Detective Comics #393 (On Sale: September 30, 1969) has just a really ineffective cover by Irv Novick. The Batman figure seems squeezed in under the massive logo and it is hard to tell exactly how old Novick thinks Robin is. Ugh, I just don't like this one.
"The Combo Caper" is by Frank Robbins, Bob Brown and Joe Giella and although the cover scene does sort of happen in this issue, it is basically the last panel, so in that way this cover is sort of a cheap "come on." as the captioned question, "Why?," is never addressed. We begin with Batman and Robin noticing while on patrol a light on at the Winslow mansion. They knew very well that the Winslows are vacationing at their beach front estate next to Bruce's in Ocean Point so they enter and surprise an thief in mid caper. Before the thief escapes in the Batmobile no less, Robin lands a right jab to his covered face. The thief didn't have enough time to crack the Winslow's safe, but left behind a clue, an aluminum pop-top with the two sets of safe combinations scratched into its surface, the Winslow's and one other.
The next morning, after retrieving the abandoned Batmobile, Bruce, Dick and Alfred head out for Ocean Point for a little R & R. On the way they pick up Skeet Callum, an under-privileged teen in crisis that Bruce is attempting to mentor for the Civic Conscience Council. Skeet has an attitude the rub Dick the wrong way, and he also has a shiner and an addiction to Kool-Up soda, in the aluminum pop-top cans.
Once at the beach, Dick and Skeet run into Deena Winslow, who is also sporting a shiner and a Kool-Up addiction. That night Bruce, Dick and Skeet attend a big bash at the Winslow estate where they are introduced to world-traveler and yacht-owner Aristide Naxos. The teens all head out for a party on the beach where Skeet and Deena have an argument and Skeet takes off alone.
As the night wears on, Aristide makes his exit to his yacht and Mrs. Winslow tries to hit on Bruce, resulting in Bruce going upstairs to fetch her wrap, only to discover that the Winslow's safe here has been robbed. Looking around Bruce finds another pop-top with this safe's combination. Bruce remembers that Skeet is always drinking Kool-Up and tells him that if he robbed the place he can still give the jewels back, no questions asked. Skeet runs off and later Bruce laments that he may have pushed Skeet towards crime by accusing him. This sends Dick out to find him, which he does lying unconscious on the beach. Skeet says that he found Deena digging in the sand and that she was being signaled from Naxos's yacht and when he tried to ask her what was going on she decked him with her surfboard.
Later Dick rides out on a surfboard toward the yacht, gathering the attention of the guards on board. What they don;t see is Batman tagging along with the board underwater. using a rebreather. While Dick catches a few waves at night, Batman sneaks on to the yacht where he confronts Naxos and Deena. When Naxos pulls a gun Deena disarms him. Inside her can of Kool-Up are the jewels, which she stole to punish her parents for only buying her things instead of loving her. Later Skeet finds out that Batman came to his aid and that if Batman thinks he is worth something, then maybe he should too.
The final panel is a close-up of Batman thinking, "The case is over...the team-up is finished! This is good-bye for Batman and Robin!"
The Batgirl back-up is "Downfall of a Goliath!" by Frank Robbins, Gil Kane and Murphy Anderson. Reprinted in Showcase Presents: Batgirl Vol. 1 TPB.
Edited by Julius Schwartz.
Mittwoch, 30. September 2009
Labels:
Batgirl,
Batman,
Bob Brown,
Detective Comics,
Frank Robbins,
Gil Kane,
Irv Novick,
Joe Giella,
Murphy Anderson
Adventure Comics #386
Adventure Comics #386 (On Sale: September 30, 1969) has a Supergirl cover by Murphy Anderson.
"The Beast That Loved Supergirl" is by Cary Bates, Winslow Mortimer and Jack Abel and features Mr. Mxyzptlk. The back-up is "The Godmother of Steel" by Robert Kanigher and Kurt Schaffenberger.
Edited by Mort Weisinger.
"The Beast That Loved Supergirl" is by Cary Bates, Winslow Mortimer and Jack Abel and features Mr. Mxyzptlk. The back-up is "The Godmother of Steel" by Robert Kanigher and Kurt Schaffenberger.
Edited by Mort Weisinger.
Action Comics #382
Action Comics #382 (On Sale: September 30, 1969) has a cover by Curt Swan and Murphy Anderson.
"Clark Kent, Magician" is by Leo Dorfman, Curt Swan and George Roussos. That is followed by the Legion of Super-Heroes in "Kill a Friend to Save a World" by Jim Shooter, Winslow Mortimer and Jack Abel. This story was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.
Edited by Mort Weisinger.
"Clark Kent, Magician" is by Leo Dorfman, Curt Swan and George Roussos. That is followed by the Legion of Super-Heroes in "Kill a Friend to Save a World" by Jim Shooter, Winslow Mortimer and Jack Abel. This story was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.
Edited by Mort Weisinger.
