Detective Comics #397

Detective Comics #397 (On Sale: January 29, 1970) has a beautiful Batman cover by Neal Adams.

There is a real difference between the Batman in "Paint a Picture of Peril" by Denny O'Neil, Neal Adams and Dick Giordano, and the Batman DC has been publishing for decades. I think Denny O'Neil understood where to take the character better than any writer at DC and of course, Neal Adams really "got" who Batman was.

The opening sequence of this story could be used as a crib sheet for writers and artists for years to come on how to portray "the Batman." Sure, he has his "toys," his batarang and in this story a pretty cool undersea sled, but for the most part, his major tools of the trade are that he is a fairly good fighter and he scares the hell out of people.

Great stuff by both Denny O'Neil and Neal Adams. As you can see the story opens with Batman attempting to foil a nighttime robbery of an art exhibit. By the way, there was nothing special going on during Batman's eerie stand against the robbers; he simply tried to dodge the spears by moving his body under his cape. Yeah, tried to dodge; he almost pulled it off, but got hit in the nerve of his right arm, making it all but useless and him unable to follow the underwater robbers. Up top he finds that they took a painting called "The Startled Mermaid," the least valuable item in the exhibit.

Changing back to Bruce Wayne he heads to his mid-town penthouse where he finds his cleaning lady has left the TV on. There is a special documentary on the life of wealthy Orson Payne, a Charles Foster Kane type, who bears a striking resemblance to Orson Welles. He was engaged to opera star Caterina Valance 25 years earlier when she mysteriously vanished and Payne became a recluse in his huge castle home. This is playing in the background while Bruce tends to his wounds and does yoga to "restore circulation."

As he finishes up, his cleaning woman, Cathy, comes back for her forgotten handbag and turns off the TV calling it a "vile thing." As she leaves Bruce remembers that while under water he noticed that the algae was glowing and surmises that the glow came from a submarine with low-yield nuclear engines. So come midnight we find Batman at a deserted pier launching a new underwater bat-sled and following the lingering radiation trail. The trail leads to a small nuclear sub at one of the island estates. Batman recognizes the place, it is Orson Payne's.

Sneaking past Payne's personal guards, Batman finds the man talking to an empty room of statues and paintings. Batman confronts Payne and points out the stolen painting. Payne says that he must have every likeness of Caterina, the woman who spurned him and when owners will not sell, he still acquires the piece. Since he cannot have Caterina, he now consoles himself with images of her.

Batman chases the crazed Payne through his estate, where he is lured into a trap, falling through a trap door into a small cell. Payne pulls a lever that slowly lowers a two-ton deathfall into the cell. Using a batarang on a rope Batman pulls down a chandelier, wedging it between the top of the cell and the lowering deathfall. As he comes for Payne, Payne's grip on sanity finally snaps and he sees his beloved Caterina floating in the air outside his balcony. He reaches for her, stumbling through the crumbling railing and over the edge of the balcony. Swinging out an a bat-rope Batman catches Payne who thinks he is in the arms of his beloved.

The following morning a healing Bruce is watching the coverage of the story on the news when his cleaning woman Cathy comes in and turnes off the TV saying, "You shouldn't be watching such trash." Bruce realizes it is not the TV she hates, but rather Orson Payne, and asks her if she was ever an opera singer. She says that, yes, she was, but she gave it all up to gain her freedom. Bruce says her secret is safe with him, that he sympathizes with people who want to keep secrets. Reprinted in Limited Collectors' Edition C-44 and Batman Illustrated by Neal Adams Vol. 2 HC.

The back-up story is "The Hollow Man," the conclusion of last issue's Batgirl story, by Frank Robbins, Gil Kane and Murphy Anderson. Remember, Batgirl is trying to catch the Orchid Killer, who has been preying on redheads, and is using Barbara Gordon as bait, joining the same computer-dating service as the victims. Mousy Max Tournov brought her an orchid and she tossed him over her shoulder. He crushed the orchid and ran off and she gave chase as Batgirl, only to lose him and be pulled into a dark alley by someone who says, "A red-headed Batgirl will do for now!" So much for the recap!

She tosses this guy and is surprised that he is not Max, but instead is a rather handsome guy. Startled she lets the mystery man get the best of her, knocking her out cold. When she wakes up she is being comforted by Max Tournov, who she thanks before leaving.

Two nights later as Barbara she is back in the computer-dating scene, saddled with a really homely guy named John Milman who meets her at the door with an orchid. When the uneventful date is over, Barbara says she hopes they can see each other again and when Milman presses her on it, he becomes angry. John says he knows she doesn't mean it, that he is ugly and repulsive, "Liars! All of you! You're all fragile blossoms--too precious to touch! Well--I dare to touch! And crush you all!" As Barbara gets ready to attack back, John is accosted by Jason Bard, who with his "darned trick knee" fouls everything up and lets John escape. Jason says he saw them coming out a movie and followed them out of jealousy.

Ditching Jason, Batgirl crashes John Milman's apartment, only to find him packing for a quick exit from town. Only, he isn't John Milman, he is the handsome mugger from the alley and in his possession Batgirl finds rubber masks of John Milman and Max Tournov. When he comes to the man explains that women have always fawned over him for being so handsome, but that he felt his beauty was a barrier to finding the inner beauty of women. So he used a mask to hide his own beauty and dated homely women in order to release their inner beauty. But he found them all hollow and so he needed to crush them. Batgirl says that the hollowness was not within the women but within him, that he is "the hollow man--finding ugliness in everything!"

