Page 13 humor piece. Following it is a Cain's game Room page by Sergio Aragones. Lastly is "What's the Youth?" by E. Nelson Bridwell, Winslow Mortimer and George Roussos.

This entire book was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

House of Mystery #177

House of Mystery #177 (On Sale: September 10, 1968) has another beautiful cover by Neal Adams featuring those kids who can't keep out of trouble. Once again the Jack Adler coloring on this one is just beautiful.

We begin with "The Son of the Montross Monster" drawn by Mort Meskin and reprinted from House of Mystery #130. This is followed by a Room 13 page written and drawn by Joe Orlando. Next is Odds and Ends From Cain's Cellar drawn by Sergio Aragones and a text feature, "Last Meal," written by Charles King and illustrated by Joe Orlando. The cover story is next, "The Curse of the Cat," written by Anthro's Howie Post and drawn by Brother Power, The Geek's Bill Draut. We end with "Cain's Game Room" by Sergio Aragones. The entire contents is reprinted in Showcase Presents: The House of Mystery #1.

Edited by Joe Orlando.

Bat Lash #1

Bat Lash #1 (On Sale: August 29, 1968) has a cover by Nick Cardy. I never cared for the coloring on this one, maybe the weakest of all the Bat Lash covers.

"We're A-Comin' ta Get You" is plotted by Sergio Aragones, scripted by Denny O'Neil and drawn by Nick Cardy. Bat Lash leaves No Hope Junction to avoid a lynch mob. On the road he meets a monk named Sebastian who offers him kindness. Sebastian has one piece of a marker that leads to the lost fortune of Don Sergio Aragones. After parting ways, Sebastian is killed by outlaws seeking the marker. Bat Lash is wounded while fighting them.

Bat Lash recovers in the town of Wormhole not far from the monastery where Sebastian was headed. He tells the monks there that Sebastian was killed, but the monks are really the outlaws. They then frame Bat for Sebastian's murder.

Bat escapes from jail and locates another traveling monk who carries another marker to the treasure. He takes the monk's place and returns to the monastery. He then sells the crooks the second marker. The sheriff catches Bat on the way out, but he talks his way out of trouble. While romancing Sebastian's niece, he discovers a third marker needed to find the treasure. He allows the sheriff to take the fortune after capturing the outlaws. Bat keeps the money he made from selling the second marker and leaves town. Shamelessly never reprinted.

Edited by Joe Orlando.

House of Mystery #176

House of Mystery #176 (On Sale: July 9, 1968) has another fairly spooky cover by Neal Adams and the Adams' kids are back!

Inside we begin with a one-page introduction featuring Cain, which DC says is written and drawn by Joe Orlando, though the art looks more like Jerry Grandenetti to me. The first story is "The House of No Return" a reprint from House of Mystery #131 drawn by Sid Greene.

That is followed by a Page 13 written by Joe Orlando and drawn by Sergio Aragones and a three-page Cain's Game Room by Sergio Aragones. Lastly we have "The Roots of Evil" by Marv Wolfman and Jack Sparling. This is Wolfman's first full script for DC and centered around lost love, revenge, crazed scientists and thinking plants. It and the entire book was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Showcase #76

Showcase #76 (On Sale: June 13, 1968) is a classic issue featuring the debut of DC's most conflicted western hero, Bat Lash. It sports a nice cover by Nick Cardy and puts forth the question asked in dozens of DC house ads (see below) in the previous months: "Will he Save the West -- or Ruin it?"

As Sergio Aragones told Mark Evanier at the 1998 San Diego Comic-Con:

I was, by that time, living in New York and I was called by Joe Orlando and Carmine Infantino. We went to a restaurant next to DC Comics and they talked about new projects and stuff. They said they wanted to create a different western and they had the name, "Bat Lash." I said, "Don't say anymore. I'll bring you something."

So I went home and thought of a more European western. In those times, all the westerns were very, very aggressive with the cliché of the American Cowboy with very beautiful clothes and able to shoot guns out of other people's hands.

I have adored the western I brought in ideas and sketches and they liked what I did. They took it to Nick and said, "Go ahead!" It's very hard because I write the way I talk...pretty bad. [laughter] People don't understand so what I do to save time (and it's much easier for me because I'm more visual) I draw my scripts and put in very basic dialogue. I would put in notes to the artist saying, "Please don't use this as reference!" [laughter]

Instead of writing about a saucer, for instance, it was just as easy for me to draw a saucer. So I would do the scripts on 8-1/2" x 11" paper, divided into panels, and I would draw the story very crudely, but with no intention for the artist to follow the drawings. When I saw the first work that Nick did, I was so emotional.

(Pheasant in Aspic) is written by Sergio Aragones and drawn by Nick Cardy. Bat Lash is forced to leave town when the boyfriend of a woman that he has been romancing tries to kill him. On his trip to the next town of Welcome, Bat Lash catches a pheasant which he intends to have for dinner. When he reaches Welcome, he notices that most of the honest people are leaving town. Criminals have taken over the town making it unsafe for good people.

Bat Lash brings his pheasant to the local restaurant to have it cooked. Diane, the woman running the place, wants to leave town, but Bat Lash refuses to let her leave until he has dinner. He then goes to the general store to buy additional ingredients.

Bat is confronted by crooks who try to force him out of town. The cowboy proves stubborn and hard to kill. Despite several attacks and trouble from the locals, Bat Lash finally gets Diane to finish cooking his dinner. When he offers her the first bite, she refuses to eat since it has been poisoned. Diane admits that she is the head of the criminal gang, so Bat Lash escorts her to the nearest jail before leaving town. Shamefully never reprinted.

Edited by Joe Orlando.

House of Mystery #175

House of Mystery #175 (On Sale: May 9, 1968) has the first of many wonderful Neal Adams HOM covers featuring a group of children. Neal's covers, more any other single factor, set the tone for the highly successful run of DC mystery books.

Inside we begin with a one-page introduction of Cain the caretaker of the House of Mystery written and drawn by Joe Orlando. Next is "The Gift of -- Doom" drawn by George Roussos and reprinted from House of Mystery #137. That is followed by "All Alone" a two-page text story illustrated by Joe Orlando and a one-page "Page 13" gag-panel written by Joe Orlando and drawn by Sergio Aragones.

We finally come to the meet of the issue, "The House of Gargoyles" by Bob Haney and Jack Sparling, the first original DC "mystery" story in years and the start of a long and successful run of mystery/horror stories at DC. It features a couple of interesting things that will become staples of the DC horror books. First, the first page is an introduction to the story by the host, Cain, who also appears at the end of the story to wrap things up.

Second, there is a panel in the story that the cover by Neal Adams mimicks. This story is about three children who discover the secret of these living gargoyles. Apparently the cover with the children was so effective that the three tykes would return to the cover month after month under the technical expertise of Adams. This first story was reprinted in DC Special #11, Limited Collectors' Edition C-23 and Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.