James Clark covers Punch Comics 9
Labels:
1944,
Dynamic Publications,
James Clark,
Punch Comics
Dienstag, 29. September 2009
The Lustful Shogun and his 21 Concubines
If you thought Bohachi Bushido was a good example of sexy jidaigeki, have I got a much-better (and sexier) movie for you: The Lustful Shogun and his 21 Concubines. The story concerns a horny shogunal kagemusha (double) who bonks his way through the ooku (royal harem) of Edo Castle. There's ever so much lovely female flesh on display here, along with all manner of inventive sexual activities employing dildos, midgets, paintbrushes, and a talented pekinese. We also meet a tattooed nun, a lady thief and a couple of Chinese eunuchs. But what we get most of is lots and lots of good old fashioned rumpy pumpy. Yes, whatever complaints you might have about this film, "I didn't see enough fucking" will not be one of them. Frankly, I had no complaints at all; laughs, beautiful women, political intrigue, sword action, and every sex position imaginable -- what's not to like? Sure, the whole affair is decidedly softcore -- no full frontal nudity or penetration -- but there's no denying the Japanese pink film genre's determination to deliver everything but.
The film was directed by Norifumi Suzuki, who, together with Teruo Ishii (he directed Bohachi Bushido), churned out some amazing exploitation films for Toei studios during the late 60s/early 70s. But for my money, it is Suzuki who deserves the mantle of superior filmmaker. While Ishii had his moments, his output was uneven in the extreme, whereas Suzuki always delivered consistently well-made and thoroughly entertaining films.
Featured here are Toei's reigning fleshpots of the period, Reiko Ike and Miki Sugimoto (as the lady thief and a hot noblewoman respectively). Then there's the stunning Yayoi Watanabe as Ukiku, the peasant girlfriend of our impetuous impostor (played with enthusiasm by Shin'ichiro Hayashi). Toru Abe is the manipulative minister who set up the whole imposture for his own ends; his wife and virgin daughter are soon defiled by his priapic protege.
I won't pretend The Lustful Shogun and his 21 Concubines is anything more than a panorama of prurient pleasures with some goofy gags and sword fights thrown in, but hey, it's better than 90% of the crap down at your local cineplex, so why not check it out?
The film was directed by Norifumi Suzuki, who, together with Teruo Ishii (he directed Bohachi Bushido), churned out some amazing exploitation films for Toei studios during the late 60s/early 70s. But for my money, it is Suzuki who deserves the mantle of superior filmmaker. While Ishii had his moments, his output was uneven in the extreme, whereas Suzuki always delivered consistently well-made and thoroughly entertaining films.
Featured here are Toei's reigning fleshpots of the period, Reiko Ike and Miki Sugimoto (as the lady thief and a hot noblewoman respectively). Then there's the stunning Yayoi Watanabe as Ukiku, the peasant girlfriend of our impetuous impostor (played with enthusiasm by Shin'ichiro Hayashi). Toru Abe is the manipulative minister who set up the whole imposture for his own ends; his wife and virgin daughter are soon defiled by his priapic protege.
I won't pretend The Lustful Shogun and his 21 Concubines is anything more than a panorama of prurient pleasures with some goofy gags and sword fights thrown in, but hey, it's better than 90% of the crap down at your local cineplex, so why not check it out?
Jon Adams covers Little Lulu: Too Much Fun
Original cover is from a collection of Little Lulu Comics from Dark Horse; 2006. The cover drawing is taken from the cover to Little Lulu 57 by John Stanley; Dell 1953. Jon Adams's website is here.
Labels:
2006,
John Stanley,
Jon Adams,
Little Lulu,
Little Lulu: Too Much Fun
Montag, 28. September 2009
An eye for the boys
While in the 1970s and early 1980s the use of faux eyes was prevalent in a lot of novelty and counter-culture jewelry in 1962 I'd have been very intrigued by any girl non-conformist enough to wear the eye necklace.
From Linda Carter, Student Nurse #6 (July 1962).
From Linda Carter, Student Nurse #6 (July 1962).
Sam Henderson covers Superman's Pal, Jimmy Olsen
Labels:
1967,
Curt Swan,
DC,
George Klein,
Jimmy Olsen,
Sam Henderson,
Superman,
Superman's Pal Jimmy Olsen
Sonntag, 27. September 2009
Samstag, 26. September 2009
Attack the Gas Station
I often speak of the amazing violence and rage of late 90s/early 00s Korean film, and Attack the Gas Station (1999) is a prime example. While far more light-hearted than something like Peppermint Candy or Sympathy for Mr. Vengeance, this comedy nevertheless exhibits the same explosive quality, a product of nearly a century of political repression.
The story is straightforward enough: Four tough misfits from divergent backgrounds (a baseball player, a rocker, a painter and a formidable goofball) decide to rob a gas station, and wind up staying all night. They've hit this place before, you see, trashing it in the process, and the boss is wise; he's given the day's receipts to his wife, leaving nothing for our petulant protagonists. So they decide to hang around and collect what comes in. Fair enough, but things get complicated, as employees and difficult customers are held hostage, local cops get suspicious, and conflicts develop between the fearsome foursome and a collection of high school bullies, gangsters and scooter-driving Chinese food delivery boys. Tension mounts, and what started out as a simple premise becomes an epic of political allegory and high farce (with tons of fighting, property damage, huge bowls of noodles and bad singing).
Fans of Oldboy will recognize Yu Ji-Tae, the villain of that film, here with his hair dyed white as Paint, the artistic member of the group. The aforementioned formidable goofball is played by the unforgettable Yu Oh-seong, who also turns in a great performance in the poorly-titled yet compelling gangster saga Friend (Chingoo, 2001).
I saw Attack the Gas Station years ago, thought of it quite a bit since and finally bought a copy. I suggest you do the same. You'll love it, plus you never know when this stuff will go out of print. One thing: The dimwits at Media Blasters set the default audio to the English dubbing. Do I have to tell you to switch it to Korean and turn the subs on? Good, didn't think so.