Edited by Julius Schwartz.

Adventure Comics #391

Adventure Comics #391 (On Sale: January 29, 1970) has a Supergirl cover by Murphy Anderson.

This issue begins with our cover-story, Supergirl in "Linda Danvers, Super-Star" by Robert Kanigher and Kurt Schaffenberger. The back-up is Supergirl in "The Super-Exchange Student" by Cary Bates, Winslow Mortimer and Jack Abel.

Edited by Mort Weisinger.

Action Comics #386

Action Comics #386 (On Sale: January 29, 1970) has a Superman cover by Curt Swan and Murphy Anderson.

This issue begins with our cover-story, Superman in "The Home for Old Super-Heroes" by Cary Bates, Curt Swan and George Roussos. The back-up is Legion of Super-Heroes in "Zap Goes the Legion" by E. Nelson Bridwell, Winslow Mortimer and Jack Abel. This story was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.

Edited by Mort Weisinger.

Fred Hembeck covers Youngblood 1

Original cover by Rob Liefeld; Image 1992. Fred Hembeck's website is here.

Jon Adams covers The California Raisins 3-D 5

Original cover artist is unknown; 1988 Blackthorne. Jon Adams's website is here.

World's Finest Comics #192

World's Finest Comics #192 (On Sale: January 27, 1970) has a Superman/Batman cover by Curt Swan and Murphy Anderson.

This issue begins with our cover-story, Superman/Batman in "The Prison of No Escape" by Bob Haney, Ross Andru and Mike Esposito. The back-up is Robin in "Danger in the Hall of Trophies" reprinted from Star Spangled Comics #126 and drawn by Jim Mooney.

Edited by Mort Weisinger.

Showcase #89

Showcase #89 (On Sale: January 27, 1970) has a nice Jason's Quest cover by Mike Sekowsky and Dick Giordano.

Jason's Quest continues this issue with "The Deadly Chase" written and penciled by Mike Sekowsky and inked by, well, I'm not sure. The GCD says this is Jack Abel, but I don't really see it. Abel has a certain smoothness to his inking, particularly around the eyes, noses and hands of characters, that I just don't see in this inking. He is also credited with inking the next issue, and I sort of see some Abel-like inking in that book. If anyone can point me to particular panels that display Abel's technique I would feel much better about this attribution.

As we left Jason last issue, he had just saved his sister's life, not knowing it was her and is now ahead of her on the road to Paris thinking she must be just ahead of him. Meanwhile, Tuborg sends two more assassins after Jason and his sister. Jason on the other hand sees a blond woman on the side of the road with a flat tire and thinks it is his sister, but when he hears her deep southern accent he knows he is mistaken.

She is "Billie Jo Brock of the Lo'siana Brocks" and is immediately smitten with Jason, but her advances are interrupted by gunshots from the two assassins, who also mistake Billie Jo for Jason's sister. They blow the "petrol tank" of Billie Jo's car and she and Jason high-tail it on his bike, the killers in hot pursuit and Billie Jo firing back at them with her own gun. As they are being chased, Jason sees the car of the woman he saved last issue and seeing her without her wig realizes that she is his sister. He lures the gunmen away from her and loses them in some woods.

There his bike runs out of gas and he and Billie Jo take off on foot finding a large empty house in the woods in which to hide. Later the gunmen find the house as well and while Billie Jo passes the time away in a lip-lock with Jason, he feels a gun against the back of his head. But it is not the gunmen, but rather the owner of the house, who had shut it down but remembered something she left and found the broken window where Jason and Billie Jo had entered and now found them. But it seems she is a widow, from Lo'siana as well and actually loosely related to Billie Jo. She provides them some gas for the bike and some cover fire from the assassins while they make their escape.

They gas up Jason's bike and Billie Jo shoots the tires on the assassin's car. They figure out what the four shots must mean and steal a car from the woman's garage and the chase continues. Jason loses them under a bridge and later in a bike race. Later Jason and Billie Jo barely escape from going off the end of an unfinished bridge, but the assassins are not so lucky. They crash off the bridge and die in a horrible explosion. Jason and Billie Jo make it to Paris where Jason tells Billie Jo the entirety of his story and says he must find his sister before Tuborg's men do. Billie Jo says she understands, "Find her, quick-- then come back 'cause Billie Jo has chosen you for herself!'

We then have one of those great Sekowshy full-page previes of the next issue inked by Dick Giordano.

Edited by Mike Sekowsky.

Justice League of America #79

Justice League of America #79 (On Sale: January 27, 1970) has a nice cover by Neal Adams.

This issue has the book-length by "Come Slowly Death, Come Slyly" by Denny O'Neil, Dick Dillin and Joe Giella. Continuing from last issue, we have Superman and Green Lantern on the desolate planet Monsan seeking a clue to the identity of the Doomsters, while Green Arrow is being forcibly removed from the office of the Star City City manager and Batman, Atom, Black Canary and the Vigilante are being slowly lowered into a vat of something pretty vile. As luck would have it though the two guards escorting Green Arrow are not cops and don't particularly like the City Manager, so they let Green Arrow go.

