Like many other magazines of the time a lot of page space was filled with fiction and non-fiction stories. For my tastes it isn't so much the writing and authors that are of interest but the art and illustrations that accompanied the stories. Frequently the art is classic and highly skilled and is widely appreciated as a stylistic snapshot of the era. Of all the art in this issue of Cosmopolitan it is the two pages that accompany the "complete mystery novel" Snow Job by Malcolm Gair, illustrated by Mitchell Hooks that I like the most. I've got a thing for duo-tone (or nearly so) magazine illustrations.
He put out his hand to throw back the bedclothes, but Sally caught his arm in
her long tanned fingers and stopped him. "You're doped," she said.
When he got to the low point of the cliff, he looked up.
On top stood a figure with a large stone poised to throw.
her long tanned fingers and stopped him. "You're doped," she said.
When he got to the low point of the cliff, he looked up.
On top stood a figure with a large stone poised to throw.
Cosmopolitan changed in the way it did to stay relevant and alive by appealing to a young, trendy and orgasm-conscious female demographic. While not the New Yorker by any means it was not a bad magazine at all and was likely better than many it competed with on the news stands. The change in the magazine was a sign of what was happening in the publishing industry as a whole at the time. The fact is if Cosmopolitan didn't change to increase readers and ad revenue when it did it would probably have ceased publication decades ago and been all but forgotten. I'm glad that Hayley wasn't featured in the magazine during a time when the cover would feature "new" sex positions and ways to drive your man wild in bed.
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