The story is straightforward enough: Four tough misfits from divergent backgrounds (a baseball player, a rocker, a painter and a formidable goofball) decide to rob a gas station, and wind up staying all night. They've hit this place before, you see, trashing it in the process, and the boss is wise; he's given the day's receipts to his wife, leaving nothing for our petulant protagonists. So they decide to hang around and collect what comes in. Fair enough, but things get complicated, as employees and difficult customers are held hostage, local cops get suspicious, and conflicts develop between the fearsome foursome and a collection of high school bullies, gangsters and scooter-driving Chinese food delivery boys. Tension mounts, and what started out as a simple premise becomes an epic of political allegory and high farce (with tons of fighting, property damage, huge bowls of noodles and bad singing).
Fans of Oldboy will recognize Yu Ji-Tae, the villain of that film, here with his hair dyed white as Paint, the artistic member of the group. The aforementioned formidable goofball is played by the unforgettable Yu Oh-seong, who also turns in a great performance in the poorly-titled yet compelling gangster saga Friend (Chingoo, 2001).
I saw Attack the Gas Station years ago, thought of it quite a bit since and finally bought a copy. I suggest you do the same. You'll love it, plus you never know when this stuff will go out of print. One thing: The dimwits at Media Blasters set the default audio to the English dubbing. Do I have to tell you to switch it to Korean and turn the subs on? Good, didn't think so.
Freitag, 25. September 2009
Superman's Girl Friend Lois Lane #97
Superman's Girl Friend Lois Lane #97 (On Sale: September 25, 1969) has a cover by Curt Swan and Murphy Anderson.
We begin with our cover story "The Three Super-Sirens" drawn by Irv Novick.
The back-up is "The Mystery of Skull Island" a reprint from
Superman's Girl Friend Lois Lane #16 drawn by Kurt Schaffenberger. Clark Kent and Lois Lane go undercover as servants to Carlos Floyd, a rich actor, in order to get a story. Floyd has been faking the existence of his wife throughout the house, and no one has met her. Lois begins to suspect that Floyd has done away with his wife in order to gain her inheritance.
Lois finally discovers that Mrs. Floyd is just a mannequin. She sets a trap to force a confession from Carlos, but she ends up getting thrown from a balcony. Superman rescues her and catches the real killer, Sidney Willis, the Floyd lawyer. Carlos had been faking Mrs. Floyd’s existence in hopes of exposing her real killer.
Edited by Mort Weisinger.
We begin with our cover story "The Three Super-Sirens" drawn by Irv Novick.
The back-up is "The Mystery of Skull Island" a reprint from
Superman's Girl Friend Lois Lane #16 drawn by Kurt Schaffenberger. Clark Kent and Lois Lane go undercover as servants to Carlos Floyd, a rich actor, in order to get a story. Floyd has been faking the existence of his wife throughout the house, and no one has met her. Lois begins to suspect that Floyd has done away with his wife in order to gain her inheritance.
Lois finally discovers that Mrs. Floyd is just a mannequin. She sets a trap to force a confession from Carlos, but she ends up getting thrown from a balcony. Superman rescues her and catches the real killer, Sidney Willis, the Floyd lawyer. Carlos had been faking Mrs. Floyd’s existence in hopes of exposing her real killer.
Edited by Mort Weisinger.
Girls' Love Stories #147
Girls' Love Stories #147 (On Sale: September 25, 1969) has a poorly drawn and poorly colored cover by persons unknown.
They begin a new romance serial this issue with "Episode 1" of "Confessions" drawn by John Rosenberger. This is followed by "The Ugliest Girl in the World" penciled by Ric Estrada. We end with "Will the Real Prince Charming Please Stand Up?" also penciled by Ric Estrada.
Edited by Joe Orlando.
They begin a new romance serial this issue with "Episode 1" of "Confessions" drawn by John Rosenberger. This is followed by "The Ugliest Girl in the World" penciled by Ric Estrada. We end with "Will the Real Prince Charming Please Stand Up?" also penciled by Ric Estrada.
Edited by Joe Orlando.
Labels:
Girls' Love Stories,
John Rosenberger,
Ric Estrada
Date With Debbi #6
Date With Debbi #6 (On Sale: September 25, 1969) has a cover by, hmmm, beats me.
We start off with three Debbi stories: "The Stars That Faded," "The Green Ognoogie" and "You Get What You're Paid for" all by persons unknown. These are followed by an untitled Flowers story drawn by L. Stuchkus and Frank McLaughlin. We end with another Debbi story, "Here Comes De -- ?"
Edited by Dick Giordano.
We start off with three Debbi stories: "The Stars That Faded," "The Green Ognoogie" and "You Get What You're Paid for" all by persons unknown. These are followed by an untitled Flowers story drawn by L. Stuchkus and Frank McLaughlin. We end with another Debbi story, "Here Comes De -- ?"
Edited by Dick Giordano.
Labels:
Date With Debbi,
Debbi,
Frank McLaughlin,
L. Stuchkus
Sedyas covers Uncanny X-men 186
Labels:
1984,
Barry Windsor Smith,
Forge,
Marvel,
Sedyas,
Storm,
Uncanny X-Men,
X-men
Donnerstag, 24. September 2009
Tyler Crook covers Palookaville 16
Mittwoch, 23. September 2009
Kerry Callen covers Showcase 61
Labels:
1966,
DC,
Kerry Callen,
Murphy Anderson,
Showcase,
Spectre
Dienstag, 22. September 2009
Jeff Heermann covers Adventure in Fear 21
Coming Soon To Your Grocer's Freezer
If someone had ever said to me, "I don't believe it is possible that a marketing agency could create an advertisement about microwaveable meals that successfully evokes the idea of risky, anonymous oral sex in the bathroom stall of a bus station."