Racing back to the Doomsters' plant he gets there just in time to jam the machinery lowering his pals into the vat of icky stuff. He revives his teammates just in time to take on a cadre of Doomsters who, when overwhelmed by the JLA, lock themselves into the inner workings of the plant. That ends up being a disguised rocket that the Doomsters use to blast away from the JLA.

Meanwhile on Monsan, Superman and Green Lantern find a survivor who with his dying breath tells the tale of one of their leaders, Chokh, who when the industrial might of the planet so fouled the air came up with a way of altering Monsan physiology so that they could breathe polluted air and thrive of poisoned water. But the alteration not only modified their bodies, it warped their minds, turning them into Doomsters, who want nothing more than to spread the pollution of Monsan to other worlds.

back on earth, Batman radios Hawkman in the JLA satellite and tells him he must stop the alien spaceship above Star City. Using his Thangarian space cruiser, Hawkman is going to use a gravity beam on the flying building when it explodes exposing the sleek battleship hidden inside. The Doomsters jam Hawkman's controls forcing him to abandon his ship which they then blast in half. Realizing the the Earth people are more threatening than they thought the Doomsters drop pollution canisters all around the globe and then send out a warning message to the people of Earth that they have one hour to make peace with themselves, before they are inundated with "total pollution."

The JLA assemble in their satellite just as the returning Superman and Green lantern recover the wounded Hawkman. Once he is safely in the JLA satellite Superman and green Lantern begin a full attack on the Doomsters' spaceship, defeating the aliens. However, Chokh escapes and penetrates the JLA satellite where he captures Black Canary. Batman and Green Arrow try to stall him by telling Black Canary how much they appreciate her and Green Arrow even says that he may be in love with her.

Chokh is finally defeated by the Atom and later Arrow tells Canary that he meant what he said, but she says she is not ready for a new relationship just yet, but is happy that they saved the Earth. Arrow looks at the soot and ash spewing from some plants in the background and says, "Did we? I wonder..." Reprinted in Justice League of America Archives Vol. 9 HC and Showcase Presents: Justice League of America Vol. 4 TPB.

Edited by Julius Schwartz.

Date With Debbi #8

Date With Debbi #8 (On Sale: January 27, 1970) has a cover by Henry Scarpelli.

This issue Debbi in "A Froggy Day in Buddsville" by Barbara Friedlander and Henry Scarpelli. Next is Debbi in "Everybody Likes Somebody" also by Barbara Friedlander and Henry Scarpelli. That brings us to Debbi in "Calling Doctor Debbi," and we end with Flowers in "The Valentine Date."

Edited by Dick Giordano.

Mark Todd covers The Incredible Hulk 1

Original cover by Jack Kirby and George Roussos; Marvel 1962. Mark Todd's website is here.

Running Behind Again

I'm running behind schedule again. I am being swamped with projects at work that are sapping my strength, leaving me exhausted. On top of that I have 15 books to read this month, and my detailed recaps always take an hour or so to produce. If there is something special about the book, like John Broome's last story or Al Williamson's, John Severin's and Jerry DeFuccio's first DC stories in this blog, then the items take even longer to write.

Well, things could be even worse. I could still own all my Mort Weisinger books and have to reread them as well. That would have put me at rereading 21 of the 28 books DC published this month.

Well, enough complaining from me. To be honest this month has been a goldmine of good stuff so far, from the above mentioned milestones, to Deadman's return, and there are still a few gems to go. Poor me, I have to read great comics.

Futura - Chapter 16

If the previous installment of the Futura Saga recommended safety glasses when reading then full-body armor is required for this one!

In the earlier chapter that introduced the Space Pirate Queen Yrina, I maintained that Futura and the pirate are not all that different and may have easily followed different paths in their respective struggles to survive in the wild and woolly space lanes. Planet Comics #58 (January 1949) is a good example of Futura making the kind of decision that would realistically land her on a Most Wanted Criminal list for a reason other than the current case of mistaken identity.

On the run and trapped within the black market arms bazaar Futura offers as a distraction to her pursuers the kind of destruction one would expect from the criminal Yrina and not a displaced executive secretary. In the 1994 film Clerks some of the characters discussed the film Star Wars. They posited the idea that it was doubtful that everyone who was killed on the Death Star was an enemy combatant and that thousands of poor, working schmoes also met their deaths when the ship exploded. A lot of the staff that died were just contracted techs and pump-jockeys who just wanted jobs and to feed their families.

A similar sitation occurs in Chapter 16 of the Futura Saga. In her desperation to escape from the bazaar Futura purposely razes the market to the ground and causes massive chaos on both the ground and in the sky. Her actions undoubtedly caused the death of scores of people, some of whom being slaves and captives like herself, were not evil death-merchants and undeservedly perished. Futura is no stranger to wide-scale annihilation though. In a bid for freedom she destroyed a planet and the native population upon it on a previous occasion. When the people of Pan-Cosmos were wiped out she was at best acting with good intentions that went awry. At worst Futura was using the rebellion for her own selfish means, sacrificing two races of sentient beings just to gain access to a space ship. It is interesting that the events leading up to her escape from Pan-Cosmos and the bazaar reaped similar results and that two of the most evil characters in the strip, Omma and Yrina, have in common enough traits with Futura that they all chose the same path for escape.