My reply would have been, "On the contrary. I think it is inevitable."
Spotted in a local grocery store, 9-21-09.
My reply would have been, "On the contrary. I think it is inevitable."
Spotted in a local grocery store, 9-21-09.
Montag, 21. September 2009
Mike Loveland covers Captain America Comics 1
Labels:
1941,
Adolf Hitler,
Bucky,
Captain America,
Captain America Comics,
Jack Kirby,
Marvel,
Mike Loveland
Freitag, 18. September 2009
Windy and Willy #4
Windy and Willy #4 (On Sale: September 18, 1969) has a cover by Bob Oksner.
This is the final issue of this Dobie Gillis retread. "Historical High Jinks" is drawn by Bob Oksner and is reprinted from Many Loves of Dobie Gillis #17.
Edited by Dick Giordano.
This is the final issue of this Dobie Gillis retread. "Historical High Jinks" is drawn by Bob Oksner and is reprinted from Many Loves of Dobie Gillis #17.
Edited by Dick Giordano.
Teen Titans #24
Teen Titans #24 (On Sale: September 18, 1969) has a cool cover by Nick Cardy.
"Skis of Death" is by Bob Haney, Gil Kane and Nick Cardy. I can't find my copy of this book for some reason. This story was reprinted in DC Super Stars #1, Best of DC #18 and Showcase Presents: Teen Titans Vol. 2 TPB.
Edited by Dick Giordano.
"Skis of Death" is by Bob Haney, Gil Kane and Nick Cardy. I can't find my copy of this book for some reason. This story was reprinted in DC Super Stars #1, Best of DC #18 and Showcase Presents: Teen Titans Vol. 2 TPB.
Edited by Dick Giordano.
Superman #221
Superman #221 (On Sale: September 18, 1969) has a cover by Curt Swan and Murphy Anderson.
We begin with "The Revolt of the Super-Slave" by Leo Dorfman, Curt Swan and George Roussos. The back-up is the cover-story "The Two-Ton Superman" by Cary Bates, Curt Swan and George Roussos.
Edited by Mort Weisinger.
We begin with "The Revolt of the Super-Slave" by Leo Dorfman, Curt Swan and George Roussos. The back-up is the cover-story "The Two-Ton Superman" by Cary Bates, Curt Swan and George Roussos.
Edited by Mort Weisinger.
Labels:
Cary Bates,
Curt Swan,
George Roussos,
Leo Dorfman,
Murphy Anderson,
Superman
Strange Adventures #221
Strange Adventures #221 (On Sale: September 18, 1969) has an Adam Strange cover by Murphy Anderson.
We begin with"The Duel of the Two Adam Stranges" by Gardner Fox, Carmine Infantino and Bernard Sachs from Mystery In Space #59. A giant Adam Strange appears outside Ranagar and proclaims himself dictator. Alanna can’t believe that Adam has become evil, but he claims to have been altered by the gravitational pull of a radioactive planet. As the giant Adam begins demolishing Ranagar, the former dictator or Rann, Avanar Bar, rises to stop him.
When the real Adam Strange arrives, he explains that the giant is a robot. He tries to stop the robot as well, but when he can’t he realizes that Avanar is controlling it and in doing so trying to reclaim his position as ruler. Adam exposes the plot and gains control of the robot using a device Avanar had hidden under a wig.
Next is "The Square Earth" by Otto Binder and Sy Barry and reprinted from Mystery In Space #22.
We end with the Atomic Knights in "World Out of Time" by John Broome and Murphy Anderson and reprinted from Strange Adventures #129. Bryndon develops a machine that can tap into satellites in Earth's orbit. He uses the satellite cameras to view the world ravaged by World War III. Unexpectedly, the cameras reveal an island in the Atlantic that still has green trees. The Knights speculate that it might be Atlantis, so they leave to investigate.
The island is indeed Atlantis returned as a result of the war. The island is inhabited by Atlantean people planning to conquer the rest of the world. However, they cannot leave the island due to a radiation field surrounding it.
When the Atomic Knights arrive, they can safely pass through the radiation field. The Atlanteans capture them to find out how they are immune to the radiation. The Knights escape before their enemies learn that the armor they wear protects them. As they leave the island, an earthquake causes it to sink into the ocean. Marene manages to gather some seed and food before it sinks. The Knights hope plant life on Earth can be restored with what they've recovered.
Edited by Julius Schwartz.
We begin with"The Duel of the Two Adam Stranges" by Gardner Fox, Carmine Infantino and Bernard Sachs from Mystery In Space #59. A giant Adam Strange appears outside Ranagar and proclaims himself dictator. Alanna can’t believe that Adam has become evil, but he claims to have been altered by the gravitational pull of a radioactive planet. As the giant Adam begins demolishing Ranagar, the former dictator or Rann, Avanar Bar, rises to stop him.
When the real Adam Strange arrives, he explains that the giant is a robot. He tries to stop the robot as well, but when he can’t he realizes that Avanar is controlling it and in doing so trying to reclaim his position as ruler. Adam exposes the plot and gains control of the robot using a device Avanar had hidden under a wig.
Next is "The Square Earth" by Otto Binder and Sy Barry and reprinted from Mystery In Space #22.
We end with the Atomic Knights in "World Out of Time" by John Broome and Murphy Anderson and reprinted from Strange Adventures #129. Bryndon develops a machine that can tap into satellites in Earth's orbit. He uses the satellite cameras to view the world ravaged by World War III. Unexpectedly, the cameras reveal an island in the Atlantic that still has green trees. The Knights speculate that it might be Atlantis, so they leave to investigate.
The island is indeed Atlantis returned as a result of the war. The island is inhabited by Atlantean people planning to conquer the rest of the world. However, they cannot leave the island due to a radiation field surrounding it.
When the Atomic Knights arrive, they can safely pass through the radiation field. The Atlanteans capture them to find out how they are immune to the radiation. The Knights escape before their enemies learn that the armor they wear protects them. As they leave the island, an earthquake causes it to sink into the ocean. Marene manages to gather some seed and food before it sinks. The Knights hope plant life on Earth can be restored with what they've recovered.
Edited by Julius Schwartz.
Justice League of America #76
Justice League of America #76 (On Sale: September 18, 1969) has a cover by Murphy Anderson.
We begin with "The Cosmic Fun-House" by Gardner Fox, Mike Sekowsky and Bernard Sachs from Justice League of America #7. Entering the fun-house of a new Happy Harbor amusement park, Snapper Carr and his girlfriend, Midge, are transported to an alien planet, from which the Justice League rescues them. Later, some of the members investigate the fun-house in their secret identities, with the result that Flash, Green Lantern, Wonder Woman, and Green Arrow are captured by invading aliens from the planet Angellax – the builders of the fun-house. Two of the aliens become duplicates of Barry (Flash) Allen and Hal (Green Lantern) Jordan, and send Superman, Batman, and J’onn J’onzz into the future on a wild goose chase to capture Xotar, whom they blame for the fun-house incidents. Aquaman is then lured into a trap.
At the same time, the four captive members escape, only to be transformed into weirdly distorted shapes by a mirror device. Aquaman aids the four, and they defeat the aliens despite their altered bodies. After Green Lantern restores himself and the others to normal, and the other heroes return from the future, they again enjoy the no-longer-dangerous amusement park while they are in their civilian identities.
The second story in this issue is "The Last Case of the Justice League" by Gardner Fox, Mike Sekowsky and Bernard Sachs from Justice League of America #12. Snapper Carr arrives late at a Justice League meeting to find the members gone and Dr. Light in their place. The villain forces him to chronicle his victory over the League in the JLA Casebook.
Capturing Aquaman, he had summoned the other members with the Sea King’s signal device, then projected them into various sidereal worlds. Aquaman had been sent to a desert planet, J’onn J’onzz to a world of fir, Flash to a planet where his balance was disrupted and his speed of little use, Wonder Woman to a place where her body refused to obey her brain, Green Arrow to a planet where strange organic magnetism rendered his weapons useless, and Green Lantern to an entirely yellow world. Superman was trapped on a world with a red sun, and Batman in a place where the laws of science didn’t hold.
What Dr. Light doesn’t realize, however, is that Batman and Superman had exchanged identities in order to trick him. Thus, Superman, in full possession of his powers, is able to escape the prison planet intended for Batman, and he rescues his fellow members.
Returning to the Secret Sanctuary, the super-heroes rescue Snapper, who alerts them to Light’s planned theft of three mementos of light. Though Aquaman and Green Arrow halt the villain’s plan to steal the Colossus of Rhodes, Green Lantern is apparently destroyed during the battle. Simultaneously, Batman, Flash, and J’onn J’onzz encounter and subdue a second Dr. Light, who attempts to steal the diamond Heart of Light, while Superman and Wonder Woman capture a third, who is making off with the first electric light bulb. These three captives are revealed to be mere images, and the real Dr. Light is about to set off vibrating light-impulses that will overcome everyone on Earth.
He is beaten at his own game by Green Lantern, who had not been destroyed at all, but had allowed his image to be blasted, while he searched for Light’s hideout and captured the villain.
This issue also contains a two-page poster of the Justice Society of America and a one-page poster of the Seven Soldiers of Victory both by Murphy Anderson. These illustrations are accompanied by a Fact File on both teams.
Edited by Julius Schwartz.
We begin with "The Cosmic Fun-House" by Gardner Fox, Mike Sekowsky and Bernard Sachs from Justice League of America #7. Entering the fun-house of a new Happy Harbor amusement park, Snapper Carr and his girlfriend, Midge, are transported to an alien planet, from which the Justice League rescues them. Later, some of the members investigate the fun-house in their secret identities, with the result that Flash, Green Lantern, Wonder Woman, and Green Arrow are captured by invading aliens from the planet Angellax – the builders of the fun-house. Two of the aliens become duplicates of Barry (Flash) Allen and Hal (Green Lantern) Jordan, and send Superman, Batman, and J’onn J’onzz into the future on a wild goose chase to capture Xotar, whom they blame for the fun-house incidents. Aquaman is then lured into a trap.
At the same time, the four captive members escape, only to be transformed into weirdly distorted shapes by a mirror device. Aquaman aids the four, and they defeat the aliens despite their altered bodies. After Green Lantern restores himself and the others to normal, and the other heroes return from the future, they again enjoy the no-longer-dangerous amusement park while they are in their civilian identities.