Futura may have crossed a moral line in this installment but this kind of characterization is a positive one and gives Futura more depth and motivation, something that was sorely missing in all but a few early comic book serials. Futura's decisions make her a bit less two-dimensional and far more interesting as her character evolves from the simple kidnapped secretary she once was into a person of resolute means. If Futura still has designs on returning home to Earth then they are undeclared and she may have changed too much to ever go back to being the sexily-clad girl in the Compu-Steno pool. A career in spaceship piracy seems ever more likely for Futura.

Click to...Look out! Run!

Accept no imitations

A cheerful Lev Gleason publication gleefully leads a crowd of competing comic books to their horrible watery deaths. From Crime Does Not Pay #66 (August 1948).

Tom Neely covers Tentation

Absolutely nothing is known about the original. Any info would be appreciated. Tom Neely's website is here.

Anthony Vukojevich covers Fantastic Four 26

Original cover by Jack Kirby and Sol Brodsky. Anthony Vukojevich's website is here.

Lesson learned

A horrible week dealing with food poisoning and I'm still recovering. Should have known better than to eat those brands of pre-wrapped salami sandwich and macaroni salad. Haven't been that sick since I ate that meat-thing on a stick from that street vendor in the Philippines back in 1986.

Hot Wheels #1

Hot Wheels #1 (On Sale: January 22, 1970) is based on the Saturday-morning TV show based on the die-cast toy cars from Mattel and features a cover by Alex Toth and Dick Giordano. I loved that Giordano put the kids' faces in a line-up down the left side of the cover like the Justice League of America was doing a this time.

"Wipe-Out at Le Mans" is by Joe Gill, Alex Toth and Dick Giordano. With so much work at Hana-Barbera in recent years, Toth was the perfect guy to draw Hot Wheels and man did he shine on this series, a forgotten gem from DC. We begin in 1959 at Le Mans where driver Mike Wheeler is spinning out of control and about to center-punch another disabled car. He instead throws his car into the wall in an horrific explosion . Mike's young son Jackie rushes to his burning car and is pulled way. Mike is extracted from the wreckage and taken to the hospital where after agonizing hours of surgery they find that he will live, but his leg is so badly damaged that he will never race again. Weeks later a hobbled Mike Wheeler tells his son that he always planned on opening a garage when he retired, it's just happening sooner than he expected. Wow. six beautiful pages from Toth and Giordano of textbook-perfect efficient and evocative story-telling.

So on to California and Wheeler Motors and Jack growing into a teenager at Metro High and hanging out with Janet Martin and being harassed by rich punk Dexter Carter, the plague of Metro City. Dexter and his gang make it so bad on the street of Metro City that a special town hall meeting is called to revoking all drivers licenses held by those under the age of 21 (which would have been highly illegal in California I would think). Anyway Mike talks Jack into going to the meeting and defending the teenagers, which he does by pointing out that most teenagers are responsible drivers. like he and his friends, who have formed a club called Hot Wheels to sponsor closed-course races so kids can have there fun, but responsibly.

The club goes on a PR offensive but Dexter and his goons are not to pleased. While out testing a new car at the track, Hot Wheeler Mickey Barnes is run off the track and crashes due to Dexter and his friends. Dexter challenges Jack to a grudge race and Jack accepts, only Mike will only let him use parts from junkers for a grudge race. They build a car as best they can. On race day they find that Dexter has bought two new v-12 Ferrari's to race against Jack and that he and one of his goons will both be racing against Jack.

Once the race begins Dexter and his goon tray to double-team jack, boxing him in and roughing up his car, but Jack avoids the worst of it. However dexter inadvertently gets caught in the oil slick laid down by his goon and is about to center-punch a pole when Jack floors it and knocks Dexter out of harms way, but knocks himself right into the pole destroying his car. Dexter wins the race but Mike liked what he saw his son do, both in building a competitive car and in saving Dexter's neck and promises that next time he will have his father's full support in building a car.

Next issue promises to be a rematch. Not a bad start for the book. For copyright reasons, this fine series has never been reprinted.

Edited by Dick Giordano.

Flash #195

Flash #195 (On Sale: January 22, 1970) has a cover by Neal Adams.

This issue begins with "Fugitive from Blind Justice" by Robert Kanigher, Gil Kane and Murphy Anderson. I think I have said enough times in this blog how much I loved this art team. It's one that you never hear mentioned, but one that clicked on so many levels. This story has an interesting beginning, the Flash is at the Jerry Lewis Telethon and is signing autographs at super-speed for three of the most prolific letter-writers of the time: Irene Vartanoff, Peter Sanderson and soon to be famous writer Mark Evanier. This was a neat touch with which to open the story.

On the way home from the telethon, Flash meets a couple in Central Park and the woman wants a picture taken with the Flash. He complies, but the flash of the camera is blindingly bright and Flash is set upon by a gang of killers out to get him. He tries to fight them, but keeps stumbling over things (why he didn't just vibrate in place until he could see again is beyond me), and if finally saved by a dog who shows up and attacks the gunmen, then scampers off, though not before Flash sees the dog in his returning eyesight.

The next day the headlines in the paper are of millionaire Philip Bentley being killed by his dog Lightning. Barry recognizes the dog as the one who saved his life and doesn't believe that he could have turned killer. At the animal detention center, Bentley's brother is relating the story of how he saw the dog attack his brother. Flash says how he doesn't believe it and arranges for a 24-hour stay of Lightning's execution. However, he searched in vain for any of the killers or the couple who set him up. The next morning the Flash dog-naps Lighting before he can be executed and uses Lightning's nose to try and locate the gang, to no avail, but they do rescue a blind man who had fallen into the water.