The second story in this issue is "The Last Case of the Justice League" by Gardner Fox, Mike Sekowsky and Bernard Sachs from Justice League of America #12. Snapper Carr arrives late at a Justice League meeting to find the members gone and Dr. Light in their place. The villain forces him to chronicle his victory over the League in the JLA Casebook.
Capturing Aquaman, he had summoned the other members with the Sea King’s signal device, then projected them into various sidereal worlds. Aquaman had been sent to a desert planet, J’onn J’onzz to a world of fir, Flash to a planet where his balance was disrupted and his speed of little use, Wonder Woman to a place where her body refused to obey her brain, Green Arrow to a planet where strange organic magnetism rendered his weapons useless, and Green Lantern to an entirely yellow world. Superman was trapped on a world with a red sun, and Batman in a place where the laws of science didn’t hold.
What Dr. Light doesn’t realize, however, is that Batman and Superman had exchanged identities in order to trick him. Thus, Superman, in full possession of his powers, is able to escape the prison planet intended for Batman, and he rescues his fellow members.
Returning to the Secret Sanctuary, the super-heroes rescue Snapper, who alerts them to Light’s planned theft of three mementos of light. Though Aquaman and Green Arrow halt the villain’s plan to steal the Colossus of Rhodes, Green Lantern is apparently destroyed during the battle. Simultaneously, Batman, Flash, and J’onn J’onzz encounter and subdue a second Dr. Light, who attempts to steal the diamond Heart of Light, while Superman and Wonder Woman capture a third, who is making off with the first electric light bulb. These three captives are revealed to be mere images, and the real Dr. Light is about to set off vibrating light-impulses that will overcome everyone on Earth.
He is beaten at his own game by Green Lantern, who had not been destroyed at all, but had allowed his image to be blasted, while he searched for Light’s hideout and captured the villain.
This issue also contains a two-page poster of the Justice Society of America and a one-page poster of the Seven Soldiers of Victory both by Murphy Anderson. These illustrations are accompanied by a Fact File on both teams.
Edited by Julius Schwartz.
Labels:
Batwoman,
Bernard Sachs,
Gardner Fox,
Justice League of America,
Justice Society of America,
Mike Sekowsky,
Miss Arrowette,
Murphy Anderson,
Seven Soldiers of Victory
Falling In Love #111
Falling In Love #111 (On Sale: September 18, 1969) has a cover by Ric Estrada and Vinny Colletta.
We begin with "The Girl Who Can't Say No" drawn by Artie Saaf and Vinny Colletta. Next is "A Tug-o-War with My Heart" drawn by Ric Estrada and Vinny Colletta. that is followed by Betty's Boutique drawn by Tony Abruzzo.We end with "Shy Girl" drawn by Ric Estrada and Vinny Colletta which was reprinted in Young Love #109.
Edited by Murray Boltinoff.
We begin with "The Girl Who Can't Say No" drawn by Artie Saaf and Vinny Colletta. Next is "A Tug-o-War with My Heart" drawn by Ric Estrada and Vinny Colletta. that is followed by Betty's Boutique drawn by Tony Abruzzo.We end with "Shy Girl" drawn by Ric Estrada and Vinny Colletta which was reprinted in Young Love #109.
Edited by Murray Boltinoff.
Labels:
Artie Saaf,
Falling In Love,
Ric Estrada,
Tony Abruzzo,
Vince Colletta
Adventures of Jerry Lewis #115
Adventures of Jerry Lewis #115 (On Sale: September 18, 1969) has a cover by Bob Oksner.
This issue we have "The Kook with the Cuckoo Clock, " "Dog Tired," "Extra – Special Delivery" and "The Jerry Tree." All are by Arnold Drake and Bob Oksner.
Edited by Murray Boltinoff.
This issue we have "The Kook with the Cuckoo Clock, " "Dog Tired," "Extra – Special Delivery" and "The Jerry Tree." All are by Arnold Drake and Bob Oksner.
Edited by Murray Boltinoff.
Labels:
Adventures of Jerry Lewis,
Arnold Drake,
Bob Oksner
Steve Weissman covers Superboy 116
Original cover by Curt Swan and Sheldon Moldoff; DC 1964. Steve Weissman's website is here. Steve Weissman's website is here.
Labels:
1964,
Curt Swan,
DC,
Lana Lang,
Sheldon Moldoff,
Steve Weissman
Donnerstag, 17. September 2009
Aaron Conley covers Uncanny X-men 213
Labels:
1987,
Aaron Conley,
Alan Davis,
Marvel,
Paul Neary,
Sabertooth,
Uncanny X-Men,
Wolverine,
X-men
Velma's Secret Origin
Mittwoch, 16. September 2009
Phantom Stranger #4
Phantom Stranger #4 (On Sale: September 16, 1969) has a cover by Neal Adams.
We begin with "There is Laughter in Hell This Day" by Robert Kanigher, Neal Adams and Bill Draut. In my mind I have always considered this to be the first real story of the modern Phantom Stranger. Before I get to the story though, I have to say that the strange combination of Neal Adams and Bill Draut came off pretty well, though it looks like Neal went back in and reinked quite a bit of this himself, so who knows what it actually looked like.
We begin in Haiti, where Dr. Terence Thirteen and his wife Maria are witness to a crazed tourist's dive from a waterfall into a pool during a native ceremony calling for Tala. Terry dives in to save the man but discovers an underwater vortex sucking everything into a tunnel. He barely makes it back to the surface and the next morning has the authorities use explosives to seal up the tunnel. No one notices the swirling smoke the explosion released that forms into the beautiful Tala.
As the Thirteen's jet back to New York to check on a supposedly sobbing brownstone building, their jet is engulfed by an enormous black cloud. From outside it is clear that the cloud is a manifestation of Tala's cape as sit stands astride the jetliner. A crackle of lightning from a vast white cloud signals the arrival of the Phantom Stranger. As they arrive in New York that evening the area is in the midst of a strange power blackout, when, low on fuel, the plane's lights and radio also die. Terry thinks he sees a beautiful woman standing on the plane's wing, but realizes it must be an illusion caused by strain.
A glowing Phantom Stranger guides the blinded plane in safely and Tala confronts the Stranger before flying off. Terry Thirteen also confronts the Stranger, calling him a phony stage magician, but the Stranger disappears in the smoggy darkness of night. the plane down and out of danger, the power suddenly returns to New York.
The next day a quartet of teenagers trade some junk with a Brooklyn junkman for some money and what he calls a "a book to raise the dead." The foursome then head for the supposedly haunted brownstone building where they plan on crashing for a bit and on of them mentions that the old how has been dead for years and that maybe the book could "wake it up again." Inside they find a huge old fireplace with massive gargoyles and above the mantle, a painting of a beautiful girl. In a mirror off to the side is the reflection of Tala.
Suddenly they hear the sobbing the house is infamous for and they drop the book on a dusty table where, unseen, Tala forces open the catch and flips the pages to a voodoo incantation for raising the dead. They read the incantation which asks Tala to bring them life. Unfortunately, the life is passed to the two gargoyles who attack the foursome. But the Phantom Stranger suddenly materializes as well and intercepts the gargoyles doing battle with them, turning them into a pile of broken plaster. Tala then emerges from the mirror and offers herself to the Stranger, but she is rebuffed and flies off in a fury.
Moments later the Thirteens arrive and Terry accuses the Stranger of playing upon the delusions of the youngsters. But they say they have heard the crying in the building. The wailing starts again and the Stranger cuts a hole in the wall with his finger and inside they find an old, skeletal woman. Thirteen tries to explain away her existence but the woman, barely alive tells of how she came to the building when she was 18, to visit her fiancé and how she told him of her love for another and how in a fit of rage he sealed her up in the wall and became a hermit, spending the entirety of his life in the house to be near her.
In his will he saw to it that the house could never be touched and so it and she remained. Suddenly the house begins to shake and tremble. As they run from the building Tala can be seen on top of the house laughing. Thirteen calls it an illusion. The woman says all she wants is to sleep forever and the Stranger promises her it will be. The next evening he places flowers on her grave. Thirteen is there, calling it all a hypnotic illusion staged by the Stranger. The Stranger tell him that there are "more things in heaven and Earth-- than one can imagine" and then disappears, leaving Thirteen still convinced that the Stranger has duped them all. This was Reprinted in Showcase Presents Phantom Stranger Vol. 1 TPB.
The back-up story "Out of This World" is by Robert Kanigher and Murphy Anderson and is presented as one of the "Strange Tales from the Phantom Stranger." This is the old story of a guy picking up a hitchhiker, taking her out dancing and falling in love with her. The next night he returns to the house he dropped her off at and discovers that she died one year ago yesterday. This is very close to the plot of the old Dickie Lee song, Laurie (Strange Things Happen In This World).
Last night at the dance I met Laurie,
So lovely and warm, an angel of a girl.
Last night I fell in love with Laurie -
Strange things happen in this world.
As I walked her home,
She said it was her birthday.
I pulled her close and said
"Will I see you anymore?"
Then suddenly she asked for my sweater
And said that she was very, very cold.
I kissed her goodnight
At her door and started home,
Then thought about my sweater
And went right back instead.
I knocked at her door and a man appeared.
I told why I'd come, then he said:
"You're wrong, son.
You weren't with my daughter.
How can you be so cruel
To come to me this way?
My Laurie left this world on her birthday -
She died a year ago today."
A strange force drew me to the graveyard.
I stood in the dark,
I saw the shadows wave,
And then I looked and saw my sweater
Lyin' there upon her grave.
Strange things happen in this world.
Reprinted in Showcase Presents Phantom Stranger Vol. 1 TPB.
The letters page features a letter by the late comic historian Richard Morrissey and one from letter column regular Gary Skinner.
Edited by Joe Orlando.
We begin with "There is Laughter in Hell This Day" by Robert Kanigher, Neal Adams and Bill Draut. In my mind I have always considered this to be the first real story of the modern Phantom Stranger. Before I get to the story though, I have to say that the strange combination of Neal Adams and Bill Draut came off pretty well, though it looks like Neal went back in and reinked quite a bit of this himself, so who knows what it actually looked like.
We begin in Haiti, where Dr. Terence Thirteen and his wife Maria are witness to a crazed tourist's dive from a waterfall into a pool during a native ceremony calling for Tala. Terry dives in to save the man but discovers an underwater vortex sucking everything into a tunnel. He barely makes it back to the surface and the next morning has the authorities use explosives to seal up the tunnel. No one notices the swirling smoke the explosion released that forms into the beautiful Tala.