Flash leaves Lightning with the blind man and heads to the Bentley estate to see if he can pick up any clues there. There in the greenhouse Flash encounters Bentley's brother and mobster Vic Torrence in an argument. Flash also recognizes Vic's voice as being one of the gang that tried to kill him. Flash gets disoriented by the fumes of a noxious plant and is once again saved by Lightning.

Later at the reading of Bentley's will his entire estate is given to Lightning to be administered by someone of Lightning's choosing. He chooses Barry Allen who sets up an annuity to provide for Lightning and gives the rest of the estate to the Jerry Lewis Telethon.

The back-up story is "I Open My Mouth... But I Can't Scream" by Harlan Ellison fan Mike Friedrich, Gil Kane and Vince Colletta. The less said about the abysmal inks on this one, the better. This is a strange little tale of Barry Allen on a roller coaster and him being paralyzed with fear. Barry relates how his first date in high school had been to a carnival and the girl had talked him into riding the coaster and how frightened of it he was and still was years later when he and wife Iris chaperoned the police athletic league champs to a carnival and the kids wanted to ride the coaster. Once on the coaster Barry sees that the track is damaged but is frozen with fear, but after a gut-wrenching scream he Flashes down the track and repairs it before any tragedy can occur. Barry believes it was the scream that "set him free" from his fear and now can't wait to go back for another ride.

Edited by Julius Schwartz.

Batman #220

Batman #220 (On Sale: January 22, 1970) has a cover by Neal Adams. Three things about this cover: 1) I don't normally like the multi-panel covers, but this one completely works for me, 2) some attribute the inks on this cover to Dick Giordano, but I just don't see it, particularly in the Batman figure in panel one, and 3) this is the debut of a radically new Batman logo, this after reverting back to pretty much the original logo less than a year ago. Now I liked this new logo, but it would not last very long; within a year they would slip Robin's name into the logo and a year after that they will move to a new logo that is more a throw-back to the logo they are currently replacing.

This issue has the book-length "This Murder Has Been... Pre-Recorded" by Frank Robbins, Irv Novick and Dick Giordano. It opens up with pretty much a rehash of the cover and then shows us how we got there. Bruce is visited by Marla Manning, the woman whose articles on "Victims Anonymous" was the inspiration for Bruce's own Victims Inc. Program. She relates how she has received anonymous threats ever since she hinted in an article that the death of young file clerk in the city contract bids department might be linked to bidder for a certain city contract. Bruce's VIP had provided some financial aid to the victims sister and when he checks his files on the woman, Sandra Sloan, they are missing and in there place is a note to "Lay off...or else!" Bruce says he will call on Batman's help and sends Manning on her way.

Manning floated the name of Nova Demolition Co. and Bruce checks into them and the other companies who bid on the suspected contract. That night Batman visits Sandra Sloan and is given the brush-off at the door. Suspecting foul play Batman crashes in and interrupts an unknown gunman who gets away. Sloan knows who it was, but refuses to tell. Batman heads to Nova Demolition where he breaks in to look at their records. There he fights with owner Zack Nova, ex-military demolition expert. Nova threatens to call the police on Batman if he doesn't leave and tells him to "lay off."

Batman then visits Manning and convinces her to say in her next article that she has evidence of who killed Sloan. When the article hits the paper, Manning gets a call from Nova, saying he knows she is lying about having proof but offers to give her what she needs for $5,000, the money to be left in a phone booth.

In preparation for the meeting Batman goes to the airport for something and then meets Manning near the phone booth where he takes her place for the rendezvous. As soon as the booth door closes a tape plays of Zach Nova confessing to the murder and then the booth blows up. Manning comes out of hiding and is confronted by Zach Nova plans on killing her just in case she heard his confession. Just then his confession starts replaying and Nova freaks out a bit. Batman comes out of hiding and takes Nova out explaining that he used a black box recorder from a plane to capture the confession and put an inflated Batman costume into the booth while he then ran for cover, expecting that a demolition expert was planning an explosion.

Afterward we learn from Sloan's sister that Nova had saved Sloan's life in Viet Nam and used that to get secret information from Sloan so that he could win contracts. When Sloan could bear it no longer and threatened to expose Nova he murdered Sloan.

Once again, I am disappointed by the Robbins' story, yet I recall loving this stuff 40 years ago.

Edited by Julius Schwartz.

Jimmy Giegerich covers Swamp Thing 98

Original cover by John Totleben; DC 1990. Jimmy Giegerich's website is here.

Visiting the Land of the Lost

Michael May's Adventureblog has just finished the third part of an unflinching three-part review of season one of the classic 70's show The Land of the Lost. I'm too biased towards the spirit of the show to ever give a fair review but he did a good job of it.

Enter the portal to be whisked off to the Adventureblog!

Diego J. Pereira covers Hansi: The Girl who Loved the Swastika

Original cover by Al Hartley; Spire Christian Comics 1973. Diego J. Pereira's website is here.

Teen Titans #26

Teen Titans #26 (On Sale: January 20, 1970) has another great cover by Nick Cardy. I know that as a young man, I spent many a hour staring at Wonder Girls' butt on this one.

"A Penny for a Black Star" is by Robert Kanigher and Nick Cardy and continues from the dramatic events of last issue, where the Titans responsible for the death of Nobel Peace Prize winner Dr. Arthur Swenson, gave up their costumes, vowed to not use their powers and joined Mr. Jupiter's top-secret project.

Continuing really from the cover, they enter into Mr. Jupiter's training facility, a kind of Titans version of the X-Men Danger Room, a gauntlet of lasers, fire and wind. When they come out on the other side, Mr. Jupiter gives them each a penny and tells them the next part of their training will be in Hell's Corner, the toughest neighborhood in the city, where they are to find jobs, a place to live and one other thing, something they will have to figure out on their own. Lilith says that the answer to the last enigmatic task will be found in Hell's Corner, but she knows know more than that.

Donna wonders what they can do with a penny each and Lilith says that perhaps they can "find... a black star," but once again, more than that she does not know. In Hell's Corner they find a young black girl selling lemonade for a penny and buy some, one to see the girl attacked by Storm and his gang, the Hell's Hawks. Don (Hawk) wants to jump in and pound the gang, but he is held back by Dove and the reminder of what happened the last time they went off one someone. Seeing that they won't fight back, the gang go after the girls, groping at Lilith and Donna. Suddenly the gang is attacked by Mal Duncan, the little girl's older brother and once the gang starts beating up on him the Titans do come to the rescue, without using their super-powers.

The gang runs off and the Titans thank Mal, who tells them that they don't belong there and should leave. But they don't heed his advice and continue on through the neighborhood. Donna and Lilith get jobs at a clothing store and the guys get work and room and board at the neighborhood boys club. where they help the kids with baseball, boxing and painting. That night they learn of a monthly boxing match where the youth of the neighborhood let off steam. A week or so later at the match, Mal is pitted against Storm and knocks him out in the ring. Later when the Titans go to congratulate him they find him being beaten by the gang. The Titans put a quick end to that. Afterward the celebrate and reluctantly Mal goes along, where mainly through the efforts of Lilith, he becomes part of the gang, the Titans realizing that recruiting Mal must be the unknown task they needed to perform.

They bring Mal to Mr. Jupiter where Mal learns that his new friends are actually the Teen Titans. Mal goes through the same danger room gauntlet as the rest of the team and over the next few weeks (months?) they all train (for some reason) for spaceflight. Eventually they are taken to a secret launch site where automated rockets are being prepped for a one-way unmanned trip to Venus. That night Mal sneaks out of the facility, though he meets Lilith on the way, and when the spaceship launches the next morning they find out Mal is on board. With Jupiter's help the Titans vow to take another ship to the moon to rendezvous with Mal and save him.

This was not the best of follow-ups to last issue's story, but I don't really expect much from Robert Kanigher. I'm not sure where Dick Giordano thought he could take the unpowered Titans, but he needed someone like Mike Sekowsky to pull this off and Kanigher just didn't qualify. This was reprinted in Showcase Presents: Teen Titans Vol. 2 TPB.

Edited by Dick Giordano.

Strange Adventures #223

Strange Adventures #223 (On Sale: January 20, 1970) has an Atomic Knights cover by Murphy Anderson.

We begin with Adam Strange in "The Beast with the Sizzling Blue Eyes" from Mystery In Space #62 by Gardner Fox, Carmine Infantino and Bernard Sachs. While waiting for Adam Strange to return to Rann, Alanna is apparently caught in a time-warp, taking her back to a prehistoric jungle. She quickly realizes that she is not in the past, but in a forcefield bubble. Adam arrives inside the bubble and saves Alanna from a dinosaur, but suddenly the bubble disappears, taking the jungle and beasts with it.

Later another bubble appears in the ocean, this time containing a sea-beast. Adam and Alanna are able to penetrate the forcefield, but the bubble once again disappears. Unknown to Adam and Alanna, the bubbles are being made by device created by scientist, Zhoran Tew, to study to past. However, Zhoran’s lab assistant, Mortan, has imprisoned the scientist and is using the device for evil.

Mortan demands that the Ranagarans surrender to him or he will unleash the beasts within a forcefield created around the city. Adam traces the transmission and tracks Mortan to his hide-out. Then he destroys the control device, preventing Mortan from unleashing his monsters. After freeing Zhoran, Adam is drawn back to Earth by the Zeta Beam.

Next is "The Genius Epidemic" from Strange Adventures #21 and created by Gardner Fox, Irwin Hasen and Joe Giella. This is a cute story about a bunch of hillbilly boys, the Herbert Brothers. who came into town one day to join the army. Though they looked like something out of Lil' Abner, they soon prove themselves to have amazing genius minds. In looking for the cause of their brilliance the army finds out that a meteorite crashed near their house on the night they were born. The army puts the bothers to work on one project after another which annoys them so much they make a space ship and leave Earth to get some peace.

We end with our cover-story, the Atomic Knights in "War in Washington" from Strange Adventures #135 and the product of John Broome and Murphy Anderson. Wayne and Hollis Hobard are captured by the Atlantides. Gardner and Bryndon mount a rescue mission with the help of Dalas, a reformed Atlantide prisoner. Dalas leads them to Washington where the Khagan and the Atlantides have established a base of operations.

Gardner and Bryndon stop a plot by the Atlantides to let in ultraviolet radiation over Durvale. Dalas located the Hobards and frees them. The remaining Atlantides escape with the Khagan vowing to conquer Earth.