As the Thirteen's jet back to New York to check on a supposedly sobbing brownstone building, their jet is engulfed by an enormous black cloud. From outside it is clear that the cloud is a manifestation of Tala's cape as sit stands astride the jetliner. A crackle of lightning from a vast white cloud signals the arrival of the Phantom Stranger. As they arrive in New York that evening the area is in the midst of a strange power blackout, when, low on fuel, the plane's lights and radio also die. Terry thinks he sees a beautiful woman standing on the plane's wing, but realizes it must be an illusion caused by strain.
A glowing Phantom Stranger guides the blinded plane in safely and Tala confronts the Stranger before flying off. Terry Thirteen also confronts the Stranger, calling him a phony stage magician, but the Stranger disappears in the smoggy darkness of night. the plane down and out of danger, the power suddenly returns to New York.
The next day a quartet of teenagers trade some junk with a Brooklyn junkman for some money and what he calls a "a book to raise the dead." The foursome then head for the supposedly haunted brownstone building where they plan on crashing for a bit and on of them mentions that the old how has been dead for years and that maybe the book could "wake it up again." Inside they find a huge old fireplace with massive gargoyles and above the mantle, a painting of a beautiful girl. In a mirror off to the side is the reflection of Tala.
Suddenly they hear the sobbing the house is infamous for and they drop the book on a dusty table where, unseen, Tala forces open the catch and flips the pages to a voodoo incantation for raising the dead. They read the incantation which asks Tala to bring them life. Unfortunately, the life is passed to the two gargoyles who attack the foursome. But the Phantom Stranger suddenly materializes as well and intercepts the gargoyles doing battle with them, turning them into a pile of broken plaster. Tala then emerges from the mirror and offers herself to the Stranger, but she is rebuffed and flies off in a fury.
Moments later the Thirteens arrive and Terry accuses the Stranger of playing upon the delusions of the youngsters. But they say they have heard the crying in the building. The wailing starts again and the Stranger cuts a hole in the wall with his finger and inside they find an old, skeletal woman. Thirteen tries to explain away her existence but the woman, barely alive tells of how she came to the building when she was 18, to visit her fiancé and how she told him of her love for another and how in a fit of rage he sealed her up in the wall and became a hermit, spending the entirety of his life in the house to be near her.
In his will he saw to it that the house could never be touched and so it and she remained. Suddenly the house begins to shake and tremble. As they run from the building Tala can be seen on top of the house laughing. Thirteen calls it an illusion. The woman says all she wants is to sleep forever and the Stranger promises her it will be. The next evening he places flowers on her grave. Thirteen is there, calling it all a hypnotic illusion staged by the Stranger. The Stranger tell him that there are "more things in heaven and Earth-- than one can imagine" and then disappears, leaving Thirteen still convinced that the Stranger has duped them all. This was Reprinted in Showcase Presents Phantom Stranger Vol. 1 TPB.
The back-up story "Out of This World" is by Robert Kanigher and Murphy Anderson and is presented as one of the "Strange Tales from the Phantom Stranger." This is the old story of a guy picking up a hitchhiker, taking her out dancing and falling in love with her. The next night he returns to the house he dropped her off at and discovers that she died one year ago yesterday. This is very close to the plot of the old Dickie Lee song, Laurie (Strange Things Happen In This World).
Last night at the dance I met Laurie,
So lovely and warm, an angel of a girl.
Last night I fell in love with Laurie -
Strange things happen in this world.
As I walked her home,
She said it was her birthday.
I pulled her close and said
"Will I see you anymore?"
Then suddenly she asked for my sweater
And said that she was very, very cold.
I kissed her goodnight
At her door and started home,
Then thought about my sweater
And went right back instead.
I knocked at her door and a man appeared.
I told why I'd come, then he said:
"You're wrong, son.
You weren't with my daughter.
How can you be so cruel
To come to me this way?
My Laurie left this world on her birthday -
She died a year ago today."
A strange force drew me to the graveyard.
I stood in the dark,
I saw the shadows wave,
And then I looked and saw my sweater
Lyin' there upon her grave.
Strange things happen in this world.
Reprinted in Showcase Presents Phantom Stranger Vol. 1 TPB.
The letters page features a letter by the late comic historian Richard Morrissey and one from letter column regular Gary Skinner.
Edited by Joe Orlando.
Meet Angel #7
Meet Angel #7 (On Sale: September 16, 1969) has a cover inked by Bob Oksner and a totally meaningless name change from The Angel and the Ape, particularly since this is the last issue of the book.
We begin with "A Busy Little Aunt" and "Suits Me Fine," both penciled by Bob Oksner. Next is "The Case of the Inside Job" drawn by Bob Oksner and Wally Wood. We end the reign of The Angel and the Ape with"The Case of the Millionaire Cat" also drawn by Bob Oksner and Wally Wood
Edited by Joe Orlando.
We begin with "A Busy Little Aunt" and "Suits Me Fine," both penciled by Bob Oksner. Next is "The Case of the Inside Job" drawn by Bob Oksner and Wally Wood. We end the reign of The Angel and the Ape with"The Case of the Millionaire Cat" also drawn by Bob Oksner and Wally Wood
Edited by Joe Orlando.
Labels:
Angel and the Ape,
Bob Oksner,
Meet Angel,
Wally Wood
Tom Neely covers Forbidden Worlds 24
Labels:
1953,
American Comics Group,
Forbidden Worlds,
Ken Bald,
Tom Neely
Dienstag, 15. September 2009
Local News
Thanks to President Obama and his policies, Al Qaeda have fallen on desperate times and have had to resort to robbing banks in San Diego for their fund raising.
Screenshot from the local section of Google News, September 14, 2009.
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