Adventures of Jerry Lewis #117

Adventures of Jerry Lewis #117 (On Sale: January 20, 1970) has a cover by Bob Oksner featuring Jerry and the new Wonder Woman.

This issue has the book-length "Jerry Meets the New Wonder Woman." I would guess that they would get Bob Oksner to do the insides as well, but who knows. Heck, they might have gotten Mike Sekowsky to write and draw it. Regardless, you have to appreciate the way DC is pushing the new Wonder Woman, here and in The Brave and the Bold a month or so ago.

Edited by Murray Boltinoff.

Richard Dollars covers All-New Collectors' Edition C-56 aka Superman Vs. Muhammad Ali

Original cover by Joe Kubert (layout), Neal Adams, and unknown inker; DC 1978. Richard Dollars's website is here.

James Duncan covers The New American Splendor Anthology

Original cover by Drew Friedman; Four Walls Eight Windows 1991. James Duncan's website is here.

Jason Baroody covers Preacher

Original cover by Glenn Fabry; DC 1998. Jason Baroody's website is here.

UBER CHICLE

In the post Bibimbap is the shizznit a while back I posted about the unfortunate practice of 'affinity scams', where a member (or pretends to be) of an ethnic, religious or professional group takes advantage of perceived and expected trusts to defraud a member of the same group.

On a recent visit to one of the local Asian markets in San Diego I picked up one of the fliers for a particularly heinous scam that targets the Asian community using the social and cultural pressures inherent to an affinity scam. In this post is a real advertisement for a ridiculously expensive miracle rubber that the seller claims will cure whatever ails you. I changed the name of the product, the logos and removed the inventory numbers because I don't want some poor fool looking this quack garbage up and buying it through any leads I might provide.

"Uber Chicle" (as I call it) is basically the rubber of the kind you would find in any wetsuit. In fact, the seller even admits that a wetsuit manufacturer supplies their materials. From the samples I've seen the rubber is clearly mass-produced and bears the typical quality control issues one would find in long sheets of this material such as smeared cement on the edges and seals and frayed threads. While I find the rubber indistinguishable in any way from similar wetsuit material stock the seller claims the Uber Chicle is special in some way. The advertising materials make the usual unsubstantiated nonsense text-salad claims that the special rubber (made from rocks) enriches human cells and recycles the magnetic waves the human body emits (mostly in the infra-red range) all to enable the body to retain the natural biological rhythm. Whatever that means.

This is an example of a woo-woo claim that is clearly immoral if not criminal. These pieces of rubber are sold at high prices using questionable claims of efficacy and healing powers or functions that are nothing short of magical. I worry that people with real illnesses are spending money on this junk believing and hoping it will help cure them of their afflictions. This is a very real concern as sales tactics vary depending on the customer. I have experienced this first-hand. Sales reps will variously ignore, treat with hostility or suspicion or deflect any inquiries I have based on what I presume is my race and a few other factors. Without missing a beat the very same salesperson will pounce upon my wife with spiels about miracle cures and awesome magical properties of whatever device is being sold. Often, it happens while I am standing right beside her.

Keep in mind that the average price for neoprene sheeting is about $25 dollars a yard. There is no shortage of the gullible and desperate. If I was evil, I'd be rich.

Click picture to mark-up 1000%

Sadly, it is very difficult to shut predatory scams of this nature down. This a little fish kind of problem in a very big pond and often the most that would happen is that false advertising charges would be levied, a small fine would be paid and business as usual would continue even if under a different name. Caveat Emptor rules the marketplace. Administrations that should protect consumers often look the other way or are toothless in the face of huge profits and influential dollars flowing into political coffers. The few victims that realize they are scammed are reluctant to file complaints or eagerly go on to the next quack-cure convinced that the next one or the next or the next will work as promised. Attempts by private individuals and Governments to educate the public is a slow process and feels despairingly futile sometimes. Unfortunately for every rational warning there are 500 attention-whoring celebrities praising the magic healing power of a pill, book or magnetic shoe insert.

The fact is, if any of this crap worked as advertised the world if not our marketplace would not be recognizable as it is now. This special knowledge and technology, if it was real, could not be contained or controlled by a select, powerful few. As most of the advertising claims the knowledge is everywhere, part of everyone and can be manipulated and touched. It is natural and miraculous and cures all ills. There would be no need for specialists or sales reps as every person on Earth would be at their ultimate potential of health just by common everyday exposure to these natural fantastic elements. Medical science, Doctors and hospitals would exist only so far as to ensure each individual died without pain and with dignity, though a comfortable hospice with a bucket of crystals in each room would conceivably replace the function of the physician in regards to the transitioning soul also. Keeping what is claimed to be so reportedly fundamental out of the hands of the average layman would be like trying to control the secret of making fire 10,000 years after the first bonfire was built and used to cook Mammoth steaks.

Please. If you are sick, visit a Doctor. A real one.

The Arrogant Narcissist

Assuming I can think of anything, read The Arrogant Narcissist every Sunday!

Bushido: The Cruel Code of the Samurai

Back in August '09, I posted my review of Tadashi Imai's Cruel Tales of Bushido. Now I've gotten hold of an advance copy of AnimEigo's DVD release (out February 9th) re-dubbed Bushido: The Cruel Code of the Samurai. As with all AnimEigo releases, the disk is packed with historical and cultural information in the form of supplemental notes and essays, as well as explanatory supertitles above particularly idiomatic/referential subtitles. In short, the package is a Japanese history nerd's dream. And speaking of Japanese history nerds, my boy Randy Schadel from the Samurai Archives provides one of his typically voluminous pieces on the disk, a definite value-add.

Even if you're not all that interested in Japanese history, you'll still find this film an unforgettable experience and a unique look into a centuries-old martial culture. Plus it's a great showcase for the talents of the great Kinnosuke Nakamura, here portraying seven different roles to devastating effect. Needless to say I'm overjoyed to see this true classic of Japanese cinema receiving the long-overdue DVD release it deserves.

Take it home, Glen

As expected, I lost several subscribers in the hours after I posted my little opinion of Pat Robertson and his twisted, sick, hate-filled, bigoted and insane Cult of Suffering yesterday. I have no real idea who routinely drops in or when they stop doing so beyond the limited amount of tracking I do for the site, but I usually lose a number of the registered 'Followers' whenever I stray too far from the subject of comic books.

So?

Superman's Pal Jimmy Olsen #127

Superman's Pal Jimmy Olsen #127 (On Sale: January 15, 1970) has a cover by Curt Swan and Murphy Anderson.

This issue begins with our cover-story "The Secret Slumlord of Metropolis" by Leo Dorfman, Curt Swan and George Roussos.

The back-up is "When Olsen Changed History" by Leo Dorfman and Pete Costanza.

Edited by Mort Weisinger.

Phantom Stranger #6

Phantom Stranger #6 (On Sale: January 15, 1970) has another winning cover by Neal Adams. The Stranger appears as a background face for the first time.

This issue contains the book-length "No. 13 Thirteenth Street" written and penciled by Mike Sekowsky and inked by, well, everyone says Vinny Colletta, but that ain't the whole truth., For certain Colletta's unmistakable inks grace (disgrace?) pages 7-12, but the rest of the book, the majority of the book is inked by someone much better. Who I'm not certain, though some of it looks like editor Joe Orlando.

This is yet another story with the four teenagers (really, that is a stretch here) from the previous few issues, who when their car breaks down find two elderly women being haunted in a house on 13th Street. They enter and people and things are flying about. They make a quick call to Dr. Thirteen, just as the Phantom Stranger arrives. The Stranger says the problem is a poltergeist; when Dr. Thirteen arrives he says the whole thing is a fraud perpetrated by the Phantom Stranger. Thirteen says this is just like the case of the haunting of the Deggs house, which he exposed as a hoax.

We cut to Chapter 2, entitled "The Case of the Diabolical Deggs House" which is inked by Vinny Colletta. The Deggs' house is being terrorized by flying objects, moving chairs, ghostly apparitions, etc. Dr. Thirteen is called and finds the culprit is Creepy Conway, a spurned beau of the teenage daughter. He, along with the help of the younger son and his chemistry set, faked all of the strange doings.

The story over, better inking returns for a page as Dr. Thirteen is attacked by a flying vase and the Phantom Stranger tells him he is being foolish to discount the supernatural. He then tells his own story, "The Haunting of Drood Wood -- or -- Give Me Back My Head!" This chapter has a harsher inking style, and if I had to guess at the inker (and I do), I would say Frank Giacoia inked the next five pages. There are actually a couple of really nice, simple but effective panels in this section of the story.

A wife drives her sleeping husband down a lonely read at night. He awakens to find out they are driving through Drood Wood and freaks out, telling her to turn around or he is a dead man due to a family curse. His wife thinks he is being silly, but suddenly they are confronted by a headless horseman of old. This scene is of course depicted so beautifully on the cover. The horseman asks the man, David, if he has found his head yet. David says that his family has searched for centuries and cannot find the man's head.

We then learn how David's ancestor, the Baron of Cheltenham, had found the man in a passionate embrace with his daughter and after trumping up some charges of theft, had the man's head cut off and buried separately. The headless man only wants to be with his beloved, but cannot go to her in death without his head. The Phantom Stranger arrives and shows the man that his head was actually made into the likeness on his tombstone (I almost said "headstone!"). His body once again whole the horseman rides off to finally be with his beloved.

Back in the present and back to Joe Orlando's inking, the Stranger says the story proves that evil exists and then asks Tara to show herself. Tara reveals herself along with a creature thing, but says she is not the cause of the strange goings-on, that it is the work of one of the elderly women, Abigail. Abigail says that she found an old book their father had and used one of the spells in it to conjure up a thing to punish her sister for always eating the pistachio ice cream and leaving her only the chocolate.

When the Phantom Stranger tries to get the book, Tala orders the thing to keep it from him, but the Stranger gets to the book first and throws it into the fireplace. Tala and the thing then disappear. Dr. Thirteen says that the whole thing was a performance by the Stranger, as usual. Abigail's sister invites the teenagers to spend the night and offers them dinner, complete with pistachio ice cream for dessert, but sends Abigail to bed without dinner for causing all the fuss.

However, after dinner all that is left in the house is chocolate ice cream. Upstairs we find Abigail with a home copier and a copy of the book wondering what else she can do to her sister. This story was reprinted in Showcase Presents: The Phantom Stranger Vol. 1 TPB.

Edited by Joe Orlando.